{"title":"Psychological motivation as the basis for constructing an operatic image by a singer (Following the International Symposium)","authors":"E. Malinovskaya","doi":"10.17223/26188929/13/5","DOIUrl":"https://doi.org/10.17223/26188929/13/5","url":null,"abstract":"","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133593334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Imaginational and emotional series of a work as one of the most important tasks of a pianist's creative activity","authors":"Anna A. Okisheva","doi":"10.17223/26188929/13/12","DOIUrl":"https://doi.org/10.17223/26188929/13/12","url":null,"abstract":"In this work, attention is paid not so much to the technical ways of translating the work, but to the search for its content. The pianist, as a rule, has access only to the musical text - a message encrypted by musical means of expressiveness, transmitted by the composer to the addressee - the listener - through large spatial or temporal distances. “Deciphering” this message and turning it into a certain sound sequence is precisely the main task of the pianist-performer, the mediator between the minds of the composer and the addressee - the listener.","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130264475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE REASONABLENESS OF THE DELETION OF THREE SOLO SCENES (WERE REMOVED BY E. NAPRAVNIK) FROM THE PREMIERE OF OPERA \"THE SNOW MAIDEN\" BY RIMSKY-KORSAKOV","authors":"Ekaterina Stepanova, N. Miroshnikov","doi":"10.17223/26188929/11/7","DOIUrl":"https://doi.org/10.17223/26188929/11/7","url":null,"abstract":"The article considers the reasonableness of removal of three solo scenes from the premiere of \"The Snow Maiden\" by Rimsky-Korsakov. Often, the directorate of the theater does not really follow artistic aims. Main goals are increasing the popularity of the performance and the sales of tickets. Therefore, it is inevitable to use many kinds of cutting the play. Unfortunately, one way or another, this path has negative sides – the perception of the work is distorted, since not all scenes can be easily removed from the performance without damaging it.","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"199 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133782537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"In elements of rehearsals","authors":"","doi":"10.17223/26188929/7/12","DOIUrl":"https://doi.org/10.17223/26188929/7/12","url":null,"abstract":"","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132739276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On the pages of the International Competition","authors":"","doi":"10.17223/26188929/8/14","DOIUrl":"https://doi.org/10.17223/26188929/8/14","url":null,"abstract":"","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115898926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Diana Aksinenko, Tkf St. N.A. Rimsky-Korsakov, E. Bogatyreva
{"title":"LEONID DESYATNIKOV. CHAMBER OPERA \"POOR LIZA\" (History of creation. Libretto and literary source)","authors":"Diana Aksinenko, Tkf St. N.A. Rimsky-Korsakov, E. Bogatyreva","doi":"10.17223/26188929/11/5","DOIUrl":"https://doi.org/10.17223/26188929/11/5","url":null,"abstract":"The article tells us about chamber opera \"Poor Liza\" by L. Desyatnikov, which is based on the novel by N. Karamzin. Also a brief description of the composer's works is given. The history of the creation and releases of the \"Poor Lisa\" is reviewed. The typical features of the chamber opera genre are revealed. The genre specifics of the work are analyzed from the dramatical point of view with the help of a comparative analysis (textual) of the literary source and the text of the libretto.","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125612564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Harmony in a piece of music – open system with endless potential","authors":"E. Prikhodovskaya, Anna A. Okisheva","doi":"10.17223/26188929/12/8","DOIUrl":"https://doi.org/10.17223/26188929/12/8","url":null,"abstract":"The article discusses the possibilities of constructing a harmonic series of a musical composition. These opportunities turn out to be almost inexhaustible. Oriented on the statement of Marchetto of Padua (\"The ear is the best judge\"), we see in such a potential of harmonic sequences the limitless potential of colors accompanying melodic constructions In the development of a composer in a particular text of a different panorama of harmonic transitions are involved, first of all:. 1) enharmonic, 2) major-minor system, 3) a system of tonal connections parallel – eponymous – one-tone tonalities.","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"110 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126372212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}