Australasian Journal of Popular Culture最新文献

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‘A very very great part of our life’: Storytelling about the Richmond River “我们生活中非常非常美好的一部分”:讲述里士满河的故事
Australasian Journal of Popular Culture Pub Date : 2021-12-01 DOI: 10.1386/ajpc_00035_1
A. Wessell
{"title":"‘A very very great part of our life’: Storytelling about the Richmond River","authors":"A. Wessell","doi":"10.1386/ajpc_00035_1","DOIUrl":"https://doi.org/10.1386/ajpc_00035_1","url":null,"abstract":"Acts of remembering a river may have a performative function in environmental history and debates around human impact and waterways. The process of remembering and search for meaning are shaped in the present moment when the Richmond is one of the most degraded river systems on the\u0000 east coast of Australia. Imbued with sentimentality, however, residents speak to the fundamental importance of the river to their lives as they were growing up in and around Lismore. Such histories may provide context for understanding contemporary affective responses to rivers and how emotion\u0000 shapes our relationships with nature more broadly.","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44191743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Transphobic tropes in contemporary young adult novels about queer gender 当代青年同性恋小说中的跨性别隐喻
Australasian Journal of Popular Culture Pub Date : 2021-12-01 DOI: 10.1386/ajpc_00039_1
Chelsea Bowden
{"title":"Transphobic tropes in contemporary young adult novels about queer gender","authors":"Chelsea Bowden","doi":"10.1386/ajpc_00039_1","DOIUrl":"https://doi.org/10.1386/ajpc_00039_1","url":null,"abstract":"This article identifies the dominant modes of discourse and critiques the problematic tropes and conventions at work in a selection of contemporary young adult fiction novels about young people with queer gender identities. Beginning with the role of young adult fiction, the importance\u0000 of resisting models of binary gender, the trope of coming out and the convention of the hero’s journey, this article then analyses transphobic tropes: how the narrative lens of pathos functions in these texts to reduce the queer to a state of victimization, invisibility, mental illness,\u0000 otherness, isolation and not belonging. This article uses the phrase ‘queer genders’ and the term ‘trans*’ to encompass transgender, non-binary, genderqueer, genderfluid and other gender non-conforming identities. ‘Trans’ without the asterisk is the shortened\u0000 form of ‘transgender’.","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47178429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘The filthiest gutter of the realm’?: Negotiating and negotiated Australian identities in Miss Fisher’s Murder Mysteries "王国最肮脏的阴沟":在费希尔小姐的《神秘谋杀案》中,澳大利亚人身份的谈判和谈判
Australasian Journal of Popular Culture Pub Date : 2021-12-01 DOI: 10.1386/ajpc_00042_1
M. Beattie, L. Mitchell
{"title":"‘The filthiest gutter of the realm’?: Negotiating and negotiated Australian identities in Miss Fisher’s Murder Mysteries","authors":"M. Beattie, L. Mitchell","doi":"10.1386/ajpc_00042_1","DOIUrl":"https://doi.org/10.1386/ajpc_00042_1","url":null,"abstract":"The series Miss Fisher’s Murder Mysteries (2011‐15) and the film Miss Fisher and the Crypt of Tears (2020) are examples of female-led transnational quality drama. This article argues that both the characters and the series itself are good examples of the negotiations\u0000 of identity required both of the postmodern layered (Straubhaar 2007, 2012) or fractured but functional globalized or transnational self, which can give the series increased emotional resonance to the modern audience at a ‘safe’ temporal remove. This is, of course, critically important\u0000 to transnational sales. This article analyses the negotiations of identity of the regular characters (and, as space allows, recurring characters) that are evident throughout the three series and subsequent film. It focuses on the negotiations regarding national identity and its intersections,\u0000 which illustrate how the series negotiates between a patina of ‘authenticity’ and the expectations of a modern audience. Where relevant, the spinoff series Ms Fisher’s Modern Murder Mysteries (2019‐present) is also discussed.","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44569724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Night of the resurrected pets: The popular monsters of Tim Burton’s Frankenweenie 复活宠物之夜:蒂姆·伯顿的《弗兰肯维尼》中流行的怪物
Australasian Journal of Popular Culture Pub Date : 2021-12-01 DOI: 10.1386/ajpc_00043_1
Jack Alexander McCormack-Clark
{"title":"Night of the resurrected pets: The popular monsters of Tim Burton’s Frankenweenie","authors":"Jack Alexander McCormack-Clark","doi":"10.1386/ajpc_00043_1","DOIUrl":"https://doi.org/10.1386/ajpc_00043_1","url":null,"abstract":"Tim Burton’s stop motion-animated remake of his 1984 short film, Frankenweenie was produced and released by Walt Disney Studios. In the film, a young suburban Victor Frankenstein’s dog, Sparky, dies in an accident. In keeping with Burton’s absurd, macabre and\u0000 Gothic auteurism’s, Frankenstein resurrects his pet. This ultimately leads to a series of chaotic events where the other students discover Frankenstein’s creation and subsequently resurrect of all of their deceased pets which reflect the form of other popular monsters such as,\u0000 Frankenstein’s monster, Dracula, the Wolfman, the Mummy and the Creature from the Black Lagoon, among many others. I will analyse these satirical reflections of popular monsters through the lens of the whimsical Gothic and seek to identify the implications of Burton’s work to Disney’s\u0000 brand and aesthetic through the popular monster outside of Disney’s popular repertoire of ‘child friendly’ fairy tales.","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49290351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Intertextuality, sex and the hollow life in Kore’eda Hirokazu’s Air Doll 韩的《空气娃娃》中的互文性、性与空洞生活
Australasian Journal of Popular Culture Pub Date : 2021-12-01 DOI: 10.1386/ajpc_00037_1
B. Hartley
{"title":"Intertextuality, sex and the hollow life in Kore’eda Hirokazu’s Air Doll","authors":"B. Hartley","doi":"10.1386/ajpc_00037_1","DOIUrl":"https://doi.org/10.1386/ajpc_00037_1","url":null,"abstract":"Directed by Kore’eda Hirokazu (b. 1962, winner 2018 Cannes Film Festival Palme d’Or), the 2009 film, Kūki ningyō (Air Doll), tells of a sex doll who comes to life. Once she acquires ‘a heart that I was not supposed to have’, the work\u0000 moves through rom-com to Romeo and Juliet-esque tragedy. Although rated relatively lowly on reception websites, Air Doll is a complex reflection on the ‘hollow life’ created by hyper-capitalism and related issues including gender and class. The film is enhanced by Korean\u0000 actor Bae Doona’s whimsical doll performance, while Mark Lee Ping-bing’s cinematic genius invokes the dreamy effect of In the Mood for Love. This article focuses on the film’s dense intertextual references which evoke both E. T. A. Hoffmann’s ‘Sandman’\u0000 and Freud’s ‘uncanny’ response. The doll’s CD rental store part-time job further permits Kore’eda to incorporate a tour de force series of other film references.","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42479872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dérives: Street photography as post-/Situationist practice Dérives:街头摄影作为后/情境主义实践
Australasian Journal of Popular Culture Pub Date : 2021-12-01 DOI: 10.1386/ajpc_00036_1
P. Mountfort
{"title":"Dérives: Street photography as post-/Situationist practice","authors":"P. Mountfort","doi":"10.1386/ajpc_00036_1","DOIUrl":"https://doi.org/10.1386/ajpc_00036_1","url":null,"abstract":"Street photography has hardly lacked for popular cultural currency, as attested by those ubiquitous black framed prints and coffee table tomes. However, it has long been a relatively marginalized genre within photography that has seen relative critical neglect even compared to other\u0000 demotic forms concerned with the everyday, such as the family portrait (Bourdieu) and snapshot (Barthes). This article seeks to sketch a series of potential intersections between street photography’s antecedent, formative and breakout phases on both sides of the Atlantic and the Situationist\u0000 International’s (1957‐72) embodied practices surrounding the dérive, détournement and psychogeography more generally. Arguably, remediating street photographic practice and composition in relation to these disruptive strategies can provide a kind of corrective\u0000 to the more formalistic conception of the former, as exemplified in the reification of Henri Cartier-Bresson’s famous dictum of the ‘decisive moment’. I will argue that Situationist discourse helps reframe these moments of the street as ‘situations’ in the Situationist\u0000 sense, lines of flight that became explicit when the development of street photography in Europe is overlaid with that of the United States, Paris with New York. Such détournement arguably brings into view vectors between street photography and revolutionary art practices often\u0000 neglected in discussions of these Dérives of the street, and gestures towards ‐ at least in potentia ‐ a kind of afterlife of post-/Situationist praxis in the practices of street photographers.","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45060428","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Young Adult Gothic Fiction: Monstrous Selves/Monstrous Others, Michelle J. Smith and Kristine Moruzi (eds) (2021) 《青年哥特小说:怪异的自我/怪异的他人》,米歇尔·j·史密斯和克里斯汀·莫鲁兹主编(2021)
Australasian Journal of Popular Culture Pub Date : 2021-12-01 DOI: 10.1386/ajpc_00045_5
Nancy Johnson-Hunt
{"title":"Young Adult Gothic Fiction: Monstrous Selves/Monstrous Others, Michelle J. Smith and Kristine Moruzi (eds) (2021)","authors":"Nancy Johnson-Hunt","doi":"10.1386/ajpc_00045_5","DOIUrl":"https://doi.org/10.1386/ajpc_00045_5","url":null,"abstract":"Review of: Young Adult Gothic Fiction: Monstrous Selves/Monstrous Others, Michelle J. Smith and Kristine Moruzi (eds) (2021)Cardiff, Wales, UK: University of Wales Press, 320 pp.,ISBN 978-1-78683-750-9, hardback, £70 GBPeISBN 978-1-78683-751-6, e-book, £70\u0000 GBP","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44683073","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Monstrous Textualities: Writing the Other in Gothic Narratives of Resistance, Anya Heise-von der Lippe (2021) 《怪异的文本:在哥特式抵抗叙事中书写他者》,安雅·海泽-冯·德·利佩(2021)
Australasian Journal of Popular Culture Pub Date : 2021-12-01 DOI: 10.1386/ajpc_00046_5
S. Staite
{"title":"Monstrous Textualities: Writing the Other in Gothic Narratives of Resistance, Anya Heise-von der Lippe (2021)","authors":"S. Staite","doi":"10.1386/ajpc_00046_5","DOIUrl":"https://doi.org/10.1386/ajpc_00046_5","url":null,"abstract":"Review of: Monstrous Textualities: Writing the Other in Gothic Narratives of Resistance, Anya Heise-von der Lippe (2021)Cardiff: University of Wales Press, 304 pp.,ISBN 978-1-78683-758-5, hardback, AUD 127eISBN 978-1-78683-760-8, epub, AUD 127","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42727396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Witness... the authentic Katy Perry 见证……正宗的凯蒂·佩里
Australasian Journal of Popular Culture Pub Date : 2019-09-01 DOI: 10.1386/ajpc_00005_1
B. Speakman
{"title":"Witness... the authentic Katy Perry","authors":"B. Speakman","doi":"10.1386/ajpc_00005_1","DOIUrl":"https://doi.org/10.1386/ajpc_00005_1","url":null,"abstract":"While Katy Perry is a pop-superstar, known for her sexually explicit lyrics and catchy dance-pop songs, the release of her fourth studio album, Witness (2017), saw the singer attempt to distance herself from her ‘Katy Perry’ persona. According to Baudrillard, people feel\u0000 so lost in an artificial world of simulacra that people cling nostalgically to reality, truth, and reason. Baudrillard’s claim that people cling to notions of reality and authenticity can be seen with Perry, who used Witness as a storytelling vehicle to ‘introduce’ the ‘real’\u0000 person behind the celebrity persona, Katheryn Hudson. By constructing the tale that Hudson is the singer’s true self, the perceived liberation of Perry from the shackles of her celebrity persona frames Witness as an era distinct from previous albums. This article will critically examine\u0000 the construction of this story throughout the Witness era, discussing how the singer’s desire to be witnessed ultimately reiterates Meyers’ claim that celebrities can never be known. Although Perry attempts to reveal her authentic identity to fans by manufacturing a clear division\u0000 between her celebrity persona, and the person behind the persona, this narrative raises issues around authenticity and reality, as the singer has arguably become lost in the hyperreal.","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45245660","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Resurrecting Frankenstein: Peter Ackroyd’s The Casebook of Victor Frankenstein and the metafictional monster within 复活的弗兰肯斯坦:彼得·阿克罗伊德的维克多·弗兰肯斯坦的案例书和里面的元虚构怪物
Australasian Journal of Popular Culture Pub Date : 2019-09-01 DOI: 10.1386/ajpc_00004_1
Ashleigh Prosser
{"title":"Resurrecting Frankenstein: Peter Ackroyd’s The Casebook of Victor Frankenstein and the metafictional monster within","authors":"Ashleigh Prosser","doi":"10.1386/ajpc_00004_1","DOIUrl":"https://doi.org/10.1386/ajpc_00004_1","url":null,"abstract":"This article examines Peter Ackroyd’s popular Gothic novel The Casebook of Victor Frankenstein (2008), which is a reimagining of Mary Shelley’s famous Gothic novel Frankenstein, or, The Modern Prometheus ([1818] 2003). The basic premise of Ackroyd’s narrative seemingly\u0000 resembles Shelley’s own, as Victor Frankenstein woefully reflects on the events that have brought about his mysterious downfall, and like the original text the voice of the Monster interrupts his creator to recount passages from his own afterlife. However, Ackroyd’s adaption is\u0000 instead set within the historical context of the original story’s creation in the early nineteenth century. Ackroyd’s Frankenstein studies at Oxford, befriends radical Romantic poet Percy Bysshe Shelley, moves to London to conduct his reanimation experiments and even accompanies\u0000 the Shelleys, Byron and Polidori on that fateful holiday when the original novel was conceived. This article explores how Ackroyd’s novel, as a form of the contemporary ‘popular’ Gothic, functions as an uncanny doppelgänger of Shelley’s Frankenstein. By blurring\u0000 the boundaries between history and fiction, the original text and the context of its creation haunt Ackroyd’s adaptation in uncannily doubled and self-reflexive ways that speak to Frankenstein’s legacy for the Gothic in popular culture. The dénouement of Ackroyd’s\u0000 narrative reveals that the Monster is Frankenstein’s psychological doppelgänger, a projection of insanity, and thus Frankenstein himself is the Monster. This article proposes that this final twist is an uncanny reflection of the narrative’s own ‘Frankenstein-ian’\u0000 monstrous metafictional construction, for it argues that Ackroyd’s story is a ‘strange case(book)’ haunted by the ghosts of its Gothic literary predecessors.","PeriodicalId":29644,"journal":{"name":"Australasian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44434914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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