Oral TraditionPub Date : 2016-07-03DOI: 10.1353/ORT.2016.0000
R. Mann
{"title":"The Silent Debate Over the Igor Tale","authors":"R. Mann","doi":"10.1353/ORT.2016.0000","DOIUrl":"https://doi.org/10.1353/ORT.2016.0000","url":null,"abstract":"The Igor Tale, or Slovo o polku Igoreve, is the only epic tale of its kind to reach us from the Kievan period. It celebrates a military campaign undertaken in 1185 by a minor Russian prince, Igor Sviatoslavich, against the Polovtsy, or Kumans, the perennial steppe foe of Rus' at that time. Igor was defeated and captured, but he later managed to escape and return home. The tale survived in a single manuscript that evidently dated from the sixteenth century. It was published in 1800, about a decade after it was discovered, but the manuscript itself was destroyed during the Napoleonic occupation of Moscow in 1812.1 A number of details in the tale suggest that it was written down in the thirteenth century (Mann 2005:98-112). For two centuries the Igor Tale has been treated as a poem that was composed by a literate writer.2 Only a few dissenters have argued that the Igor Tale was originally an oral epic song, and the question has not attracted much attention among specialists in early Russian culture. It is, however, worthwhile to reexamine some of the arguments formulated by the leading twentieth-century scholar in the study of Old Russian literature, Dmitrii S. Likhachev. His ideas went far to shape the views of scholars throughout the world, yet certain aspects of his argumentation have been ignored by his followers. When one takes a closer look at Likhachev’s line of reasoning, it becomes clear that the hypothesis of a literate poet who penned the Igor Tale, accepted as axiomatic by many students and scholars, stands on extremely shaky ground. The evidence for an oral epic tradition of court songs in the Kievan era includes the Igor Tale itself (regardless of whether it is the text of an epic song or a writer’s stylization of an oral epic) and its allusions to the court singers Boyan and Khodyna. The Hypatian Chronicle mentions “the famous singer Mitusa” who refused to serve Prince Daniil Romanovich of Galich in the first half of the thirteenth century.3 The Pskov Apostol of 1307 contains what appears to be Oral Tradition, 30/1 (2016):53-94","PeriodicalId":30001,"journal":{"name":"Oral Tradition","volume":"30 1","pages":"-"},"PeriodicalIF":0.0,"publicationDate":"2016-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66492781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Oral TraditionPub Date : 2016-07-03DOI: 10.1353/ORT.2016.0001
Chris Mustazza
{"title":"James Weldon Johnson and the Speech Lab Recordings","authors":"Chris Mustazza","doi":"10.1353/ORT.2016.0001","DOIUrl":"https://doi.org/10.1353/ORT.2016.0001","url":null,"abstract":"Projects of historical reconstruction are common to all contemporary oppositional intellectuals in America. This follows from the erasure of ‘other’ from dominant historical accounts; if it is said by those who deny us now that we have no past, then we have to insist that we have a past as deeply as we have a present.","PeriodicalId":30001,"journal":{"name":"Oral Tradition","volume":"30 1","pages":"-"},"PeriodicalIF":0.0,"publicationDate":"2016-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66492791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Oral TraditionPub Date : 2016-03-01DOI: 10.1353/ORT.2016.0006
Kerry M. Hull
{"title":"The Ch’orti’ Maya Myths of Creation","authors":"Kerry M. Hull","doi":"10.1353/ORT.2016.0006","DOIUrl":"https://doi.org/10.1353/ORT.2016.0006","url":null,"abstract":"Oral traditions among the Ch'orti' Maya span numerous genres, such as folktales, legends, jokes, myths, and others (Hull 2003:212-29). A sizable percentage of oral traditions today are those of the \"how-it-came-to-be\" variety, explaining how monkeys got their tails, how bald vultures became such, and so on. These are a particular favorite among the Ch'orti' since they are most often humorous.","PeriodicalId":30001,"journal":{"name":"Oral Tradition","volume":"30 1","pages":"-"},"PeriodicalIF":0.0,"publicationDate":"2016-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66492360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Oral TraditionPub Date : 2016-03-01DOI: 10.1353/ORT.2016.0002
Dmitry Nikolaev
{"title":"A New Algorithm for Extracting Formulas from Poetic Texts and the Formulaic Density of Russian Bylinas","authors":"Dmitry Nikolaev","doi":"10.1353/ORT.2016.0002","DOIUrl":"https://doi.org/10.1353/ORT.2016.0002","url":null,"abstract":"The advent of computer technologies providing easily searchable full-text corpora could have led to a new consensus in this field. However, the statistical study of formulas in poetic text fell into decline at the end of the 1970s, and the early computerized efforts in this field (Vikis-Freibergs and Freibergs 1978a; Strasser 1984) were not kept up.","PeriodicalId":30001,"journal":{"name":"Oral Tradition","volume":"30 1","pages":"-"},"PeriodicalIF":0.0,"publicationDate":"2016-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66492341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Oral TraditionPub Date : 2016-01-16DOI: 10.1353/ORT.2015.0007
P. Friedlander
{"title":"Kabīr: Oral to Manuscript Transitions","authors":"P. Friedlander","doi":"10.1353/ORT.2015.0007","DOIUrl":"https://doi.org/10.1353/ORT.2015.0007","url":null,"abstract":"The continuous interplay between the oral and written traditions have been identified as a vital aspect of the transmission of the literatures of South Asia (Blackburn and Ramanujan 1986). Contemporary scholarship has drawn attention to the complex interplay between the oral and textual traditions of Kabīr songs. Henry (1995), Lorenzen (1996), and Singh (2002) demonstrated that contemporary oral traditions of Kabīr songs were completely different from those found in manuscript traditions. Linda Hess (2009:51-53) has also studied oral traditions of Kabīr songs in Madhya Pradesh and found a complex interplay between different contemporary oral traditions of Kabīr songs and printed texts of the songs. Indian oral and manuscript traditions show great resilience in their transmission of compositions, in terms of preserving the overall forms of texts through successive recopyings over time, but also normally contain characteristic variations that typify their method of transmission. Compositions transmitted within handwritten textual traditions show characteristic scribal copying errors, such as mistaking one letter for another or missing out or repeating lines. However, compositions transmitted in oral traditions show quite distinct forms of singer’s variations, such as inversion of half lines within a verse and the recasting of the dialect of a verse into a new form. The existence of these variations in how oral and manuscript textual traditions transmit their contents raises the possibility of investigating the relationship between oral and textual transmission of texts within traditions of Kabīr’s songs. In this essay, rather than focusing directly on what contemporary oral traditions can tell us about Kabīr songs I will explore how different manuscript traditions from the last five centuries can inform our understandings of how oral traditions of the songs changed over time.","PeriodicalId":30001,"journal":{"name":"Oral Tradition","volume":"29 1","pages":"-"},"PeriodicalIF":0.0,"publicationDate":"2016-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66492741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Oral TraditionPub Date : 2016-01-16DOI: 10.1353/ORT.2015.0002
L. Prasad
{"title":"Cordelia’s Salt: Interspatial Reading of Indic Filial-Love Stories","authors":"L. Prasad","doi":"10.1353/ORT.2015.0002","DOIUrl":"https://doi.org/10.1353/ORT.2015.0002","url":null,"abstract":"This essay attempts an interspatial reading of Shakespeare's King Lear and Indic filial-love folktales, as I will refer to them in this essay. My reading is located between my father's edition of the play and my return to it after his death in early 2014. The idea of interspace forms the basis for my analysis of thematically connected but distinct narratives in this essay. Thehaveatepick political philosopher Hannah Arendt explains that the interspace is the world that exists between people and things, conscious of individual distinctions, but simultaneously provides the very foundation for constructive dialogue, relations and purposes. So important is the interspace, Arendt argues, that to lose it, is to lose the world itself (1968:13).","PeriodicalId":30001,"journal":{"name":"Oral Tradition","volume":"29 1","pages":"-"},"PeriodicalIF":0.0,"publicationDate":"2016-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66492639","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Oral TraditionPub Date : 2016-01-16DOI: 10.1353/ORT.2015.0005
Kirin Narayan
{"title":"Transmissions and Transitions in Indian Oral Traditions: An Introduction","authors":"Kirin Narayan","doi":"10.1353/ORT.2015.0005","DOIUrl":"https://doi.org/10.1353/ORT.2015.0005","url":null,"abstract":"","PeriodicalId":30001,"journal":{"name":"Oral Tradition","volume":"29 1","pages":"-"},"PeriodicalIF":0.0,"publicationDate":"2016-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66492696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Oral TraditionPub Date : 2015-10-01DOI: 10.1353/ORT.2015.0000
A. Gold
{"title":"Waiting for Moonrise: Fasting, Storytelling, and Marriage in Provincial Rajasthan","authors":"A. Gold","doi":"10.1353/ORT.2015.0000","DOIUrl":"https://doi.org/10.1353/ORT.2015.0000","url":null,"abstract":"Ethnographic encounters with women’s ritual storytelling in North India provide the central substance of this essay and contribute to the study of narrative transformations over time. I highlight two distinct although related themes. First, and most importantly, I consider women’s changing expectations of marriage, approaching these through intimate, conversational ethnographic accounts. Second, with an expanded scope stretching across regions as well as over decades, I observe variations as well as processes of standardization: how diverse tales associated with a specific ritual may ultimately be reduced to one standard plot. Such processes are hastened by all forms of media—print, film, and internet. My account here draws on long experience (intermittent visits and revisits between 1980 and 2015) in a single region of Rajasthan, North India. I focus on storytelling and other practices in the context of two women’s ritual fasts: Bari Tij (“Grand Third”) and Karva Chauth (“Pitcher Fourth”). The festival names refer to dates in the Hindu lunar calendar. In what follows I normally refer to Bari Tij simply as Tij.","PeriodicalId":30001,"journal":{"name":"Oral Tradition","volume":"29 1","pages":"-"},"PeriodicalIF":0.0,"publicationDate":"2015-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66492219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Oral TraditionPub Date : 2015-10-01DOI: 10.1353/ORT.2015.0001
Kirin Narayan
{"title":"The Social Life of Transcriptions: Interactions around Women’s Songs in Kangra","authors":"Kirin Narayan","doi":"10.1353/ORT.2015.0001","DOIUrl":"https://doi.org/10.1353/ORT.2015.0001","url":null,"abstract":"Moving oral traditions into the domain of the printed word involves a first step of transcription.1 Anyone who has transcribed recordings from fieldwork will recollect the grinding effort demanded by this task. One listens again and again: striving to catch the meaning and tone of words as they gallop past, struggling to coax a herd of words into orderly lines, straining to remain attentive to other sounds--comments, interjections, interruptions, parallel performances--that are simultaneously shaping a text.","PeriodicalId":30001,"journal":{"name":"Oral Tradition","volume":"29 1","pages":"-"},"PeriodicalIF":0.0,"publicationDate":"2015-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66492628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Oral TraditionPub Date : 2015-10-01DOI: 10.1353/ORT.2015.0006
J. Flueckiger
{"title":"“Who am I . . . what significance do I have?”: Shifting Rituals, Receding Narratives, and Potential Change of the Goddess’ Identity in Gangamma Traditions of South India","authors":"J. Flueckiger","doi":"10.1353/ORT.2015.0006","DOIUrl":"https://doi.org/10.1353/ORT.2015.0006","url":null,"abstract":"Abstract These narrative and ritual changes raise questions about what each individually creates, their relationship, and what is lost or gained in the changes I have observed. What is created with the addition of Sanskritic rituals to temple service (traditionally offered to puranic deities4 rather than gramadevatas [\"village deities\"] such as Gangamma), when middle-class aesthetics haveatepick impacted architectural temple changes, and when Gangamma's narratives recede from the public imagination? How is the goddess' identity potentially changing with these narrative and ritual shifts? These questions bring a performative lens to older questions of the relationships between ritual and narrative, which often prioritize one over the other.5 Ethnographic and performance analyses of Gangamma ritual and narrative traditions show the finely tuned ways in which they are both independent and codependent and the ways in which they both reflect and create--and have the potential to change--the identity of the goddess.","PeriodicalId":30001,"journal":{"name":"Oral Tradition","volume":"29 1","pages":"-"},"PeriodicalIF":0.0,"publicationDate":"2015-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66492730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}