AVANCA | CINEMA最新文献_第4页

A imagem em movimento numa escola de design 设计学院的动态影像

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a533

Noni Geiger, M. Martins

引用次数: 0

Flaneur: the film of the architecture of public space Flaneur：公共空间建筑电影

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a539

Mário Mesquita

引用次数: 0

El documental true crime español en las plataformas digitales (2016-2021): evolución y rasgos característicos 数字平台上的西班牙真实犯罪纪录片（2016-2021 年）：演变与特点

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a504

Alejandra del Barrio Cabello

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Videogames as Interactive Cinema - New Perspectives 作为互动电影的视频游戏--新视角

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a545

Sofia Figueiredo, Catarina Carneiro de Sousa

{"title":"Videogames as Interactive Cinema - New Perspectives","authors":"Sofia Figueiredo, Catarina Carneiro de Sousa","doi":"10.37390/avancacinema.2023.a545","DOIUrl":"https://doi.org/10.37390/avancacinema.2023.a545","url":null,"abstract":"The concept of interactive cinema has been explored in depth since the first incipient manifestations of (non-interactive) cinema. If our first attempts at creating interactive experiences out of narrative, linear film objects have been notoriously clunky and awkward, with the birth of videogames new attempts have been made, bringing fresh ideas and possibilities unto the table. Interactive works that include films as objects are common today. However, interactive cinema as a concept appears to have been abandoned.Cinema continues to be largely non interactive, this dimension seemingly relegated to videogames, apps and websites. We consider that some videogames can be considered interactive cinema. The Last of Us is an example that set the trend of mostly linear, narrative games. Other games have explored this model, achieving better and worse results. We propose that these games could be categorized as interactive cinema.In this paper we aim to continue an exploration of this idea - that there can be interesting, elegantly implemented creations we can name interactive cinema - distinguishing them from video games. We analyze two video games in this light, ‘Pentiment and Everything, trying to understand how they relate to, and differ from, classic cinema and the classic video game experience. We will also discuss the exhibition “Mundos Paralelos” (Parallel Worlds), on display at the the 25th edition of the Avanca Film Festival, to understand the cinematic characteristics of the artworks presented. We conclude by proposing that, perhaps, closed categories might not serve us when creating new objects, and that hybridization is beneficial, creative, and should occur.","PeriodicalId":297336,"journal":{"name":"AVANCA | CINEMA","volume":"81 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139450289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The effect of cinema on human social behavior 电影对人类社会行为的影响

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a531

Moqadassa Sarwari, Abbas Mohammadi

{"title":"The effect of cinema on human social behavior","authors":"Moqadassa Sarwari, Abbas Mohammadi","doi":"10.37390/avancacinema.2023.a531","DOIUrl":"https://doi.org/10.37390/avancacinema.2023.a531","url":null,"abstract":"Humans and creatures live by communication. The start moment of existence is the beginning of communication. But communication has taken different forms in different eras. Communication may be visual, auditory or sensory. In the world of beings, one of these communication methods is used as needed. In the field of visual communication, one of the most important parts is communication through images. This type of communication has been formed since the early times of human existence. Its signs are also petroglyphs that have been found in caves since the past centuries. This relationship changed shape in different eras and turned into painting, photography, and then into cinema and television images.Apart from being an art, cinema is an audio-visual medium that uses a combination of other arts to communicate with the audience. Nowadays, it is used in various ways to establish a communication bridge between cinema producers and social audiences. Because with it, they can convey the content they want to their audience. In essence, cinema is a bridge between the film producer and the target audience. But the type of use of this powerful and effective tool is different. In European and American countries, which are the founders of this means of communication, they use it well. But in the countries of the third world, especially the countries of the Middle East, especially Afghanistan, they could not use this magical tool to establish communication in order to change their society. The reason is the lack of sufficient knowledge of psychology, sociology, cultural studies and cinema technology and the power of image art to optimally use this means of mass communication.","PeriodicalId":297336,"journal":{"name":"AVANCA | CINEMA","volume":"80 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139450297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Dual Path of Cinema Between Real and Fantastic Fiction 电影在真实与奇幻小说之间的双重路径

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a483

Eliane Gordeeff

引用次数: 0

ASOMROF: A Transmedia Project of Sci-Fi Content Inspied by the Local Ethnic History for Technology Art Works ASOMROF：受当地民族历史启发的科技艺术作品科幻内容跨媒体项目

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a547

Yen-Jung Chang, Hsin-Chien Huang, Yuting Hsueh

{"title":"ASOMROF: A Transmedia Project of Sci-Fi Content Inspied by the Local Ethnic History for Technology Art Works","authors":"Yen-Jung Chang, Hsin-Chien Huang, Yuting Hsueh","doi":"10.37390/avancacinema.2023.a547","DOIUrl":"https://doi.org/10.37390/avancacinema.2023.a547","url":null,"abstract":"This communication depicts the evolution and transmedia of science fiction content inspired by the immigration and land reclamation history of early Hakka people who arrived in Taiwan from China in the 17th century for technology art works, including a dancing performance that combines virtual and real dancers in real-time, as well as an augmented reality exhibition. For early determined cooperation, the project was set to be related to Hakka culture. The Hakka are one of two major ethnic groups of Han Chinese immigrants who arrived in Taiwan around the 17th century, after the Hokkien, the other major ethnic group of Han Chinese. The history of Hakka immigration and reclamation, as well as the conflict between Hakka, Hokkien, and indigenous people in Taiwan, were found to be intriguing enough to be adapted into a science fiction scenario, with the consideration of how similar the situation will be in the future when human interplanetary immigrants arrive on a new distant planet, a metaphor for the Hakka people. The story of conflict and cooperation between new immigrants, previous settlers, and original inhabitants possibly echo the collective memory of ethnic groups in eastern Asia. Furthermore, the sci-fi scenarios are expanded and adapted as a novel and manga in text and graphic form based on scientific knowledge, in keeping with the current transmedia trend in the entertainment industry.","PeriodicalId":297336,"journal":{"name":"AVANCA | CINEMA","volume":"37 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139449562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Pílulas de ópera para crianças – minidocumentários para a sensibilização de pais e professores 儿童歌剧药丸--提高家长和教师认识的微型纪录片

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a481

Karen Acioly, Cristina Rego Monteiro da Luz

引用次数: 0

Melodrama noir: Beyond the Forest and Leave Her To Heaven 黑色情节剧：《森林之外》和《把她留给天堂

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a552

Petra Dominková

引用次数: 0

From the beginning of Cinema in Portugal to the construction of a production model in the silent period of the film industry in Northern Portugal 从葡萄牙电影的起步到葡萄牙北部电影业无声时期制作模式的构建

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a497

José Quinta Ferreira

引用次数: 0