{"title":"Retrofitting Suburban Settlements. A project for Limburg","authors":"Pier Vittorio Aureli, M. Tattara","doi":"10.56255/ma.v0i18.405","DOIUrl":"https://doi.org/10.56255/ma.v0i18.405","url":null,"abstract":"One of the rising challenges for architects is to rethink the future of suburban territories built through the repetition of the detached single-family house. If until the 90’s the suburbs offered an attractive way of life, today many suburban territories arein demographic and economic decline. The province of Limburg in Flanders (Belgium) is a clear example of such condition. The article illustrates a design-research project that aimed at rethinking this suburban territory as a place where new generations could live and work. By reflecting on the historical circumstances that led to the construction of this suburban region, on the recent transformations of domestic space, and on the potential of landscape resources to restructure sprawling territories, the proposal becomes a wider case through which to start rethinking the condition of living and working in the contemporary city.","PeriodicalId":29681,"journal":{"name":"Materia Arquitectura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47360854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Equipotential Space in Housing as a Strategy for Adaptability","authors":"José Luis Bezos Alonso","doi":"10.56255/ma.v0i18.406","DOIUrl":"https://doi.org/10.56255/ma.v0i18.406","url":null,"abstract":"Architecture must provide answers, in the domestic realm, to the constant and vertiginous change in contemporary society’s needs and lifestyles. For this reason, we propose to examine the concept of 'adaptability' in housing based on the study of a series of projects in which we find a specific arrangement of rooms, which we call 'equipotential' or 'checkered' space. This configuration favors the generation of an open logic of relations between spaces, and acts as a mechanism that prepares the house for adaptability, allowing us to conceive it as an open, elective, dynamic and combinatory playing field.","PeriodicalId":29681,"journal":{"name":"Materia Arquitectura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45705953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ENMARCANDO EL PROYECTO (URBANO) ABIERTO: PERSPECTIVAS DESDE EL PAISAJE Y LA ECOLOGÍA","authors":"Jeannette Sordi","doi":"10.56255/ma.v0i18.403","DOIUrl":"https://doi.org/10.56255/ma.v0i18.403","url":null,"abstract":"En los años ochenta y noventa, los arquitectos se formaron con el interés por experimentar con el cambio a lo largo del tempo, la flexibilidad, la indeterminación, las capas múltiples y los programas —lo que Manuel Gausa define como una lógica abierta emergente en la arquitectura—. Al mismo tiempo, muchos veían el paisaje y la ecología como los soportes más adecuados para operar en el contexto de infraestructuras urbanas complejas y áreas periféricas. Actualmente, la amenaza que implica el cambio climático y la creciente inversión por parte de las ciudades para crear y reconvertir espacios abiertos e infraestructuras está alimentando un renovado interés en el diseño de paisaje. Sin embargo, también está llevando a una creciente objetificación del paisaje. Este trabajo revisará cinco proyectos recientes de arquitectura de paisaje para reflexionar sobre el valor y los límites de lo “abierto” en el diseño urbano.","PeriodicalId":29681,"journal":{"name":"Materia Arquitectura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45377906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ARQUITECTURA PARA MÁS-QUE- HUMANOS","authors":"Marina Otero Verzier","doi":"10.56255/ma.v0i18.402","DOIUrl":"https://doi.org/10.56255/ma.v0i18.402","url":null,"abstract":"En su proyecto New Babylon (1956–1974), el artista Constant Nieuwenhuys propone una sociedad alterna- tiva que dedica todo su tiempo a la creatividad y al juego, en la que el trabajo humano se vuelve superfluo. Paradigma arquitectónico de espacio libre y el ocio posibilitado por la automatización del trabajo, New Babylon fue capaz de visualizar, también, la arquitectura del mundo post-laboral. Un mundo que, cin- cuenta años después, empieza a tomar formas concretas. Hoy, la arquitectura de la plena automatización está implementándose en lugares como Holanda y China. Su introducción agita los mercados laborales, así como la configuración de espacios y tareas humanas que han quedado obsoletos con la irrupción de las máquinas en los centros productivos. Estos cambios disruptivos, sin embargo, también podrían ser un detonante para la reinvención de las nociones del trabajo humano y su arquitectura, desde la perspectiva de su posible obsolescencia. La disciplina arquitectónica enfrenta el desafío de responder a la introducción de las tecnologías de automatización. Dominio de investigación e innovación que aún carece de una pers- pectiva espacial crítica, la arquitectura automatizada es, sin embargo, fundamental para discernir un futuro inminente y, en última instancia, para explorar nuestra agencia y la capacidad de aceptarlo o desafiarlo.","PeriodicalId":29681,"journal":{"name":"Materia Arquitectura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47690715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Peace-walls, Flags, and Dark Passages","authors":"M. McLintock","doi":"10.56255/ma.v0i20.490","DOIUrl":"https://doi.org/10.56255/ma.v0i20.490","url":null,"abstract":"The cites of Belfast and Londonderry in Northern Ireland are fractured with a network of walls, fences, and barricades, that divide traditionally Loyalist- Unionist-Protestants from Republican- Nationalist-Catholics communities. They were mostly constructed between the late 1960s and early 1990s, during a period of conflict known as ‘The Troubles.’ Since 1995, the walls have been rebranded with the official euphemism ‘peace walls,’ and the groups they divide renamed as ‘interface communities.’ They are due to be removed by 2023, as part of commitments drawn out in the Good Friday Agreement; the 1998 accord that largely brought an end to the conflict. However, due to Northern Ireland’s devolved government, and a lack of funding towards the advocacy groups needed to bring these opposing communities together, among other opaque issues, this goal is increasingly unattainable. Woven throughout this network of fortification infrastructures is a nascent tourist typology and muralscape that is complex and murky, bound up in underexplored emergent identity politics. This article leans on spatial post-conflict theory, and first- hand accounts of encounters with this architectural typology, to explore the nebulous context in Northern Ireland.","PeriodicalId":29681,"journal":{"name":"Materia Arquitectura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42807160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"VISUALIZANDO LA INCERTIDUMBRE Y LA VULNERABILIDAD","authors":"Peg Rawes","doi":"10.56255/ma.v0i20.483","DOIUrl":"https://doi.org/10.56255/ma.v0i20.483","url":null,"abstract":"El presente artículo revisa de qué manera las visualizaciones científicas de datos representan intentos de registrar y predecir con certeza nuestras experiencias y futuros sociales, políticos y económicos. Escrito desde la perspectiva de quien se encuentra viviendo bajo el confinamiento con que el Reino Unido res- ponde a la pandemia global del Coronavirus, el artículo reflexiona sobre las cuestiones de incertidumbre y vulnerabilidad que se construyen en la respuesta del gobierno y son experimentadas por la población del Reino Unido. Se discuten ciertos gráficos que los científicos han elaborado para modelar el impacto de la enfermedad en la población, junto a la documentación de un artista sobre la información que su cuerpo produce al ser sometido a un tratamiento para el cáncer, y la noción filosófica de “vivir-muriendo”, desa- rrollada por la filósofa feminista Gillian Howie como una manera de afirmar la vulnerabilidad en la vida.","PeriodicalId":29681,"journal":{"name":"Materia Arquitectura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47778365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Framed, Therefore Real","authors":"Ecem Ergin","doi":"10.56255/ma.v0i20.488","DOIUrl":"https://doi.org/10.56255/ma.v0i20.488","url":null,"abstract":"With the rise-of the post-truth era, well- known definitions of urban activism have been calling for an update. Covering different territories and media, this essay aims at suggesting new ways of thinking about architecture and its digital representation as a medium for political engagement. It is my suggestion that, the information of space, or more precisely, architecture, can be deployed to reduce the ‘uncertainty’ of a message encountered online and can therefore \u0000be used for legitimization. Starting with Times Square in New York, the context of the research expands to Central Asia and investigates the relevant debates. It looks like, actors on the global political stage such as China, India, and Pakistan have been using the built environment of another global power, the USA, to validate their claims about each other. While employing well-known urban backgrounds for legitimizing political messages is far from new, campaigns using another country’s public places and monuments to gain repute at home might be a new territory for geopolitics.","PeriodicalId":29681,"journal":{"name":"Materia Arquitectura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45768451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"HOGARES CON TV: ESCENAS DEL ÁLBUM DE FOTOS FAMILIAR","authors":"Lynn Spigel","doi":"10.56255/ma.v0i20.484","DOIUrl":"https://doi.org/10.56255/ma.v0i20.484","url":null,"abstract":"Sobre la base de una colección de más de 5.000 fotografías instantáneas en que figuran televisores, este ensayo explora cómo las personas (principalmente en los EE. UU.) visualizaron sus hogares con TV entre las décadas de 1950 y 1970. Se indaga en el uso de la TV como lugar para posar y para la presentación de identi- dades individuales y familiares. En lugar de sencillamente limitarse a mirar la TV, las personas llevaron a caboperformances frente al televisor, transformando el aparato de TV en un espacio escenográfico. El artículo con- sidera una variedad de situaciones espaciales en hogares con TV: desde espacios vacíos a espacios teatrales y espacios de extrañeza. Se sugiere que la fotografía vernácula proporciona nueva evidencia respecto a la manera en que las personas vivieron con la TV e hicieron de sus hogares “teatros en casa”.","PeriodicalId":29681,"journal":{"name":"Materia Arquitectura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45320193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"MUROS DE PAZ, BANDERAS Y PASADIZOS OSCUROS","authors":"M. McLintock","doi":"10.56255/ma.v0i20.482","DOIUrl":"https://doi.org/10.56255/ma.v0i20.482","url":null,"abstract":"Las ciudades de Belfast y Londonderry en Irlanda del Norte están fracturadas por una red de muros, rejas y barricadas que divide a las comunidades tradicionalmente protestantes-lealistas-unionistas de las repu- blicanas-nacionalistas-católicas. Fueron construidas, en su mayoría, entre fines de los sesenta y comienzos de los noventa, durante un periodo de disputas conocido como “El Conflicto” (The Troubles). Desde 1995, los muros han sido oficialmente renombrados con el eufemismo “muros de paz” (peace walls); y los grupos sociales que estos dividen, rebautizados como “comunidades interfaz” (interface communities). Su retiro está programado para 2023 como parte de los compromisos incluidos en el Acuerdo de Viernes Santo, el acuerdo de paz firmado en 1998 que, en gran medida, puso fin al conflicto. Sin embargo, debido al gobierno descentralizado de Irlanda del Norte y la falta de financiamiento a los grupos de apoyo nece- sarios para volver a reunir a estas comunidades divididas, entre otras problemáticas menos transparentes, este objetivo parece cada vez más irrealizable. Entretejida en esta red de infraestructuras de fortificación hay una naciente tipología de turismo y paisajes murales, complejos y algo difíciles de desentrañar, vincu- lados a políticas de identidad emergentes que han sido muy poco exploradas. Este artículo se apoya en la teoría espacial post-conflicto y en relatos de primera mano de encuentros con esta tipología arquitectónica para explorar el nebuloso contexto en Irlanda del Norte.","PeriodicalId":29681,"journal":{"name":"Materia Arquitectura","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43807222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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