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Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta最新文献

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EDISON DENISOV OPERA "IVAN THE SOLDIER" 爱迪生·杰尼索夫歌剧《士兵伊凡》
Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta Pub Date : 1900-01-01 DOI: 10.17223/26188929/12/5
Veronika Krivopalova, A. Kirienko
{"title":"EDISON DENISOV OPERA \"IVAN THE SOLDIER\"","authors":"Veronika Krivopalova, A. Kirienko","doi":"10.17223/26188929/12/5","DOIUrl":"https://doi.org/10.17223/26188929/12/5","url":null,"abstract":"The article gives a complete analysis of Edison Denisov's early opera \"Ivan the Soldier\". Some signs of the \"new folklore wave\" and early manifestations of the composer's future style are considered. In the 50s – 60s of the twentieth century, for man young Russian composers, turning to folklore was the only opportunity for self-expression and renewal of the musical language. In the second half of the twentieth century, the problem of saving the national in creativity is topical. The opera \"Ivan the Soldier\" attracts attention with its \"non-perfomed\" after its premiere in Tomsk more than half a century after its writing. Separately, it should be noted that there is no detailed analysis of \"Ivan the Soldier\" in professional literature, although this work unexpectedly shows us \"another\" Denisov: more \"easy\" to perceive, filled with folklore elements.","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126664729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ON THE REALIZATION OF NOANOA AND PRES, TWO PIECES FOR SOLO INSTRUMENTS AND IRCAM SIGNAL PROCESSING WORKSTATION (Xavier Chabot, Kaija Saariaho, Jean-Baptiste Barrière) NOANOA和press两件独奏仪器和IRCAM信号处理工作站的实现(Xavier Chabot, Kaija Saariaho, Jean-Baptiste barri<e:1>)
Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta Pub Date : 1900-01-01 DOI: 10.17223/26188929/12/7
Galina A. Skhaplok
{"title":"ON THE REALIZATION OF NOANOA AND PRES, TWO PIECES FOR SOLO INSTRUMENTS AND IRCAM SIGNAL PROCESSING WORKSTATION (Xavier Chabot, Kaija Saariaho, Jean-Baptiste Barrière)","authors":"Galina A. Skhaplok","doi":"10.17223/26188929/12/7","DOIUrl":"https://doi.org/10.17223/26188929/12/7","url":null,"abstract":"This article is a translation of a musicological work written by the Finnish composer Kaia Saariaho with sound engineers Xavier Chabot and Jean-Baptiste Barrière from the Ircam. The study describes two solo pieces – «NoaNoa» and «Près» – one for flute, the other for cello, realized during 1992 by Kaija Saariaho with the Ircam Signal Processing Workstation (ISPW, based on the Next computer) and with Xavier Chabot from the Ircam Pedagogy department. These works are created in the pedagogical perspective to explore the potentialities of Max on the ISPW, and specially its connexion with Patchwork used to prepare data and patches. In the two pieces, the electronic parts amplify and develop the sonic structure of the solo instrument, exemplify the close relationship between sound material and musical structure, and explore real-time strategies for control over various synthesis and signal processing algorithms.","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125036668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The influence of surrealist music on the common development of sound production and composing (Following the International Symposium) 超现实主义音乐对声音制作和作曲共同发展的影响(国际研讨会后)
Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta Pub Date : 1900-01-01 DOI: 10.17223/26188929/13/6
N. Miroshnikov
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引用次数: 0
Psychological environment at the class as a factor of the student's success 课堂上的心理环境是学生成功的一个因素
Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta Pub Date : 1900-01-01 DOI: 10.17223/26188929/11/4
E. Malinovskaya
{"title":"Psychological environment at the class as a factor of the student's success","authors":"E. Malinovskaya","doi":"10.17223/26188929/11/4","DOIUrl":"https://doi.org/10.17223/26188929/11/4","url":null,"abstract":"The article says that the teacher at the vocal lesson should switch the focus from correcting mistakes to improving skills that are already achieved. Such point of view will create an aim to fix problems, and help to achieve more positive results. The main task of the teacher, besides training professional skills, is to create a positive atmosphere in the classroom. It is necessary not to ignore occurring mistakes, but to accentuate the ways of getting a positive result.","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115125226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
WAS THE COMMANDER ABLE TO DANCE TANGO? (Essay not for fans of Astor Piazzolla) 指挥官会跳探戈吗?(这篇文章不适合阿斯特·皮亚佐拉的粉丝)
Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta Pub Date : 1900-01-01 DOI: 10.17223/26188929/11/6
S. Vavilov
{"title":"WAS THE COMMANDER ABLE TO DANCE TANGO? (Essay not for fans of Astor Piazzolla)","authors":"S. Vavilov","doi":"10.17223/26188929/11/6","DOIUrl":"https://doi.org/10.17223/26188929/11/6","url":null,"abstract":"The article continues the theme of musical associations, which are an integral part of the novels \"The Twelve Chairs\" and \"The Golden Calf\" by I. Ilf and E. Petrov. Musical images used in the novel allow creating a multifaceted world of events in which the characters of the novel live and act. On the pages of the novel there are musical images, covering a huge range of musical genres and forms. The article contains information about rare and forgotten music. Musical images, used by the authors of the novel, allow recreating a full view of the musical life of those years. The article has been illustrated with photos of rare musical editions from the author's collection.","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130063496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
От редактора
Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta Pub Date : 1900-01-01 DOI: 10.17223/26188929/12/1
Екатерина Анатольевна Приходовская
{"title":"От редактора","authors":"Екатерина Анатольевна Приходовская","doi":"10.17223/26188929/12/1","DOIUrl":"https://doi.org/10.17223/26188929/12/1","url":null,"abstract":"","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"94 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114003337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ABOUT FEATURES OF THE VOCAL SPEECH IN THE RUSSIAN CHAMBER MUSIC (ON THE EXAMPLE OF M. I. GLINKA’S ROMANCES) 论俄罗斯室内乐中声乐的特点(以格林卡的浪漫主义为例)
Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta Pub Date : 1900-01-01 DOI: 10.17223/26188929/7/5
Andrey V. Blakhovsky
{"title":"ABOUT FEATURES OF THE VOCAL SPEECH IN THE RUSSIAN CHAMBER MUSIC (ON THE EXAMPLE OF M. I. GLINKA’S ROMANCES)","authors":"Andrey V. Blakhovsky","doi":"10.17223/26188929/7/5","DOIUrl":"https://doi.org/10.17223/26188929/7/5","url":null,"abstract":"","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125488941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Interpretation of the sonata form in the first part of Piano Sonata No. 4 a-moll of Anton Rubenstein 鲁宾斯坦第四钢琴奏鸣曲第一部分奏鸣曲曲式的解读
Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta Pub Date : 1900-01-01 DOI: 10.17223/26188929/8/12
V. Krivolapova, A. Kirienko
{"title":"Interpretation of the sonata form in the first part of Piano Sonata No. 4 a-moll of Anton Rubenstein","authors":"V. Krivolapova, A. Kirienko","doi":"10.17223/26188929/8/12","DOIUrl":"https://doi.org/10.17223/26188929/8/12","url":null,"abstract":"","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117181509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In our land 在我们的土地上
Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta Pub Date : 1900-01-01 DOI: 10.17223/26188929/13/17
Nota Kapri
{"title":"In our land","authors":"Nota Kapri","doi":"10.17223/26188929/13/17","DOIUrl":"https://doi.org/10.17223/26188929/13/17","url":null,"abstract":"","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121042798","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An integrated approach to the performance of the workin the process of the pianist's creative activity (Following the International Symposium) 在钢琴家创作活动过程中对作品表现的综合方法(继国际研讨会之后)
Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta Pub Date : 1900-01-01 DOI: 10.17223/26188929/13/8
Anna A. Okisheva
{"title":"An integrated approach to the performance of the workin the process of the pianist's creative activity (Following the International Symposium)","authors":"Anna A. Okisheva","doi":"10.17223/26188929/13/8","DOIUrl":"https://doi.org/10.17223/26188929/13/8","url":null,"abstract":"","PeriodicalId":300475,"journal":{"name":"Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114723179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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