{"title":"Terror in Christchurch: Here comes the ‘Peace Train’","authors":"L. Neill, N. Hemmington, A. Emery","doi":"10.1386/ajpc_00002_1","DOIUrl":"https://doi.org/10.1386/ajpc_00002_1","url":null,"abstract":"On 15 March 2019, a white supremacist gunman shot dead 50 Muslim worshippers at two mosques in Christchurch, Aotearoa, New Zealand. His actions changed forever the safe haven known as ‘God’s Own’. New Zealanders were shocked that such an event had happened here. Many\u0000 Kiwis believed the nation to be safe, given its geographic isolation from the terrorist targets of Europe and the United States of America. However, the atrocity has exposed an unhealthy underbelly that has long permeated New Zealand’s socio-culture. Racism and discrimination have forefronted\u0000 ensuing conversations. This article explores the nation’s history of discrimination preceding the terrorist attack. In doing so, we expose something subtly denied: that New Zealand is not the egalitarian land of milk and honey that many Kiwis believed it to be. We suggest that the terrorist\u0000 attack not only highlighted the nation’s discrimination but also provided its liminal moment. Part of that liminality was Cat/Yusuf Steven’s performance, in Christchurch, of ‘Peace Train’. We compound our exploration of Aotearoa New Zealand’s history of discrimination\u0000 by asking how the lyrics of ‘Peace Train’ provide a way to view our past and provide an opportunity to perceive a way forward for the nation, given the tragedy of terrorism. We suggest that ‘Peace Train’ is a metaphorical illumination of the nation’s liminality,\u0000 and that it provided a road map of unity that helped to guide many Kiwis in understanding and coming to terms with not only what had happened but also a future view of how Kiwis might see themselves.","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44608766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review","authors":"Alison Vincent","doi":"10.1386/ajpc_00009_5","DOIUrl":"https://doi.org/10.1386/ajpc_00009_5","url":null,"abstract":"The Routledge Companion to Literature and Food, Lorna Piatti-Farnell and Donna Lee Brien (eds) (2018), 516 pp. ISBN: 9781138048430, New York: Routledge, h/bk, $389 AUD","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49455640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Uncle Sam’s Letterbag’: Children’s involvement in newspaper propaganda in the First World War","authors":"M. Cook","doi":"10.1386/ajpc_00006_1","DOIUrl":"https://doi.org/10.1386/ajpc_00006_1","url":null,"abstract":"This paper draws on letters published weekly in ‘Uncle Sam’s Corner’, in Rockhampton’s Morning Bulletin and Central Queensland Herald between 1915 and 1918 to explore the role of journalists in disseminating popular narratives during the First World War. Through\u0000 the children’s own words their understanding of unfolding events is exposed as is the role of journalist ‘Uncle Sam’ in shaping children’s wartime responses. Using his adjoining children’s corner and the responses given to the children’s letters, Uncle Sam\u0000 inculcates the values of duty, service and sacrifice; the qualities demanded of the Empire’s civilians in wartime to aid military success. An examination of a specific children’s column reveals how media can overtly manipulate public perceptions to shape dominant societal narratives\u0000 and highlights how children unwittingly participate in wartime propaganda.","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44757192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Just add nostalgia and stir: Mythmaking Australian femininity through Anzac Biscuits, collective commemoration and heteronormativity","authors":"Carmel Cedro","doi":"10.1386/ajpc_00007_1","DOIUrl":"https://doi.org/10.1386/ajpc_00007_1","url":null,"abstract":"Many sweet foods featured in contemporary Australian cookbooks are indelibly connected to culinary tradition and use nostalgia to encourage a sense of collective identity and experience. Anzac Biscuits exemplify this through ubiquity and familiarity, and the annual baking ritual becomes\u0000 a collective commemoration that shapes ideologies of identity and myth, which are somewhat central to understanding the Australian experience. Yet the mythology around the biscuits is flawed. The recipe recognizable today as Anzac Biscuits can be traced from the 1920s onwards in Australian\u0000 cookbooks, which calls into question the veracity of the well-told story of women on the home front baking and sending the biscuits to the Anzac trenches during the First World War. This article will examine the parallels between Australian traditions of baking culture and the functional value\u0000 of the Anzac myth, and the way both seem to reaffirm cultural standards, and attempt to secure gender ideals by presenting unattainable fantasies. While the Australian interpretation of the Anzac myth reinforces a certain unattainable ideal of heroic masculinity – with courage, determination\u0000 and sacrifice for nation – contemporary cookbooks reflect a romanticized domestic fantasy that centres on family and feminine practice, both heavily reliant on proscriptive heterosexuality and heteronormativity, enhanced and polished via a nostalgia-tinged lens.","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48065931","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reconciling the local and the global in the Brisbane independent fashion sector","authors":"Alexandra Tuite","doi":"10.1386/ajpc_00008_1","DOIUrl":"https://doi.org/10.1386/ajpc_00008_1","url":null,"abstract":"The humid, sub-tropical city of Brisbane is Australia’s third-largest and one often regarded as culturally inferior to its southern counterparts Sydney and Melbourne. However, the city has supported a small but active independent fashion scene, and this article examines three\u0000 of these businesses, exploring how they positioned themselves in relation to the global fashion industry. It contributes to literature on local fashion industries in New Zealand, Scandinavia, Canada and the United Kingdom. Challenges and opportunities presented to local fashion businesses\u0000 are considered, and ways in which these have changed over time is also discussed. Case studies are drawn from a period between 1950 and 2018 and were purposively chosen so that contemporary case studies could be contextualized with historical examples. Research was conducted through archival\u0000 research at the Queensland Museum, semi-structured interviews with participants and on-site observations. Findings confirm those of existing studies in the field that suggest local fashion businesses outside of large cities and dominant fashion centres may struggle to remain relevant in a\u0000 fast-paced global industry, but have an opportunity to develop and foster close bonds to local cultural scenes and to contribute to place-making in the cities in which they are located.","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42802486","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Contemporary popular culture studies","authors":"L. Piatti-Farnell, D. Brien","doi":"10.1386/ajpc_00001_2","DOIUrl":"https://doi.org/10.1386/ajpc_00001_2","url":null,"abstract":"","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44500327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Play Review","authors":"Gail Pittaway","doi":"10.1386/ajpc_00010_5","DOIUrl":"https://doi.org/10.1386/ajpc_00010_5","url":null,"abstract":"The Case of Katherine Mansfield, Louise Keenan (DIR.) (2019) written by Cathy Downes, Cheeky Pukeko Productions, The Mansfield Garden, Hamilton Gardens Festival of the Arts, Hamilton, 23–24 February","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42279636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mostly, do no harm: Representations of morality in the television medical drama The Resident","authors":"Angelique Nairn, Justin L. Matthews","doi":"10.1386/ajpc_00003_1","DOIUrl":"https://doi.org/10.1386/ajpc_00003_1","url":null,"abstract":"Television programmes continue to impart ‘narratives, consumer choice’ and ‘moral predispositions’, although there is conjecture among scholars over the influence of television on the formation of a moral viewpoint in audiences. These components allow consumers\u0000 to evaluate the content of television shows in the light of their own cultural understandings of morality and then either accept or reject them. This article uses thematic analysis to reveal patterns in the representations of moral ambiguity in the first season of the television show The Resident\u0000 (2018–present), a contemporary US-based television series that is broadcast to global audiences in a number of international territories. The series explores the intricacies of hospital management, patient care and medical ethics particularly in light of increasing commercial pressures\u0000 within a US context. Our analysis shows that the series grapples with four main themes: do no harm, experts and egos, money muddies morality and good versus evil, and in doing so, interrogates the basis of implicit knowledge about right, wrong and individual responsibility in western culture.","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42913269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Undead and alone in the outback: Postcolonial anxieties in Cargo and the zombie genre","authors":"Kayleigh F. Murphy","doi":"10.1386/AJPC.8.1.27_1","DOIUrl":"https://doi.org/10.1386/AJPC.8.1.27_1","url":null,"abstract":"","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47979537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Film Review","authors":"Ruari Elkington","doi":"10.1386/ajpc.8.1.131_5","DOIUrl":"https://doi.org/10.1386/ajpc.8.1.131_5","url":null,"abstract":"Steven Spielberg’s Lincoln is a film geared to the tastes of another time and place. Charged with the herculean task of considering the legacy of “the Great Emancipator,” the film is a marathon of rhetoric-laden vignettes that would surely have satisfied the elocution-hungry crowds that gathered for the Lincoln-Douglas debates. The film is not so much a Lincoln biopic as an ensemble-led lesson in crafting legislation in the nineteenth-century United States. While one would perhaps expect a split focus between the public and private personae of Lincoln (and there is plenty of that), it is clear from the onset that the Thirteenth Amendment to the U.S. Constitution is, in fact, the central character of this narrative. One of the film’s virtues is that it shows that while the end of slavery was all but","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44670709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}