“Nachalstvo”, “Blat” e “Blarney” Paul Durcan entre a Irlanda e a Russia

4区 文学
Stephanie Schwerter, Marina V. Tsvetkova
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引用次数: 0

Abstract

In Durcan’s poetic work, a strong interest in Russian history and culture can be observed. The poet’s fascination with Russia manifests itself predominantly in his poetry collection Going Home to Russia published in 1987. The poems featuring in the book geographically cover the entire Soviet Union, reaching from the Baltic to the Pacific and from the White to the Black Sea, while at the same time moving back and forwards between Ireland and Russia. One of the most striking features of Durcan’s volume is his outspokenness, “a slap in the face of public taste”, using the title the Russian cubofuturists’ manifesto published at the beginning of the twentieth century. Durcan’s satirical approach to contemporary Irish society could be seen as of post-modern nature as established societal values become undermined through mockery and sarcasm.
“Nachalstvo”,“Blat”和“Blarney”保罗·杜兰(Paul Durcan)进入了爱尔兰和俄罗斯
在杜尔肯的诗歌作品中,可以观察到对俄罗斯历史和文化的浓厚兴趣。这位诗人对俄罗斯的迷恋主要体现在他1987年出版的诗集《回到俄罗斯》中。书中的诗歌在地理上覆盖了整个苏联,从波罗的海到太平洋,从黑海到黑海,同时在爱尔兰和俄罗斯之间来回穿梭。Durcan的书中最引人注目的特点之一是他的直言不讳,“给了公众品味一记耳光”,借用了20世纪初出版的俄罗斯立体未来主义者的宣言。Durcan对当代爱尔兰社会的讽刺方法可以被视为后现代的本质,因为既定的社会价值被嘲笑和讽刺所破坏。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
EIGSE-A JOURNAL OF IRISH STUDIES
EIGSE-A JOURNAL OF IRISH STUDIES LANGUAGE & LINGUISTICS-
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