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Creativity and ownership: Protection of rights in musical works in the European Union from digitisation to artificial intelligence 创造性和所有权:欧盟音乐作品从数字化到人工智能的权利保护
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Muzikologija-Musicology Pub Date : 2020-01-01 DOI: 10.2298/MUZ2029149C
Uros Cemalovic
{"title":"Creativity and ownership: Protection of rights in musical works in the European Union from digitisation to artificial intelligence","authors":"Uros Cemalovic","doi":"10.2298/MUZ2029149C","DOIUrl":"https://doi.org/10.2298/MUZ2029149C","url":null,"abstract":"Even more than intelligence, creativity is considered as a quintessentially human capacity. The same conclusion is fully applicable to the artistic creation in music sector. However, rapid technological development is constantly challenging not only the creative process as such, but also the legal instruments intended to protect the results of intellectual and artistic work. The first part of this article examines the provisions of the new EU Directive 2019/790 dedicated to online content-sharing service providers and fair remuneration of authors/performers, while its second part maps the main challenges the development of artificial intelligence imposes to the protection of rights in musical works.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68536891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
„Tote Aber Leben Länger“. The Second Viennese school and its place in the reflections of selected composers from the second half of the twentieth century (Lutosławski, Ligeti, Lachenmann, Harvey) “Tote Aber Leben Länger”。第二维也纳学派及其在二十世纪下半叶精选作曲家（Lutosławski、Ligeti、Lachenmann、Harvey）反思中的地位
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Muzikologija-Musicology Pub Date : 2020-01-01 DOI: 10.2298/muz2028173s
Ewa Schreiber
{"title":"„Tote Aber Leben Länger“. The Second Viennese school and its place in the reflections of selected composers from the second half of the twentieth century (Lutosławski, Ligeti, Lachenmann, Harvey)","authors":"Ewa Schreiber","doi":"10.2298/muz2028173s","DOIUrl":"https://doi.org/10.2298/muz2028173s","url":null,"abstract":"The juxtaposition of classicism and actuality is a good description of the ambiguous position occupied by the Second Viennese School not only in the eyes of the scholars who research it, but also of composers who can be regarded as its successors. However, in the works and writings originating from the Second Viennese School we find a concentration of problems encountered by contemporary composers, especially the modernist ones. The aim of this article is to examine the role played by the representatives of the Second Viennese School in the reflections of selected twentieth-century composers, concerning their place in music history, the expressive categories present in their work, and their ambiguous attitude to tonality. A separate subject to be explored is the discourse used by contemporary composers to describe the music of their predecessors, full of both analytical categories and vivid metaphors. The quoted composers (Witold Lutos?awski, Gy?rgy Ligeti, Helmut Lachenmann and Jonathan Harvey) may be identified with more-or-less radical modernist views. This article is guided by the thinking of Gianmario Borio and the idea of ?historical appropriation?, according to which analysis of the works of the past helps composers to create their own artistic identities and to define their own place in the history of music.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68536789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Perverting the Taste of the People”: Lăutari and the Balkan Question in Romania “歪曲人民的口味”:罗马尼亚的卢利乌塔里和巴尔干问题
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Muzikologija-Musicology Pub Date : 2020-01-01 DOI: 10.2298/MUZ2029085L
Roderick Lawford Charles
{"title":"“Perverting the Taste of the People”: Lăutari and the Balkan Question in Romania","authors":"Roderick Lawford Charles","doi":"10.2298/MUZ2029085L","DOIUrl":"https://doi.org/10.2298/MUZ2029085L","url":null,"abstract":"??Perverting the Taste of the People?: L?utari and the Balkan Question in Romania? considers the term ?Balkan? in the context of Romanian Romani music-making. The expression can be used pejoratively to describe something ?bar-baric? or fractured. In the ?world music? era, ?gypsy-inspired? music from the Balkans has become highly regarded. From this perspective ?Balkan? is seen as something desirable. The article uses the case of the Romanian ?gypsy? band Taraf de Ha?douks in illustration. Romania?s cultural and physical position with- in Europe can be difficult to locate, a discourse reflected in Romanian society itself, where many reject the description of Romania as a ?Balkan? country. This conflict has been contested through manele, a Romanian popular musical genre. In contrast, manele is seen by its detractors as too ?eastern? in character, an unwelcome reminder of earlier Balkan and Ottoman influences on Romanian culture.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68536771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vladimir R. Djordjevic in the National Library of Serbia Vladimir R. Djordjevic在塞尔维亚国家图书馆
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Muzikologija-Musicology Pub Date : 2020-01-01 DOI: 10.2298/MUZ2029069P
Velibor Prelic
{"title":"Vladimir R. Djordjevic in the National Library of Serbia","authors":"Velibor Prelic","doi":"10.2298/MUZ2029069P","DOIUrl":"https://doi.org/10.2298/MUZ2029069P","url":null,"abstract":"This article deals with the collection of documents belonging to Vladimir R. Djordjevic, which are kept at the National Library of Serbia. These documents are divided in two separate personal funds ? Vladimir?s letters to his brother Tihomir are preserved in the Legacy of Tihomir R. Djordjevic, while photographs and letters addressed to Vladimir Djordjevic are in the Legacy of his nieces Ljubica and Danica S. Jankovic. This material can be a very useful source for research of Djordjevic?s life and work.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68536700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
William Byrd and the limits of formal music analysis 威廉·伯德和形式音乐分析的局限
IF 0.1
Muzikologija-Musicology Pub Date : 2020-01-01 DOI: 10.2298/muz2028149c
Žarko Cvejić
{"title":"William Byrd and the limits of formal music analysis","authors":"Žarko Cvejić","doi":"10.2298/muz2028149c","DOIUrl":"https://doi.org/10.2298/muz2028149c","url":null,"abstract":"Writing in 1962, Joseph Kerman was the first to speculate about potentially subversive political meanings in the Cantiones sacrae of the English Renaissance composer William Byrd, his two collections of motets published in 1589 and 1591, ?voicing prayers, exhortations, and protests on behalf of the English Catholic community?. Subsequent research has corroborated Kerman?s speculations, showing that many of the texts Byrd set indeed feature the same politically charged metaphors that English Jesuit missionaries used to describe the predicament of Catholics living under the Protestant regime of Queen Elizabeth I, as well as that Byrd maintained close ties with many of these missionaries. In our own time, however, those who have analysed these motets, including Kerman, have paid little attention to this, preferring formal(ist) analytical approaches to this body of music. Focusing on Ne irascaris Domine, one of Byrd?s most famous ?political? motets, and the only two major analytical responses to it, this article attempts to demonstrate the limitations of formalist music analysis when applied to Renaissance sacred music.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68536405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Services to Russian and Serbian saints in the context of the Annual Circle of Church singing of the 16th-17th centuries 在16 -17世纪的教会歌唱年度循环的背景下对俄罗斯和塞尔维亚圣徒的服务
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Muzikologija-Musicology Pub Date : 2020-01-01 DOI: 10.2298/muz2028061v
Natal'ia Ramazanova Vasil'evna
{"title":"Services to Russian and Serbian saints in the context of the Annual Circle of Church singing of the 16th-17th centuries","authors":"Natal'ia Ramazanova Vasil'evna","doi":"10.2298/muz2028061v","DOIUrl":"https://doi.org/10.2298/muz2028061v","url":null,"abstract":"The article examines the services of Russian and Serbian saints in the context of the General artistic space of Russia during the period when it remained the only Orthodox state. ? significant number of services to the Roman, Byzantine, Russian and Slavic Saints written in the most complete Sticherarions with the subtitle ?D?iach?ie oko?, at that ?hants to Russian and Serbian saints, were created in Russia. Composers based on Byzantine canons, including the structure of services, sequence of chants, orientation to common models. One-type artistic techniques are used in worship services. However, chants differed significantly, as the singers creatively treated poetic texts using different musical methods.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68536141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vlach vocal traditional music in the region of Homolje from the legacy of Olivera Mladenovic 弗拉赫地区的声乐传统音乐来自奥利维拉·姆拉德诺维奇的遗产
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Muzikologija-Musicology Pub Date : 2020-01-01 DOI: 10.2298/muz2028235r
Maja Radivojevic
{"title":"Vlach vocal traditional music in the region of Homolje from the legacy of Olivera Mladenovic","authors":"Maja Radivojevic","doi":"10.2298/muz2028235r","DOIUrl":"https://doi.org/10.2298/muz2028235r","url":null,"abstract":"Olivera Mladenovic researched Vlach culture in the 1980s. Recordings preserved in the archive of the Institute of Ethnography SASA also contain examples of vocal practice of the Vlachs from Homolje region (Northeast Serbia). The material was recorded on six audio cassettes, which were later digitized. As ethnomusicological studies of this area are very scarce, the recorded material certainly represents a valuable testimony to the musical culture of the Vlach ethnic community. The aim of this article is to determine the particularities of the recorded examples, based on ethnomusicological analysis and transcription, as well as to isolate the vocal genres found on these audio cassettes. Vocal examples from the recordings of Olivera Mladenovic will be paired with existing examples from the literature, as well as examples of current practice recorded by the author of this article. In this way, at least a partial picture of the Vlachs? musical life in Homol?? from the 1980s to the present day will be established, and the comparison will allow us to observe continuity and change.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68536450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„A Russian choir that Russia had never heard before“: The Don Cossack Choir Serge Jaroff on the concert stage in the interwar Belgrade “俄罗斯从未听过的俄罗斯合唱团”:顿河哥萨克合唱团谢尔盖·雅罗夫在两次世界大战期间贝尔格莱德的音乐会舞台上
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Muzikologija-Musicology Pub Date : 2020-01-01 DOI: 10.2298/muz2028125g
M. Golubović
{"title":"„A Russian choir that Russia had never heard before“: The Don Cossack Choir Serge Jaroff on the concert stage in the interwar Belgrade","authors":"M. Golubović","doi":"10.2298/muz2028125g","DOIUrl":"https://doi.org/10.2298/muz2028125g","url":null,"abstract":"After the October Revolution, the Russian tradition of spiritual and folk choral singing was introduced to the whole world by the active work of choirs that appeared in exile. The Don Cossack Choir Sergei Jaroff and the Metropolitan Choir of Alexander Nevsky Cathedral in Paris under Nikolai Afonsky, were two unique choirs that stood out over time. During the interwar period Jaroff?s Choir performed ten times in Belgrade with great success. The capital?s press announced them with great enthusiasm and the first Belgrade concert attracted the attention of significant critics such as Miloje Milojevic, Branko Dragutinovic,Viktor Novak, Jovan Dimitrijevic and Petar Bingulac. The day after their first concert in Belgrade in January 1929, The Don Cossack Choir Serge Jaroff attended a reception at the King Alexander?s Court, who honored them on this occasion. The study of their performances in the 1920s and 1930s in Belgrade is based on domestic periodicals of that time and archival material from the Archives of Yugoslavia.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68536316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
How much we do (not) know about Russian-Serbian chanting connections 我们对俄罗斯和塞尔维亚的吟唱联系了解多少
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Muzikologija-Musicology Pub Date : 2020-01-01 DOI: 10.2298/muz2028017p
Vesna Peno Sara
{"title":"How much we do (not) know about Russian-Serbian chanting connections","authors":"Vesna Peno Sara","doi":"10.2298/muz2028017p","DOIUrl":"https://doi.org/10.2298/muz2028017p","url":null,"abstract":"There are still no argumentative answers about the extent to which and in what way the share of Russian singing practice in Serbian church singing is present. The ways in which the Serbian melody reached Russian singers are not known either. The paper presents the results of research on Russian notated collections kept in Serbian libraries are also presented. Certain stereotypes regarding the crucial Russian influence on the newer Serbian church singing have been critically considered. New research tasks related to Russian musical manuscripts are listed, after which the exchange of singing experiences between Russian and Serbian church singers will become clearer.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68536061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vladimir R. Djordjevic’s contribution to Serbian musical folkloristics Vladimir R. Djordjevic对塞尔维亚音乐民俗学的贡献
IF 0.1
Muzikologija-Musicology Pub Date : 2020-01-01 DOI: 10.2298/MUZ2029015R
Sanja Radinović, O. D. Golemovic
{"title":"Vladimir R. Djordjevic’s contribution to Serbian musical folkloristics","authors":"Sanja Radinović, O. D. Golemovic","doi":"10.2298/MUZ2029015R","DOIUrl":"https://doi.org/10.2298/MUZ2029015R","url":null,"abstract":"Vladimir R. Djordjevic (1869?1938), one of the pioneers of Serbian ethnomusicology, achieved outstanding results in various fields; his work is based on Serbian musical folklore. Several dozen of his publications belong to the domain of ethnomusicology, as well as music pedagogy and popularization of folk music. However, for decades, their often very similar titles, as well as numerous repeated and sometimes revised editions, have discouraged researchers from acquiring a clear idea of his overall music-folkloristic contribution. The primary goal of this paper is to create a precondition for a more objective evaluation of Djordjevic?s work, in the context of the time to which he belonged.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68536546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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