{"title":"«Spirit of the russian culture» in the contemporary musical arts","authors":"Dmitry Kotylev","doi":"10.17223/26188929/12/11","DOIUrl":"https://doi.org/10.17223/26188929/12/11","url":null,"abstract":"The article examines the process observed in Russian national culture associated with the implementation of Russian national images and characteristic features of the Russian worldview in the modern musical space. Russian musical culture, which previously followed the features of national identity in almost everything, is now more inclined towards a cosmopolitan point of view. If in the European regions of Russia this tendency can be traced more clearly, let us turn our attention to the musical culture of Siberia, which, as you know, “the wealth of Russia will grow”. Let us dwell on the work of one of the modern young Siberian composers, whose work confirms the promising nature of the \"Russian spirit\" in the modern cultural space.","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"91 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121104501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"HE HISTORY AND EVOLUTION OF THE MUSICAL GENRE OF THE PIANO CONCERT","authors":"Polina Borodikhina","doi":"10.17223/26188929/12/10","DOIUrl":"https://doi.org/10.17223/26188929/12/10","url":null,"abstract":"The article provides an overview of the history of the piano concert. The author dwells on each period in the development of the genre from the 17th to the 21st centuries. Each stage of the historical transformation of the concert genre is considered – from the historical period, when the piano as an instrument did not yet exist, to modern music. After considering each period, the results are summed up, the main changes in the genre in this historical period are formulated in thesis.","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125991322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Music by edison denisov for radio performances","authors":"Veronika Krivopalova","doi":"10.17223/26188929/13/9","DOIUrl":"https://doi.org/10.17223/26188929/13/9","url":null,"abstract":"","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"1 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113958386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The principles of the developing training in musical pedagogics","authors":"V. Maximov","doi":"10.17223/26188929/7/6","DOIUrl":"https://doi.org/10.17223/26188929/7/6","url":null,"abstract":"","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"772 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120883576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ancient chants in modern church practicechurches of the barnaul orthodox diocese","authors":"E. Plyaskina","doi":"10.17223/26188929/13/15","DOIUrl":"https://doi.org/10.17223/26188929/13/15","url":null,"abstract":"Old Russian singing art, preserved in the znamenny chant, track singing, de-mestvenny, Kiev, Greek, Bulgarian chants, both in authentic and in a new polyphonic form, is the most important part of Russian musical culture. This part of the national singing heritage is preserved by most modern church clerics in their daily prayer practice and occupies a significant place in the repertoire of church choirs of the Barnaul Diocese of the Russian Orthodox Church, preserving centuries-old singing traditions.","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123814868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The symphony named “Siberia”","authors":"Alexander Mozeler","doi":"10.17223/26188929/7/9","DOIUrl":"https://doi.org/10.17223/26188929/7/9","url":null,"abstract":"Статья посвящена предпосылкам и истории создания шестой симфонии современного немецкого композитора Александра Мозелера – тем предпосылкам и истории, которые связывают эту симфонию с людьми России и Сибири. Интерес представляет прежде всего процесс создания произведения, изложенный его автором – такой рассказ композитора способствует приоткрыванию завесы тайны композиторского творчества в современном мире.","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"206 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115739671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Interrelation of composer creativity and performing practice","authors":"E. Prikhodovskaya, Anna A. Okisheva","doi":"10.17223/26188929/7/7","DOIUrl":"https://doi.org/10.17223/26188929/7/7","url":null,"abstract":"","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131200600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}