Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik最新文献

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Penerapan Model Student Centered Learning dalam Pembelajaran Musik
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Pub Date : 2023-06-30 DOI: 10.24036/musikolastika.v5i1.116
Birul Walidaini
{"title":"Penerapan Model Student Centered Learning dalam Pembelajaran Musik","authors":"Birul Walidaini","doi":"10.24036/musikolastika.v5i1.116","DOIUrl":"https://doi.org/10.24036/musikolastika.v5i1.116","url":null,"abstract":"Purpose: Learning is a process that involves the teacher and the learning participants. In learning, a model is needed as a reference in carrying out learning. Methods. Methods used include pre-instructional, core learning, and evaluation. This model broadens learners' horizons through active involvement in deep guitar practice. Educators act as facilitators who help students develop musical skills and understanding. Result and Discussion: This paper will describe the application of the student-centred learning model to music learning, specifically in guitar repertoire class, one of the subjects in the music arts education department of FBSB UNY. The characteristic of the student-centred learning model is to place participants or students as the centre of learning and the role of educators as bodyguards and facilitators. At the same time, the stages in its implementation are pre-instructional or planning, the core of learning and evaluation. The results of student-centred learning in guitar repertoire class courses are: (1) the Student-centred Learning model broadens students' horizons, (2) Student-Centered Learning requires the teacher to act as a facilitator in learning practice.","PeriodicalId":295810,"journal":{"name":"Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127328028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nilai dan Fungsi Kesenian Kothekan Lesung di desa Wisata Pandean Kabupaten Trenggalek 特朗加莱克摄政潘迪安区休闲艺术的价值和功能
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Pub Date : 2023-06-30 DOI: 10.24036/musikolastika.v5i1.119
Mustika Maulany, S. Putri, I. N. Mariasa, Setyo Yanuartuti, J. Pertunjukan, Pendidikan Musik
{"title":"Nilai dan Fungsi Kesenian Kothekan Lesung di desa Wisata Pandean Kabupaten Trenggalek","authors":"Mustika Maulany, S. Putri, I. N. Mariasa, Setyo Yanuartuti, J. Pertunjukan, Pendidikan Musik","doi":"10.24036/musikolastika.v5i1.119","DOIUrl":"https://doi.org/10.24036/musikolastika.v5i1.119","url":null,"abstract":"Purpose: This research aims to describe the value and function of the Shotokan dimple art in Pandean Tourism Village. This research is expected to serve as a basis for further investigation. Method: The research approach used is qualitative research. Data collection techniques were obtained from interviews, literature and documentation. Result and Discussion: The results of this study indicate that the values contained in the mortar kothekan include cooperation, discipline, hard work, tolerance and others. The Pandean Tourism Village and the Tourism Awareness Group (POKDARWIS) are collaborating with traditional arts in the Tourism Village program to preserve traditional skills and maintain their character values. Kothekan mortar, initially used by farmers as entertainment to relieve fatigue, now has several other functions. The involvement of the kothekan lesung art in the Tourism Village gives this art have 3 (three) artistic functions, namely: 1) personal function, 2) social function, and 3) physical function.","PeriodicalId":295810,"journal":{"name":"Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133735452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Capaian Pembelajaran Seni Musik Pada Kurikulum Merdeka Sebagai Wujud Merdeka Belajar
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Pub Date : 2023-06-30 DOI: 10.24036/musikolastika.v5i1.104
Lanang Riyadi, N. Budiman
{"title":"Capaian Pembelajaran Seni Musik Pada Kurikulum Merdeka Sebagai Wujud Merdeka Belajar","authors":"Lanang Riyadi, N. Budiman","doi":"10.24036/musikolastika.v5i1.104","DOIUrl":"https://doi.org/10.24036/musikolastika.v5i1.104","url":null,"abstract":"Purpose: Curriculum development in Indonesia has become a polemic with the existence of the Kurikulum Merdeka, which discusses learning outcomes that should be one of the answers to overcome learning objectives that have not been achieved in the previous curriculum. This article seeks to provide an overview of learning outcomes, especially in music subjects in the Kurikulum Merdeka, as a form of independent learning in schools, which is expected to be an understanding that educators can internalize about the importance of learning outcomes in music subjects. Method: The literature study is used in this research by collecting data through online media, articles, and books related to music learning outcomes in the Merdeka Curriculum in schools. Result and Discussion: This research describes the learning outcomes of music as a form of independent learning. The discussion reviewed includes learning outcomes, objectives, and characteristics of music learning in the Merdeka Curriculum. Music teaching in the Merdeka Curriculum is divided into phases A to F, and there are five elements included in music learning, including experiencing, reflecting, thinking and working artistically, creating, and impacting students and others. Music art subjects aim for students to be able to express, be sensitive, develop a sense of musicality, and be aware of their musicality.","PeriodicalId":295810,"journal":{"name":"Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127471340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Pembentukan Kreativitas Siswa melalui Metode Project Based Learning di SMP Regina Pacis Surakarta 在Regina Pacis Surakarta SMP,通过基于学习方法建立学生创造力
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Pub Date : 2023-06-30 DOI: 10.24036/musikolastika.v5i1.109
Bagus Susetyo, Antonius Edi Nugroho
{"title":"Pembentukan Kreativitas Siswa melalui Metode Project Based Learning di SMP Regina Pacis Surakarta","authors":"Bagus Susetyo, Antonius Edi Nugroho","doi":"10.24036/musikolastika.v5i1.109","DOIUrl":"https://doi.org/10.24036/musikolastika.v5i1.109","url":null,"abstract":"Purpose: The process of doing this project is expected to shape student creativity through problem-solving skills with project-based learning methods. The objectives of this study include: 1) analyzing the application of project-based learning methods at Regina Pacis Surakarta Middle School; 2) examining the results of student creativity in learning Music Arts using project-based learning methods at Regina Pacis Middle School Surakarta. The research method used is qualitative with descriptive exposure. The procedures carried out in this study include 1) selecting themes, topics and cases by looking for phenomena based on previous research, theory or observations, 2) determining the theoretical basis and reviewing the literature, 3) formulating research focus and problems, 4) data collection, carried out using observation, interviews and documentation, 5) data analysis, 6) data validity in the form of data triangulation, 7) conclude. Method: This study compared information provided by the media with interviews and direct observation at Regina Pacis Surakarta Middle School at different times. Method triangulation was carried out by comparing information or data obtained through interviews and observations of informants. Result and Discussion: Researchers conclude from the results of interviews and observations. Then the formulation results are matched with previous research, books and other journal articles. The results of the evaluation carried out by the teacher showed that students exceeded the passing mark, and the success of teaching and learning activities using project-based learning methods at SMP Regina Pacis Surakarta had a percentage of 85% - 90%. This percentage is also the result of this study.","PeriodicalId":295810,"journal":{"name":"Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115678048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kritik Sosial dalam Musik 音乐中的社会批评
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Pub Date : 2022-12-26 DOI: 10.24036/musikolastika.v4i2.91
Moses Christian Almas, Oktori Stenly Merang, Aan Surya Payunglangi, Erik Jeansen
{"title":"Kritik Sosial dalam Musik","authors":"Moses Christian Almas, Oktori Stenly Merang, Aan Surya Payunglangi, Erik Jeansen","doi":"10.24036/musikolastika.v4i2.91","DOIUrl":"https://doi.org/10.24036/musikolastika.v4i2.91","url":null,"abstract":"Fourtwnty Music Group is an Indie music genre. This music group creates songs that are about life and some are about criticism, and this band is very popular with young people but not many understand the lyrics of every song that he creates. This study aims to examine a work of art, especially in our report on the song Realita created by the group band Fourtwnty, in which every work he creates conveys deep meaning to many people. The method we use in our research is using a qualitative method. And as for our conclusion on our criticism, namely how the song Reality conveys a message to many people through songs that are very characterized and classy. The fourtwnty music group has inspired many young musicians with their works and words. And from all of Fourtwnty’s works, he dedicates his music to spread the message of tolerance, peace and pluralism.","PeriodicalId":295810,"journal":{"name":"Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130383345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Makna Dibalik Tambur Peh Cun dalam Masyarakat Tionghoa Benteng 在中国堡垒社会中,“春宫”的意思是“春宫”
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Pub Date : 2022-12-26 DOI: 10.24036/musikolastika.v4i2.89
Michael Hari Sasongko, Dody Candra Harwanto, Alfa Kristanto
{"title":"Makna Dibalik Tambur Peh Cun dalam Masyarakat Tionghoa Benteng","authors":"Michael Hari Sasongko, Dody Candra Harwanto, Alfa Kristanto","doi":"10.24036/musikolastika.v4i2.89","DOIUrl":"https://doi.org/10.24036/musikolastika.v4i2.89","url":null,"abstract":"\u0000Historically, the Benteng Chinese community was a marginalized community. Its existence in Indonesia cannot be separated from discrimination caused by political distortions, since the Dutch occupation, the Old Order, the New Order, until the Reformation Order. This results in poverty in various aspects. However, since the revocation of Presidential Instruction No. 14/167 revoked and replaced with Presidential Decree No. 6/2000, this community is free to express its cultural forms. This is evidenced by the existence of the Peh Cun drumming tradition in the Dragon Boat Festival. This study aims to reveal the meaning behind the Tambur Peh Cun tradition through the theory of Yin Yang and try to obtain a new theory about the essence of Peh Cun. That means this research uses a qualitative. Based on this analysis, it is revealed that Peh Cun or boat racing is not merely entertainment, a form of tourism, or ordinary art, but has an ideological meaning, which contains hopes and aspirations for equal rights and obligations as Indonesian citizens in general and treatment fair. \u0000","PeriodicalId":295810,"journal":{"name":"Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128818174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Implementasi Nilai-Nilai Religius dalam Musik Gambus Melayu Riau
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Pub Date : 2022-12-26 DOI: 10.24036/musikolastika.v4i2.96
Lailatul Fitriah, Evadila Evadila, I. Idawati, Nussy Anggraini
{"title":"Implementasi Nilai-Nilai Religius dalam Musik Gambus Melayu Riau","authors":"Lailatul Fitriah, Evadila Evadila, I. Idawati, Nussy Anggraini","doi":"10.24036/musikolastika.v4i2.96","DOIUrl":"https://doi.org/10.24036/musikolastika.v4i2.96","url":null,"abstract":"The development of science and technological progress as it currently has such a large impact on character values, religious values, social values, customs and value systems that exist in society. This situation has a negative impact on the younger generation due to not being able to respond properly. The application of religious values ​​is the main capital in dealing with the negative impacts of technological progress. Through art education with Gambus art media, religious values ​​can be realized for the younger generation. This study aims to explain the religious values ​​that exist in the Riau Malay Gambus art. This research was conducted in Pekanbaru City, Riau, the research subjects were students of the Sendaratasik Department of the Islamic University of Riau and the object of research was the Riau Malay Gambus art. This type of research is descriptive qualitative research. The data collection method used is by conducting observations, interviews, literature studies and documentation. Data analysis will use descriptive qualitative method obtained from primary and secondary data. The results of this study indicate that in Riau Malay Gambus art there are religious values ​​such as the value of worship, the value of jihad (ruhul jihad), the value of morals and discipline and the value of exemplary. The most important religious value is the value of worship, because in Gambus art there are many lessons and messages that can be learned from the art, because the initial function of Gambus art itself is as a propaganda medium which contains many religious elements and messages for everyday life. day that can be realized in the midst of family and society. By itself the religious values ​​contained in Gambus art can be applied to today's young generation to avoid negative things that will happen.","PeriodicalId":295810,"journal":{"name":"Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117146857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pengaruh Negosiasi Budaya Pada Pertunjukan Musik Gamelan Soepra Terhadap Generasi Centennial 文化谈判对苏普拉音乐表演的影响影响了百年
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Pub Date : 2022-12-26 DOI: 10.24036/musikolastika.v4i2.93
Yosaphat Yogi Tegar Nugroho, Ekawati Marhaenny Dukut
{"title":"Pengaruh Negosiasi Budaya Pada Pertunjukan Musik Gamelan Soepra Terhadap Generasi Centennial","authors":"Yosaphat Yogi Tegar Nugroho, Ekawati Marhaenny Dukut","doi":"10.24036/musikolastika.v4i2.93","DOIUrl":"https://doi.org/10.24036/musikolastika.v4i2.93","url":null,"abstract":"Gamelan is the work of adiluhung from the Indonesian nation, and is synonymous with Javanese society. In its development, Javanese Gamelan began to be degraded by global culture. Centennial generation children are considered more interested in pop music than their own cultural output, such as Javanese Gamelan. Henricus Constant Van Deinse, SJ in 1957 had an interest in Javanese gamelan, and innovated to modify the tone shape of gamelan by combining it with Western musical instruments so that it could attract the attention of the younger generation. When Van Deinse's gamelan was staged at an event in Senayan, it happened that Indonesian president Ir. Soekarno was present at the event, and was named Gamelan Soepra (Soegijapranata) in 1965. This is in accordance with the origin of the gamelan from Central Java and its famous hero is Mgr. Soegijapranata. This study aims to examine Gamelan Soepra in the perspective of hybrid culture theory. This research uses a qualitative approach, and the method used is purposive sampling by directly appointing informants who are considered gamelan experts. The result of this study is to know the philosophy and ensemble format of Javanese gamelan, as well as cultural hybrid products in the form of soepra gamelan, and its influence on the centennial (Z) generation.","PeriodicalId":295810,"journal":{"name":"Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132861858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Analisis Bentuk dan Struktur Lagu Genit Karya Tipe-X 分析x型原创歌曲的形状和结构
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Pub Date : 2022-12-26 DOI: 10.24036/musikolastika.v4i2.92
Muhamad Ihsan Alamsyah, Jagar Lumbantoruan
{"title":"Analisis Bentuk dan Struktur Lagu Genit Karya Tipe-X","authors":"Muhamad Ihsan Alamsyah, Jagar Lumbantoruan","doi":"10.24036/musikolastika.v4i2.92","DOIUrl":"https://doi.org/10.24036/musikolastika.v4i2.92","url":null,"abstract":"Genit is a work of music popularized by a local Indonesian music group, type-x. This work is very interesting to study in the perspective of musicology because there are so many ornaments that are the character of the Type-X music group.  This study aims to analyze the shape and structure of a song called flirtatious by a Type-X music group.  The research conducted is qualitative research with  a systematic textual  analysis approach, objectivity, and generalization using a musicological approach. This research data was collected from literature study activities, observations, and labor work.  Data analysis is carried out by means of data reduction, data analysis and drawing conclusions. Based on the analysis of flirty songs by type-x, it is concluded that  the form of the song consists of two parts, namely (A-B) which is carried out by the development of the period, namely (A, A', B' A1). In detail the phrases in each period are A(a-a') A'(a-x) B(y-z) A1(a-b) with a sum of 4 antecedent phrases and 4 consequent phrases. The motifs contained in the flirty song there are 10 motifs with the processing of motifs in literal repetition, inversion, interval reduction, reduction of tone values and enlargement of tone values, the motifs are m, n, m1, n', p, q, r, p1, r1, x.  The lyrical relationship form  in this song is dominated by the relationship form silabik with one word representing one note.","PeriodicalId":295810,"journal":{"name":"Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik","volume":"355 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132601869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Needs Analysis of Using Tiktok Applications as an Alternative in Music Teaching and Learning Tiktok应用在音乐教学中的替代需求分析
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Pub Date : 2022-12-26 DOI: 10.24036/musikolastika.v4i2.90
Marlia Munirah Abu Mansor Halimi, Chamil Arkhasa Nikko Mazlan
{"title":"Needs Analysis of Using Tiktok Applications as an Alternative in Music Teaching and Learning","authors":"Marlia Munirah Abu Mansor Halimi, Chamil Arkhasa Nikko Mazlan","doi":"10.24036/musikolastika.v4i2.90","DOIUrl":"https://doi.org/10.24036/musikolastika.v4i2.90","url":null,"abstract":"The current direction of education is changing towards digital education, known as information and communication technology (ICT). Educators can choose the right digital platform to use as a teaching aid among media that has a place among Generation Z, one of which is TikTok. Nevertheless,  from several selected platforms cannot be separated from the inherent consequences and challenges. This study aims to discuss the use of Tiktok in the music learning process, both as a teacher and a student. The research method used is qualitative analysis to get an in-depth understanding of the use of Tiktok, which focuses on music knowledge. The results of this study show the advantages and disadvantages of using the Tiktok application in Music Education.","PeriodicalId":295810,"journal":{"name":"Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125530955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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