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Asian Diasporic Visual Cultures and the Americas最新文献

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Remediating Kalimán: Digital Evolutions of Eugenic Agents 补救Kalimán:优生代理的数字进化
Asian Diasporic Visual Cultures and the Americas Pub Date : 2019-04-11 DOI: 10.1163/23523085-00501004
I. Gutierrez
{"title":"Remediating Kalimán: Digital Evolutions of Eugenic Agents","authors":"I. Gutierrez","doi":"10.1163/23523085-00501004","DOIUrl":"https://doi.org/10.1163/23523085-00501004","url":null,"abstract":"Kalimán is a Mexican superhero that has circulated Orientalist eugenic values for over fifty years across Latin America. Although Indian, and wearing traditional Indian subcontinental clothing, distinguishable only by a jewel-encased “K” on his turban, Kalimán is a muscular, blue-eyed, and white character. He was created in 1963 as the main protagonist of a radio series that spawned a comic magazine in 1965, two films in 1972 and 1976, and animations and video games in the early 2010s, in a massive process of remediation that has guaranteed a solid mark in the cultural patrimony of the Americas. Since Kalimán incarnates impulses of punishment and desire over racially contaminated brown and black characters, his undisturbed, easy-to-access, and enduring presence provides evidence of deeply ingrained anti-Asian violence in Latin American popular culture, as well as the urge to develop a critical look at graphic violence traditions which continue to be treasured.","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23523085-00501004","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43042388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Notebook of No Return 不复返的笔记本
Asian Diasporic Visual Cultures and the Americas Pub Date : 2019-04-11 DOI: 10.1163/23523085-00501012
Kelly Sinnapah Mary
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引用次数: 0
Beyond Geography or Closed-Circuit Ethnicities 超越地理或封闭的种族
Asian Diasporic Visual Cultures and the Americas Pub Date : 2019-04-11 DOI: 10.1163/23523085-00501001
P. Mohammed
{"title":"Beyond Geography or Closed-Circuit Ethnicities","authors":"P. Mohammed","doi":"10.1163/23523085-00501001","DOIUrl":"https://doi.org/10.1163/23523085-00501001","url":null,"abstract":"","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23523085-00501001","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42568438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sidelined 旁落
Asian Diasporic Visual Cultures and the Americas Pub Date : 2019-04-11 DOI: 10.1163/23523085-00501018
S. Thangaraj
{"title":"Sidelined","authors":"S. Thangaraj","doi":"10.1163/23523085-00501018","DOIUrl":"https://doi.org/10.1163/23523085-00501018","url":null,"abstract":"","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23523085-00501018","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49385337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
(Un)Veiling “Tradition”: Fashioning Multifaceted Orhni and Hijab Assemblages in Trinidad (Un)面纱“传统”:特立尼达塑造多面性的欧赫尼和希贾布组合
Asian Diasporic Visual Cultures and the Americas Pub Date : 2019-04-11 DOI: 10.1163/23523085-00501005
Jillian Ollivierre
{"title":"(Un)Veiling “Tradition”: Fashioning Multifaceted Orhni and Hijab Assemblages in Trinidad","authors":"Jillian Ollivierre","doi":"10.1163/23523085-00501005","DOIUrl":"https://doi.org/10.1163/23523085-00501005","url":null,"abstract":"Examining sartorial life histories—interviews detailing the entangled biographies of women and their garments—this article attends to the material microscopics of Indo-Trinidadian women’s orhni and hijab veiling practices, dress conventions that circulate as visual markers of idealized femininities vested in mobilizations of Indian, Hindu, and/or Islamic tradition. Complicating facile projections of bounded and timeless essences, women’s narratives highlight the dynamic, hybrid ways in which they have historically “assembled” their outfits, weaving together the diverse material, aesthetic, and ideological threads available to them in a multi-ethnic, multi-faith, and globalized Trinidad. While representations of veiling have facilitated the cordoning-off of ethnic and religious divides, attending to the multifaceted materialities and aesthetics of orhni and hijab assemblages can rip away at the seams that reinforce fictive notions of bounded “culture” and static “tradition” in the Caribbean.","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23523085-00501005","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46591337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Racialized Agents and Villains of the Security State: How African Americans are Interpellated against Muslims and Muslim Americans 安全国家的种族化特工和恶棍：非裔美国人如何与穆斯林和穆斯林美国人对立
Asian Diasporic Visual Cultures and the Americas Pub Date : 2019-04-11 DOI: 10.1163/23523085-00501008
Wazhmah Osman
{"title":"Racialized Agents and Villains of the Security State: How African Americans are Interpellated against Muslims and Muslim Americans","authors":"Wazhmah Osman","doi":"10.1163/23523085-00501008","DOIUrl":"https://doi.org/10.1163/23523085-00501008","url":null,"abstract":"This article examines modern American warfare and policing to draw parallels in the ways that national citizens and foreign nationals are subjected to similar regimes of violence and subjugation and highlight the interrelated oppressions of marginalized groups at home with marginalized groups abroad. It analyzes media representations of people from the Middle Eastern, North African, and South Asian (menasa) regions to further demonstrate the workings of empire. In particular, the us military-industrial complex, in conjunction with the us media industry, has played a pivotal role in creating dangerous post-9/11 stereotypes of menasa people as ruthless terrorists. Simultaneously, the us media fabricate an organic alliance between African Americans and its security state apparatus, thereby creating discord and disunity between African Americans and Arabs and other Muslim Americans. Against the hegemony of these institutions, how can activists create spectatorial solidarity and unified movements?","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23523085-00501008","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46680928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Sugarwork: The Gastropoetics of Afro-Asia After the Plantation 蔗糖：种植园之后的非洲-亚洲的胃诗学
Asian Diasporic Visual Cultures and the Americas Pub Date : 2019-04-11 DOI: 10.1163/23523085-00501003
Tao Leigh Goffe
{"title":"Sugarwork: The Gastropoetics of Afro-Asia After the Plantation","authors":"Tao Leigh Goffe","doi":"10.1163/23523085-00501003","DOIUrl":"https://doi.org/10.1163/23523085-00501003","url":null,"abstract":"The politics and the poetics of sugar and its production have long connected African and Asian diasporas as the material legacy of the Caribbean plantation. This article considers the repurposing of sugar as art and the aesthetic of artists of Afro-Chinese descent, Andrea Chung and Mara Magdalena Campos-Pons. Part of a diasporic tradition of employing sugar as a medium that I call sugarwork, their artwork evokes the colonial entanglements of nutrition and labour on the plantation, centered in the belly. The womb makes, and the stomach unmakes. This practice, employing the materiality of foodstuffs, is part of a gastropoetics, wherein centering the sensorium opens alternative forms of knowledge production to the European colonial archive. As the descendants of enslaved Africans and indentured Chinese, Campos-Pons and Chung metabolize sugar in ways that grapple with the futurity of the plantation to form a new intertwined genealogy of black and Chinese womanhood.","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23523085-00501003","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41458664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 42
Patty Chang: The Wandering Lake, 2009–2017 张佩蒂:徘徊的湖，2009-2017
Asian Diasporic Visual Cultures and the Americas Pub Date : 2019-04-11 DOI: 10.1163/23523085-00501016
J. Davidson
{"title":"Patty Chang: The Wandering Lake, 2009–2017","authors":"J. Davidson","doi":"10.1163/23523085-00501016","DOIUrl":"https://doi.org/10.1163/23523085-00501016","url":null,"abstract":"","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23523085-00501016","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47796078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“We Who Are Enemy”: Incarceration Redress in the Paintings of Roger Shimomura “我们是敌人”:罗杰·下村绘画中的监禁补救
Asian Diasporic Visual Cultures and the Americas Pub Date : 2019-04-11 DOI: 10.1163/23523085-00501007
Kimiko Matsumura
{"title":"“We Who Are Enemy”: Incarceration Redress in the Paintings of Roger Shimomura","authors":"Kimiko Matsumura","doi":"10.1163/23523085-00501007","DOIUrl":"https://doi.org/10.1163/23523085-00501007","url":null,"abstract":"This article establishes historically specific connections between American artist Roger Shimomura’s paintings about Japanese American Incarceration and Incarceration Redress from roughly 1978 to 2003. Deploying a kind of history painting in the Minidoka series before turning to personal narrative in Diary and the juxtaposition of contrasting visual tropes in Stereotypes and Admonitions, Shimomura’s varying approaches reflect connections to timely emphases on raising awareness, sharing testimony, and preventing reoccurrences associated with significant moments in the detainment’s afterlife. Throughout these shifts in focus, Shimomura’s use of visual stereotype increasingly frames incarceration within its broader social meaning, rather than through its historical progression or its personal resonances. I show how Shimomura’s work comes to connect incarceration to its enduring social consequences, making it but one of many recent, racially motivated transgressions that provide greater lessons about the perpetuation of naturalized prejudice in the United States and its material effects.","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23523085-00501007","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48379347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Imaging and Imagining the Chinese Caribbean: Jeanette Kong, Maria Lau, and Laura Fong Prosper 想象和想象中国的加勒比:孔珍妮特，刘慧卿，和劳拉方繁荣
Asian Diasporic Visual Cultures and the Americas Pub Date : 2019-04-11 DOI: 10.1163/23523085-00501009
Sean Metzger
{"title":"Imaging and Imagining the Chinese Caribbean: Jeanette Kong, Maria Lau, and Laura Fong Prosper","authors":"Sean Metzger","doi":"10.1163/23523085-00501009","DOIUrl":"https://doi.org/10.1163/23523085-00501009","url":null,"abstract":"","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23523085-00501009","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42221123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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