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Afterword: “Your time’s expired”: Spatiotemporal Dramaturgies of the Contemporary 后记:“你的时间已经过期”:当代的时空戏剧
Shakespeare Bulletin Pub Date : 2023-03-01 DOI: 10.1353/shb.2023.a907994
Peter Kirwan
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引用次数: 0
Romeo and Juliet (review) 《罗密欧与朱丽叶》(回顾)
Shakespeare Bulletin Pub Date : 2022-12-15 DOI: 10.1353/shb.2022.0040
N. Sloboda
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引用次数: 0
The Merchant of Venice (review) 《威尼斯商人》(回顾)
Shakespeare Bulletin Pub Date : 2022-12-15 DOI: 10.1353/shb.2022.0042
B. Krumm
{"title":"The Merchant of Venice (review)","authors":"B. Krumm","doi":"10.1353/shb.2022.0042","DOIUrl":"https://doi.org/10.1353/shb.2022.0042","url":null,"abstract":"","PeriodicalId":304234,"journal":{"name":"Shakespeare Bulletin","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124001462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Tempest (review) 《暴风雨》(回顾)
Shakespeare Bulletin Pub Date : 2022-12-15 DOI: 10.1353/shb.2022.0041
M. Rose
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引用次数: 0
Much Ado About Nothing (review) 无事生非(回顾)
Shakespeare Bulletin Pub Date : 2022-12-01 DOI: 10.1353/shb.2022.0056
B. Lukacs
{"title":"Much Ado About Nothing (review)","authors":"B. Lukacs","doi":"10.1353/shb.2022.0056","DOIUrl":"https://doi.org/10.1353/shb.2022.0056","url":null,"abstract":"","PeriodicalId":304234,"journal":{"name":"Shakespeare Bulletin","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127875083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Henry V (review) 《亨利五世》(回顾)
Shakespeare Bulletin Pub Date : 2022-12-01 DOI: 10.1353/shb.2022.0053
Justin B. Hopkins
{"title":"Henry V (review)","authors":"Justin B. Hopkins","doi":"10.1353/shb.2022.0053","DOIUrl":"https://doi.org/10.1353/shb.2022.0053","url":null,"abstract":"Having chosen to shorten it significantly, the production had no choice but to stay for the most part on the literal level of the play, telling the story straightforwardly, emphasizing physical comedy, cutting lines that might point towards the deeper (and darker) significance of the action. It never, for example, left itself enough time (either through the words or the action) to articulate and make felt the implications of the dancing lovers or, more importantly, of the shift in lines between Oberon and Titania. As the reversal of the opening scenes suggested and his flamboyant acting made clear, Bottom and his mates were meant to be the stars of the show. All in all the production did what it apparently set out to do and offered a concise, accessible, and visually attractive articulation of the play, designed to entertain both adults and children.","PeriodicalId":304234,"journal":{"name":"Shakespeare Bulletin","volume":"1681 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120942208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“You want to sort that out?”: A Conversation on Overwhelming Whiteness, Anti-Racism, Theater-Making, and Shakespeare with Keith Hamilton Cobb “你想解决这个问题吗?”:与基思·汉密尔顿·科布关于压倒性的白人、反种族主义、戏剧制作和莎士比亚的对话
Shakespeare Bulletin Pub Date : 2022-12-01 DOI: 10.1353/shb.2022.0050
Kevin Ewert
{"title":"“You want to sort that out?”: A Conversation on Overwhelming Whiteness, Anti-Racism, Theater-Making, and Shakespeare with Keith Hamilton Cobb","authors":"Kevin Ewert","doi":"10.1353/shb.2022.0050","DOIUrl":"https://doi.org/10.1353/shb.2022.0050","url":null,"abstract":"Abstract:Shortly after the murder of George Floyd on 25 May 2020, there was a great outpouring of claims to anti-racist solidarity, including from a great many in the American theater establishment. But what would that look like, in action? The “We See You White American Theatre” manifesto lays down a wide-ranging action plan of “transformative practices” aimed at changing our current theater-making ecology. In this interview, the writer and actor Keith Hamilton Cobb lays down some ideas for transformative Shakespearean theatrical practices. Cobb draws on his long career in theater, film, and television, as well as his experience as author and performer of American Moor, and gestures towards some radical rethinking of rehearsal processes and priorities currently being put to the test in his Untitled Othello Project. Cobb’s insights offer numerous ways to challenge the overwhelming whiteness of the American theater-making status quo.","PeriodicalId":304234,"journal":{"name":"Shakespeare Bulletin","volume":"136 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132574684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Everyone in illyria is bi you absolute cowards”: Shakespeare TikTok, Twelfth Night, and the Search for a Queer Utopia “伊利里亚的每个人都是绝对的懦夫”:莎士比亚抖音、第十二夜和寻找酷儿乌托邦
Shakespeare Bulletin Pub Date : 2022-12-01 DOI: 10.1353/shb.2022.0048
Trevor Boffone, Danielle Rosvally
{"title":"“Everyone in illyria is bi you absolute cowards”: Shakespeare TikTok, Twelfth Night, and the Search for a Queer Utopia","authors":"Trevor Boffone, Danielle Rosvally","doi":"10.1353/shb.2022.0048","DOIUrl":"https://doi.org/10.1353/shb.2022.0048","url":null,"abstract":"Abstract:As TikTok continues to cement itself as the most popular social media platform in the world, the nuanced ways in which Shakespeare nerds use the platform to display their digital fandom remain understudied. This essay addresses how Shakespeare TikTokers (“ShakesTokers”) use the platform to create a queer utopia, and specifically how this utopia manifests in the usage of Twelfth Night as a queer touchstone. In this piece, we consider ShakesTokers’ readings of the text as a fluid space of gender and identity in order to show how the dramaturgy of Twelfth Night aligns with Gen Z politics and aesthetics which inform TikTok’s culture at large. We look at ShakesTok readings of Twelfth Night’s characters, how these readings manifest a queer utopia, how they approach the trope of cross-dressing, and how mini performances of and inspired by Twelfth Night saturate themselves in queer readings of this text and its characters. We argue that Twelfth Night marks the epicenter of TikTok’s critical Shakesqueer. This critical lens allows TikTok users opportunities to engage with the text of Shakespeare’s plays on their own terms, and to extend ownership of the text into spaces that are familiar to them. In so doing, they enact a well-worn paradigm of Shakespearean textual analysis in fresh ways, enabled by the digital tools at their disposal. By closely examining Twelfth Night TikTok, this article sheds new light on the little acknowledged role that Shakespeare plays in forming mainstream TikTok culture, which may be key to developing a new generation of Shakespearean audiences.","PeriodicalId":304234,"journal":{"name":"Shakespeare Bulletin","volume":"15 12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127651560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Much Ado (review) 事倍功半(复习)
Shakespeare Bulletin Pub Date : 2022-12-01 DOI: 10.1353/shb.2022.0057
Josepha Kuhn
{"title":"Much Ado (review)","authors":"Josepha Kuhn","doi":"10.1353/shb.2022.0057","DOIUrl":"https://doi.org/10.1353/shb.2022.0057","url":null,"abstract":"Much Ado Produced by Shakespeare Sisters. Premiere 1 April 2022, London Independent Film Festival. Produced, directed, and written for screen by AnnaElizabeth Shakespeare and Hillary Shakespeare. Cinematography by Tom van den Broek. Music by Simon Porter. With Emma Beth Jones (Beatrice), Luke Hunter (Claudio), Johnny Lucas (Benedick), Jody Larcombe (Hero), James McClelland (Pedro), Toby Wynn Davies (Antonio), Peter Saracen (Leonato), Jack Boal ( John), Tani Toluwa (Ursula), Anya Rivers (Margaret), Harish Goutan (Friar Francis), Joseph Emms (Balthasar), and others.","PeriodicalId":304234,"journal":{"name":"Shakespeare Bulletin","volume":"91 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132352965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Henry VIII (review) 《亨利八世》(回顾)
Shakespeare Bulletin Pub Date : 2022-12-01 DOI: 10.1353/shb.2022.0054
R. Hubbard
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引用次数: 0
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