Italica Belgradensia最新文献

{"title":"Italian Science Fiction: The Other in Literature and Film","authors":"Eleonora Boscolo Suteu","doi":"10.5406/23256672.99.4.18","DOIUrl":"https://doi.org/10.5406/23256672.99.4.18","url":null,"abstract":"","PeriodicalId":29826,"journal":{"name":"Italica Belgradensia","volume":"17 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84238166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Intellectual Education of the Italian Renaissance Artist","authors":"Pantalea Mazzitello","doi":"10.5406/23256672.99.4.14","DOIUrl":"https://doi.org/10.5406/23256672.99.4.14","url":null,"abstract":"Scholars have traditionally viewed the Italian Renaissance artist as a gifted but poorly educated craftsman whose complex and demanding works were created with the assistance of a more educated advisor. These assumptions are, in part, based on research that has focused primarily on the artist’s social rank and workshop training. In this volume, Angela Dressen explores the range of educational opportunities that were available to the Italian Renaissance artist. Considering artistic formation within the history of education, Dressen focuses on the training of highly skilled, average artists, revealing a general level of learning that was much more substantial than has been assumed. She emphasizes the role of mediators who had a particular interest in augmenting artists’ knowledge, and highlights how artists used Latin and vernacular texts to gain additional knowledge that they avidly sought. Dressen’s volume brings new insights into a topic at the intersection of early modern intellectual, educational and art history.","PeriodicalId":29826,"journal":{"name":"Italica Belgradensia","volume":"48 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74668845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Modernism in Trieste: The Habsburg Mediterranean and the Literary Invention of Europe, 1870–1945","authors":"C. Klopp","doi":"10.5406/23256672.99.4.15","DOIUrl":"https://doi.org/10.5406/23256672.99.4.15","url":null,"abstract":"","PeriodicalId":29826,"journal":{"name":"Italica Belgradensia","volume":"36 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85944739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"On Eels and Angels: Amelia Rosselli and Francesca Woodman between Devotion and Deconstruction of the Traditional Topoi","authors":"Matilde Manara","doi":"10.5406/23256672.99.4.09","DOIUrl":"https://doi.org/10.5406/23256672.99.4.09","url":null,"abstract":"\u0000 By bringing into dialogue the poet Amelia Rosselli and the artist Francesca Woodman, this article will focus on how an intermedial and comparative methodological framework can bring a better understanding of both poetic texts and visual arts. We will reflect on the conflict between devotion and defection of a given media tradition (photography on the one hand, poetry on the other) by analyzing some figures shared by Woodman and Rosselli: the visiting angel and the eel. Such a comparison will allow us to ask ourselves whether the two artists’ texts and photographs are as “feminine” as they appear at first sight, as well as to consider the formal procedures through which they achieved or voluntarily failed in the construction of a fixed identity.","PeriodicalId":29826,"journal":{"name":"Italica Belgradensia","volume":"47 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78413594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Italia Cantata: Storia d'Italia attraverso le canzoni da Napoleone a Berlusconi. A Language and Culture Textbook","authors":"Daniela Cunico Dal Pra","doi":"10.5406/23256672.99.4.12","DOIUrl":"https://doi.org/10.5406/23256672.99.4.12","url":null,"abstract":"","PeriodicalId":29826,"journal":{"name":"Italica Belgradensia","volume":"26 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80870894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A Multidimensional Understanding of Italian L2 Learner Motivation among University Students in a Predominantly English-Speaking Environment","authors":"Giuseppe D’Orazzi, J. Hajek","doi":"10.5406/23256672.99.3.04","DOIUrl":"https://doi.org/10.5406/23256672.99.3.04","url":null,"abstract":"\u0000 Studies on motivation in learning Italian in Australia have mostly shed light on students’ creation of an ideal Italian self (e.g., Caruso and Fraschini). In doing so, they appear mainly to explore students’ psychological reactions to the Italian learning process. Our study aims to complement previous research through the use of a three-level model (D'Orazzi, Motivation) that incorporates the analysis of psychological and cognitive components at the micro level, pedagogical dynamics at the meso level, and social context at the macro level. While taking a strongly quantitative approach, its results also build on and potentially contrast with those of a recent qualitative study undertaken by D'Orazzi and Hajek on university students’ motivation when learning Italian in an English-speaking country such as Australia. In this article, we analyze survey data collected among students of Italian enrolled at a selection of Australian universities. Two online questionnaires were sent to students who answered fifty-one Likert scale questions addressing their learning experience as beginner students over one year of Italian studies. Our results point to the multidimensional and dynamic nature of second language learning motivation over time (Oakes and Howard), also following Danesi's argument that pedagogical factors need to be considered in studies on L2 learning motivation.","PeriodicalId":29826,"journal":{"name":"Italica Belgradensia","volume":"155 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83433785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reconsidering Boccaccio: Medieval Contexts and Global Intertexts","authors":"Michael Sherberg","doi":"10.5406/23256672.99.3.13","DOIUrl":"https://doi.org/10.5406/23256672.99.3.13","url":null,"abstract":"","PeriodicalId":29826,"journal":{"name":"Italica Belgradensia","volume":"116 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91322749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Exclusive Interview with Ezio Gribaudo","authors":"Victoria Surliuga","doi":"10.5406/23256672.99.3.06","DOIUrl":"https://doi.org/10.5406/23256672.99.3.06","url":null,"abstract":"","PeriodicalId":29826,"journal":{"name":"Italica Belgradensia","volume":"35 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73855583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Rocco Schiavone, la serie TV: problemi di genere, giustizia e legalità","authors":"Flavia Brizio-Skov","doi":"10.5406/23256672.99.3.03","DOIUrl":"https://doi.org/10.5406/23256672.99.3.03","url":null,"abstract":"\u0000 Rocco Schiavone (2016–), la fortunata serie TV ormai giunta alla quarta stagione con una quinta in preparazione, nasce nel 2016 dagli omonimi romanzi di Antonio Manzini e viene trasmessa da Rai 2. Il programma, prodotto da Rai Fiction, Cross Productions, e Beta Film, registra una media di 3,3 milioni di telespettatori per episodio e uno share di oltre il 13% nella prima stagione. Nella seconda stagione mantiene tre milioni di spettatori per episodio e nella quarta uno share del 10.3% con 2.570.000 spettatori. Il successo si ripete anche all'estero e la popolarità dello scorbutico, sboccato, ma dal cuore d'oro vicequestore aggiunto della Questura di Aosta (interpretato da uno splendido Marco Giallini) continua a crescere dentro e fuori l'Italia. Grazie ai riscontri positivi della serie sul vicequestore trasteverino e alla notorietà di altre Rai Fiction come L'amica geniale e Il Cacciatore, i critici parlano di stagione d'oro della serialità italiana. Il grande successo di pubblico deve attribuirsi al fatto che il personaggio di Rocco Schiavone, duro con se stesso come con gli altri, scontroso, insofferente, nasconde dietro il suo cinismo un forte senso di umanità e una personalissima idea di giustizia. In queste pagine, si vuole infatti dimostrare come la fortuna di questa fiction sia dovuta a due fattori: una operazione di ibridismo operata all'interno del genere giallo, con una mescolanza delle formule e un assemblaggio di topoi provenienti da vari sotto-generi; e una continua contrapposizione tra giustizia e legalità, ovvero tra quello che il codice penale richiede a un rappresentante della legge, e le libertà che il nostro vicequestore si prende. Libertà che costringono lo spettatore a interrogarsi su una miriade di quesiti che lo pongono di fronte ai problemi dell'Italia di oggi, e esulano i confini della città di Aosta dove le storie si svolgono, forzandolo a ponderare su dilemmi universali: È giusto farsi giustizia da soli? È giusto ingannare i disonesti? È giusto rubare ai ladri per dare ai bisognosi? È giusto avere un codice etico personale e amministrare la giustizia? Che tipo di società è quella che permette abissi di povertà? Giustizia e Legge coincidono?","PeriodicalId":29826,"journal":{"name":"Italica Belgradensia","volume":"48 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79959626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Il secondo occhio di Ulisse: Saggi di letteratura e cultura italiana","authors":"Elena Caselli","doi":"10.5406/23256672.99.3.09","DOIUrl":"https://doi.org/10.5406/23256672.99.3.09","url":null,"abstract":"","PeriodicalId":29826,"journal":{"name":"Italica Belgradensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76491787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}