“Things are Complicated”: Paul Cornell at Marvel and DC

Q2 Arts and Humanities
Authorship Pub Date : 2017-12-21 DOI:10.21825/AJ.V6I2.7701
M. Flanagan
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引用次数: 0

Abstract

Paul Cornell’s work for the ‘Big Two’ U.S. comic publishers transfers a distinctly British (mostly English) sensibility into a field where cues normally revolve around American cultural iconography and values. The key to his authorship is Cornell’s homespun method. Unlike the efforts of Marvel’s UK wing in the 1970s and '80s - transplanting American characters into a postcard-like Britain - his approach explores a British dimension of the Marvel Universe that offers a challenge to the codes of that realm. Whether working with established heroes such as Captain Britain, twists on archetypes like Knight and Squire (English analogues of Batman and Robin), or superheroic ‘big guns’ like Wolverine, Cornell writes against tired, automatic canonicity. This paper mainly focuses on the directly British representations in the Cornell titles Captain Britain and MI-13 (2008-9) and Knight and Squire (2010).
“事情很复杂”:保罗·康奈尔在漫威和DC
保罗·康奈尔(Paul Cornell)为美国“两大”漫画出版商所做的工作,将一种明显的英国(主要是英国)敏感性转移到了一个通常围绕美国文化形象和价值观展开的领域。他写作的关键在于康奈尔朴素的方法。与上世纪七八十年代漫威英国分公司的努力不同——将美国角色移植到明信片般的英国——他的方法探索了漫威宇宙的英国维度,对那个领域的规则提出了挑战。无论是与英国队长这样的知名英雄合作,还是对骑士和乡绅(英国版的蝙蝠侠和罗宾)这样的原型进行扭曲,还是像金刚狼这样的超级英雄“大枪”,康奈尔的作品都反对乏味、自动的经典化。本文主要关注康奈尔大学的《英国队长与米-13》(2008- 09)和《骑士与乡绅》(2010)中英国人的直接表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.20
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24 weeks
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