AVANCA | CINEMA最新文献_第6页

Cinematographic Virtual Reality: methods of capturing attention in a 360° environment 电影虚拟现实：在 360° 环境中吸引注意力的方法

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a538

Alexandre Carvalho

引用次数: 0

Choreography and Cinema #1: after the choreographic work of Cathy Weis 编舞与电影 #1：凯西-魏斯的编舞作品之后

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a471

Sílvia Pinto Coelho

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TRUE CRIME: Era uma vez um crime 真实的犯罪：很久很久以前，有一种犯罪

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a536

Francisco Malta, T. Barboza

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The Sheik (1921), George’s Melford: A oriental fantasy and raciality 酋长》（1921 年），乔治-梅尔福德：东方幻想与种族

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a509

Caio Chaves Faria

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Why do flowers die? - A música brasileira e ango-saxônica no tríptico As Mil e Uma Noites (2015), de Miguel Gomes 花儿为什么会死？- 米格尔-戈麦斯的三联画《一千零一夜》（2015）中的巴西和安戈-撒克逊音乐

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a490

Camilo Cavalcante

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Western Myth 西方神话

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a512

Gordana Smudja

{"title":"Western Myth","authors":"Gordana Smudja","doi":"10.37390/avancacinema.2023.a512","DOIUrl":"https://doi.org/10.37390/avancacinema.2023.a512","url":null,"abstract":"Necessary feedback in understanding the phenomenon of westerns is certainly the social background that is closely related to the myth of westerns from its beginnings until the decline of westerns in the seventies. America, as we see it in westerns, is a picture of a mass exodus of people who wanted more, often those for whom the old homeland had become cramped and insufficient. It is in this environment that we see the heroes of the Western empowered in the desire for individualization. In the USA, the western used to be a large part of the entire production, and its popularity was transferred to other continents (Europe, Australia and Asia). An interesting fact is that the western myth does not have its beginnings in western films, although they are not only his strongest and most persistent accomplices but also the strongest populist weapon for telling folk legends such as the ones about Wild Bill Hickock, Calamity Jane, Wyatt Earp, Doc Holliday or Billy the Kid who become the heroes of these legends. Even before the invention of cinema and Porter’s The Great Train Robbery (1903), considered by many to be the first western film, Western literature was represented, but in the form of cheap books glorifying groups of conquerors of distant wilderness. However, what the heroes of the western persistently carry with them from the old homeland are the laws. They try to turn their new environment into a socially organized one, to turn the “desert into a flower”.","PeriodicalId":297336,"journal":{"name":"AVANCA | CINEMA","volume":"29 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139449315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Simulate This! Virtual Production and Cinematic Education with cineDESK 模拟这一切！使用 cineDESK 进行虚拟制作和电影教育

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a541

Manuel Flurin Hendry, Norbert Kottmann, V. Huber, Michael Schaerer, Christian Iseli

{"title":"Simulate This! Virtual Production and Cinematic Education with cineDESK","authors":"Manuel Flurin Hendry, Norbert Kottmann, V. Huber, Michael Schaerer, Christian Iseli","doi":"10.37390/avancacinema.2023.a541","DOIUrl":"https://doi.org/10.37390/avancacinema.2023.a541","url":null,"abstract":"Due to the increased availability of computing power, hybrid image production – combining live-action image components with virtual assets – can now be performed in real-time, enabling filmmakers to seamlessly visualize, manipulate and incorporate digital assets into their shooting process. The related novel workflows are commonly referred to as “Virtual Production”. Here, we focus on the use of Virtual Production techniques for cinematic simulation. In 2020, the Zurich University of the Arts created cineDESK, a simulation tool to facilitate the previsualization of film scenes and stimulate the artistic choices of filmmakers. Using cineDESK, directors, cinematographers and production designers can collaboratively explore how space, light, props and acting are translated into cinematic sequences. In educational settings, students benefit from cineDESK’s capacity to explore specific aspects of the filmmaking process in isolation. cineDESK allows them to repeatedly rework their scenes, rearranging and optimizing camera angles and movements, lighting, production design elements and even the appearance of their (virtual) actors. Thus, cineDESK helps filmmakers to develop an idiosyncratic visual language and make informed aesthetic choices without being overwhelmed by the complexities of a real film shoot.","PeriodicalId":297336,"journal":{"name":"AVANCA | CINEMA","volume":"44 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139449369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Metaverse film. The rising of immersive audiovisual through disrupting traditional moving image and its conventions 元宇宙电影。通过打破传统移动影像及其惯例，崛起身临其境的视听效果

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a540

Francisco-Julián Martínez-Cano

{"title":"Metaverse film. The rising of immersive audiovisual through disrupting traditional moving image and its conventions","authors":"Francisco-Julián Martínez-Cano","doi":"10.37390/avancacinema.2023.a540","DOIUrl":"https://doi.org/10.37390/avancacinema.2023.a540","url":null,"abstract":"The development of the metaverse and its immersive technologies has had an impact on contemporary filmmaking. Associated with the concept of metaverse are the terms “VR film”, “VR cinema”, “cinematic virtual reality”, and “metaverse film”. As new expressions of digital media, virtual reality (VR) and augmented reality (AR) have become hotbeds of groundbreaking experiments with immersive audiovisual languages that have led to the production of numerous narrative works experiences that combine the real and the virtual using immersive devices.The term ‘metaverse film” could encompass all cinematic practices related to the metaverse, including videos shot in virtual worlds such as VRChat. In a sense, machinima, or films made in the last 15 years using game engines, could therefore be said to be the origin of metaverse films. Similarly, immersive VR audiovisual storytelling is part of the cinematic practices in this emerging metamedium that immerses the viewer in parallel virtual universes and makes them part of the story.Metaverse has a disrupting potential that may add new insights to the way we think of film and storytelling. Following these ideas, we consider relevant not only for the academic field, but also for the industry to frame the “metaverse film”. Using a bibliographic and different catalogs and databases review as well as major XR sections of major film festivals as main methodology, we conducted a research that goes through the immersive audiovisual fiction produced during the last decade, with the aim to set its current state of the art that might help conceptualize the term and all that surrounds fiction and non-fiction experiences of the metamedium.","PeriodicalId":297336,"journal":{"name":"AVANCA | CINEMA","volume":"15 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139449707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

O cinema como recurso para a desconstrução das práticas pedagógicas 电影是解构教学实践的资源

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a515

Sílvia R. B. Pinto

引用次数: 0

Czeslaw Milosz: Between Testimony and Prophecy 切斯拉夫-米洛什：见证与预言之间

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a495

Kátia M. L. Mendonça

引用次数: 0