{"title":"Paul Durcan e as Artes Visuais: Gênero, Identidade, Expressão","authors":"Rui Carvalho Homem","doi":"10.37389/ABEI.V22I2.180776","DOIUrl":"https://doi.org/10.37389/ABEI.V22I2.180776","url":null,"abstract":"A obra de Paul Durcan encontra uma das suas feicoes mais atraentes no modo como reconhece fronteiras e explora travessias. As linhas divisorias que a sua poesia cruza regularmente sao de varios tipos: sao semioticas e intermediais, quando Durcan interpela verbalmente representacoes noutros sistemas de significacao – em particular nas artes visuais; sao culturais e politicas, envolvendo o processamento poetico de circunstâncias irlandesas ou globais; e questionam identidades de genero, salientando as perplexidades de mulheres e homens como sujeitos e objetos de uma multiplicidade de inscricoes. Este ensaio aborda a escrita (literalmente) transgressiva de Durcan e os desafios intelectuais e disciplinares que ela comporta, ao interrogar o modo como lemos poemas e imagens, mas tambem como aceitamos a auto-contencao de configuracoes politicas e identitarias.","PeriodicalId":29863,"journal":{"name":"EIGSE-A JOURNAL OF IRISH STUDIES","volume":"35 1","pages":"109-118"},"PeriodicalIF":0.0,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83546994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"O Poeta Durcan & Eu","authors":"Alan Gilsenan","doi":"10.37389/ABEI.V22I2.180770","DOIUrl":"https://doi.org/10.37389/ABEI.V22I2.180770","url":null,"abstract":"A personal and subjective reflection by writer and film-maker Alan Gilsenan on his memories and relationship with Paul Durcan and his poetry. Gilsenan has collaborated with Durcan on three film projects: an experimental film of the long poem Six Nuns Die in Convent Inferno; a documentary profile, Paul Durcan: The Dark School (1944- 1971); and the poet provided the voice for ULYSSES | FILM, a visual installation in response to the iconic novel by James Joyce, commissioned for Dublin’s new MOLI (Museum of Literature Ireland).","PeriodicalId":29863,"journal":{"name":"EIGSE-A JOURNAL OF IRISH STUDIES","volume":"20 1","pages":"67-74"},"PeriodicalIF":0.0,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90330081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Assembly of Paul Durcan","authors":"P. Muldoon","doi":"10.37389/ABEI.V22I2.180787","DOIUrl":"https://doi.org/10.37389/ABEI.V22I2.180787","url":null,"abstract":"","PeriodicalId":29863,"journal":{"name":"EIGSE-A JOURNAL OF IRISH STUDIES","volume":"101 1","pages":"155-156"},"PeriodicalIF":0.0,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88119200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Poesia de Paul Durcan – Um Autorretrato na Irlanda Contemporânea","authors":"M. H. Mutran","doi":"10.37389/ABEI.V22I2.180775","DOIUrl":"https://doi.org/10.37389/ABEI.V22I2.180775","url":null,"abstract":"Paul Durcan’s poems have represented his social, historical and cultural experiences, in Ireland and in the places he has visited, for many decades. Thus, among the many approaches that his poetic work inspires, one of them privileges the “documental” aspect of his achievement as a “poet – journalist”. This article aims at discussing another significant aspect of Durcan’s multiple attitudes towards reality by arguing that his poems are parts of a long autobiography containing events and feelings since early childhood to the present day. The reader’s task is to piece together in a time sequence the loose threads of Durcan’s autobiographical weaving; his reward will be to discover a fascinating and unique self-portrait of the poet.","PeriodicalId":29863,"journal":{"name":"EIGSE-A JOURNAL OF IRISH STUDIES","volume":"91 1","pages":"99-108"},"PeriodicalIF":0.0,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83947789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction For the Poet Durcan, in his Seventy-sixth Year","authors":"Alan Gilsenan","doi":"10.37389/ABEI.V22I2.180790","DOIUrl":"https://doi.org/10.37389/ABEI.V22I2.180790","url":null,"abstract":"","PeriodicalId":29863,"journal":{"name":"EIGSE-A JOURNAL OF IRISH STUDIES","volume":"14 1","pages":"15-18"},"PeriodicalIF":0.0,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81545154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"What Shall I Wear, Darling, to The Great Hunger?","authors":"P. Durcan, M. Fernández-Suárez","doi":"10.37389/ABEI.V22I2.180808","DOIUrl":"https://doi.org/10.37389/ABEI.V22I2.180808","url":null,"abstract":"","PeriodicalId":29863,"journal":{"name":"EIGSE-A JOURNAL OF IRISH STUDIES","volume":"141 1","pages":"58-59"},"PeriodicalIF":0.0,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78586583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Paul Durcan Dances Down to Brazil","authors":"H. Godoy","doi":"10.37389/ABEI.V22I2.180788","DOIUrl":"https://doi.org/10.37389/ABEI.V22I2.180788","url":null,"abstract":"","PeriodicalId":29863,"journal":{"name":"EIGSE-A JOURNAL OF IRISH STUDIES","volume":"5 2 1","pages":"159-159"},"PeriodicalIF":0.0,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78473105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Last Shuttle to Rio","authors":"P. Durcan, G. Wolkoff","doi":"10.37389/ABEI.V22I2.180799","DOIUrl":"https://doi.org/10.37389/ABEI.V22I2.180799","url":null,"abstract":"","PeriodicalId":29863,"journal":{"name":"EIGSE-A JOURNAL OF IRISH STUDIES","volume":"37 1","pages":"26-39"},"PeriodicalIF":0.0,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85511497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Nachalstvo”, “Blat” e “Blarney” Paul Durcan entre a Irlanda e a Russia","authors":"Stephanie Schwerter, Marina V. Tsvetkova","doi":"10.37389/ABEI.V22I2.180779","DOIUrl":"https://doi.org/10.37389/ABEI.V22I2.180779","url":null,"abstract":"In Durcan’s poetic work, a strong interest in Russian history and culture can be observed. The poet’s fascination with Russia manifests itself predominantly in his poetry collection Going Home to Russia published in 1987. The poems featuring in the book geographically cover the entire Soviet Union, reaching from the Baltic to the Pacific and from the White to the Black Sea, while at the same time moving back and forwards between Ireland and Russia. One of the most striking features of Durcan’s volume is his outspokenness, “a slap in the face of public taste”, using the title the Russian cubofuturists’ manifesto published at the beginning of the twentieth century. Durcan’s satirical approach to contemporary Irish society could be seen as of post-modern nature as established societal values become undermined through mockery and sarcasm.","PeriodicalId":29863,"journal":{"name":"EIGSE-A JOURNAL OF IRISH STUDIES","volume":"11 1","pages":"119-131"},"PeriodicalIF":0.0,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89831490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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