{"title":"Uncovering Indigenous Worlds and Histories on a Bend of a New England River before the 1650s: Problematizing Nomenclature and Settler Colonial History, Deep History, and Early Colonization Narratives","authors":"Christoph Strobel","doi":"10.18422/69-01","DOIUrl":"https://doi.org/10.18422/69-01","url":null,"abstract":"The essay explores the often-ignored histories of the indigenous people who resided on the confluence of the Merrimack and the Concord rivers up to the 1650s. This place is characterized by a significant bend in the Merrimack River as it changes its southerly flow into an easterly direction. Today, the area includes the modern city of Lowell, Massachusetts, and its surroundings. While the 1650s saw the creation of a Native American “praying town” and the incorporation of the Massachusetts Bay Colony’s towns of Chelmsford and Billerica, it is the diverse and complex indigenous past before this decade which North American and global historians tend to neglect. The pre-colonial and early colonial eras, and how observers have described these periods, have shaped the way we understand history today. This essay problematizes terminology, looks at how amateur historians of the 19th and early 20th centuries have shaped popular perceptions of Native Americans, and explores how researchers have told the history before the 1650s. The materials available to reconstruct the history of the region’s Native Americans are often hard to find, a common issue for researchers who attempt to study the history of indigenous peoples before 1500. Thus, the essay pays special attention to how incomplete primary sources as well as archeological and ethnohistorical evidence have shaped interpretations of this history and how these intellectual processes have aided in the construction of this past.","PeriodicalId":30064,"journal":{"name":"American Studies Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67644126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Teaching the Black Power Movement, the Genre of Documentary Film and Critical Media Literacy","authors":"Viola Huang","doi":"10.18422/70-05","DOIUrl":"https://doi.org/10.18422/70-05","url":null,"abstract":"In an age of digitalization and information overflow, it is of particular importance to offer students strategies to read and navigate the world they live in. The Information and Media Literacy project at the University of Passau intends to enable future teachers to become literate in the digital age by empowering pre-service teachers to collect, sort, critically evaluate, and subsequently produce and distribute information. Additionally, the awareness of and the reflection on the role of the media is just as essential, and thus, media-literacy education is a crucial part in this endeavor. This article discusses what information and media-literacy education can look like in practice. In one of our interdisciplinary and co-taught seminars, we investigated how documentaries can shape the perception of history by looking at the Black Power Movement in the US.","PeriodicalId":30064,"journal":{"name":"American Studies Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67644815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Leipzig’s Social Hypertext Reader SHRIMP and the “Introduction to American Studies”","authors":"Sebastian Herrmann","doi":"10.18422/70-02","DOIUrl":"https://doi.org/10.18422/70-02","url":null,"abstract":"This article describes the ideas behind and the experiences with the experimental e-learning platform SHRIMP. Developed and deployed at American Studies Leipzig, the platform is used for the introductory Literature and Culture I seminar in the American Studies Bachelor of Arts program, and it serves as the main medium of instruction for around 80 students per year. It breaks up the linear form of the original seminar reader and instead offers students a hypertext of interconnected, short segments, enriched with social media and gamification elements, as well as a learning analytics component that invites students to take control of their own study and learning experience. It is driven by a dual assumption about digitization: that the digital age changes how students interact with text, and that digital textuality offers rich affordances beyond linear reading. Both can be harnessed to improve learning outcomes.","PeriodicalId":30064,"journal":{"name":"American Studies Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67644961","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Can the Undocumented Speak? Undocumented Immigrants and Self-Representation","authors":"M. Canelo","doi":"10.18422/69-04","DOIUrl":"https://doi.org/10.18422/69-04","url":null,"abstract":"Undocumented immigrants usually trust their voices to immigration activists rather than engaging with strategies of visuality to reclaim their rights. The universe of illegal border crossing is about radical experiences of invisibility, misidentification, erasure, dispossession, and disappearance. First person testimonies by undocumented immigrants have, however, seen the light of day throughout the last decade in unsuspected media venues, from the New York Times to the Guardian, small sites of independent journalism, and also some book publications. Revealing their presence, their names, and their faces seems a brave decision, when the risk of deportation is part of their everyday reality. In my reading of their testimonies and the photographs illustrating them, I follow two theoretical lines that engage with the subjectivities of marginalized groups: sociologist Boaventura de Sousa Santos’ elaboration of a post abyssal thinking and cultural critic Nicholas Mirzoeff’s ideas of spaces of appearance and practices of counter visuality. Combining them will allow me to analyze how instances of self-representation by undocumented immigrants in the United States contribute to crafting a new subject position by a group who, by definition, cannot speak because it is deemed non-existent in legal terms. The issue brings back to the discussion Gayatri Spivak’s classical questions on subalternity and power.","PeriodicalId":30064,"journal":{"name":"American Studies Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67644348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Essay: The Mad Patriot","authors":"D. Adams","doi":"10.18422/69-06","DOIUrl":"https://doi.org/10.18422/69-06","url":null,"abstract":"Historians have tried to trace the origin of the American Revolution, but few, if any, have dared indicate an exact moment in time. Yet sufficient evidence points to the chilly afternoon of February 24, 1761, inside the Old Town House (now the Old State House) in Boston as the precise time and place. Future president John Adams, who, as a 25-year-old Boston attorney in attendance at that occasion, later declared, “Then and there was the first scene of the first Act of opposition to the arbitrary claims of Great Britain. Then and there, the Child Independence was born” (Adams to Tudor, 29 March 1817). It was “then and there” that one of the American colonies’ most notable attorneys, James Otis, Jr., gave a speech that caused tremors throughout the British Empire. Textbooks have often downplayed this moment because the man who first sparked the American Revolution—James Otis, Jr.—was considered mad. However, we know today that James Otis Jr. was probably suffering from bipolar disorder and his condition was exacerbated by alcoholism.","PeriodicalId":30064,"journal":{"name":"American Studies Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67644711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Entangled Encounters: The Transcultural Counterwitness and Implication in Claudia Rankine and John Lucas’s Situations","authors":"M. Morán","doi":"10.18422/69-03","DOIUrl":"https://doi.org/10.18422/69-03","url":null,"abstract":"Drawing on current definitions of public testimony, this study turns to the work of Claudia Rankine and John Lucas’s Situations to explore how video poems challenge the pervasive stereotyping of black Americans in mainstream journalism and implicate viewers, particularly white ones, into the everyday and historical traumas of racial violence. Video poems, such as Situations, take advantage of multimodal channels to move viewers beyond spectator guilt to introduce a more nuanced understanding of American and global racism. Through an investigation of three of their video poems, “Stop and Frisk,” “In Memory of Trayvon Martin,” and “World Cup,” this study explores how Rankine and Lucas’s work opposes, and engages with, the pervasive stereotyping of black Americans presented in mainstream news media; how the multimodal nature of video poetry problematizes the viewers’ relationship with American and global racism; and how acts of counterwitnessing implicate viewers into distant histories of racial trauma.","PeriodicalId":30064,"journal":{"name":"American Studies Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67644266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Art Has a Bad (W)rap”: A Conversation with Michael Cullen about the “Wrapped Reichstag”","authors":"Andrew S. Gross","doi":"10.18422/69-05","DOIUrl":"https://doi.org/10.18422/69-05","url":null,"abstract":"“The history of monuments teaches us much more about people and societies that commissioned them than the people and events for whom they were commissioned.” This is how Michael S. Cullen explained the meaning of commemorative architecture in an interview conducted by telephone, due to Corona restrictions, on 17 September 2020 (see also his introduction to Das Holocaust-Mahnmal, 18). Monuments are designed to commemorate important figures and events, but they also materialize the discussions and debates involved in their construction. Cullen should know. His work has made him the voice, perhaps even the conscience, of what is perhaps the most dialogic monument in Berlin: the Reichstag.","PeriodicalId":30064,"journal":{"name":"American Studies Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67644426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Flipped Classrooms and the Pitfalls of Digital Learning","authors":"P. Reisner","doi":"10.18422/70-04","DOIUrl":"https://doi.org/10.18422/70-04","url":null,"abstract":"In the recent rise of digital learning, “flipped classrooms” have become a controversial subject. This new form of learning inverts the traditional conception of the classroom: instruction is transferred from the classroom to out-of-class (online) tasks such as pre-recorded lectures on the Internet, while class time is devoted to activities that put the knowledge into practice. These classrooms have been touted as learner-based and student-centered models of education. Yet there is still little evidence supporting the effectiveness of the flipped classroom at higher levels of education, especially in the humanities. Taking American studies as an example, I will examine some of the arguments in favor of this model, but also and most importantly some of the challenges facing the application of this new educational model in the humanities. In general, the main concern is that flipped classrooms may undermine student-teacher dialogue, viewing teachers as “moderators” who design learning environments geared to the students. At the same time, home-learning environments may compromise learner autonomy and limit learners’ opportunities for self-organized work and interaction with peers outside class. Ultimately, a critique of the concept of flipped classrooms is also a critique of the egalitarian aspirations of digital pedagogy in general.","PeriodicalId":30064,"journal":{"name":"American Studies Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67644682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Mathieu Bonzom, Rim Latrache, Caroline D. Laurent, Y. L. Moigne
{"title":"France-Based Scholars Researching Minority Groups in the Field: A Symposium","authors":"Mathieu Bonzom, Rim Latrache, Caroline D. Laurent, Y. L. Moigne","doi":"10.18422/68-08","DOIUrl":"https://doi.org/10.18422/68-08","url":null,"abstract":"The editors asked four French scholars specializing in American studies a series of five questions regarding their experience of conducting fieldwork, the challenges they faced, and how they met them. The following is a collaborative contribution, a discussion among the four contributors. The four authors are Yohann Le Moigne (University of Angers), who is a specialist of turf-based gang rivalries in the Los Angeles metropolitan area; Caroline Laurent (University of Paris 1 Panthéon-Sorbonne), who does research on casinos on Indian reservations in the Midwest; Rim Latrache (University of Paris 13 Villetaneuse), who specializes on the construction and expression of Arab and Muslim identities in the United States; and Mathieu Bonzom (University of Orléans), whose work focuses on Latin immigrants and their participation in the labor movement.","PeriodicalId":30064,"journal":{"name":"American Studies Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41443121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Deconstructing and Reconstructing Woman Suffrage History: The Story of the Woman’s Party","authors":"C. Delahaye","doi":"10.18422/68-03","DOIUrl":"https://doi.org/10.18422/68-03","url":null,"abstract":"Is Story of the Woman’s Party an historical account, a novel, or a political manifesto? What can this source reveal about historical practice? This article will explore the historiographic, epistemological, and methodological challenges the book poses as an historical source. It will examine three main points: first, the relation between activism and historical practice—that is, how activism informs the writing of history. Second, how such a source can be handled by historians, and what the idea of a critical reading entails. Third, what this work actually helps us understand about the politics of the period: What does it say about the suffrage movement in particular? What does it reveal about politics in general?","PeriodicalId":30064,"journal":{"name":"American Studies Journal","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43977247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}