{"title":"OĞUZ TANSEL’İN DERLEDİĞİ VE YAZDIĞI MASALLARDA ÇOK SÖYLEMLİLİK","authors":"M. Bahar","doi":"10.7816/IDIL-05-19-06","DOIUrl":"https://doi.org/10.7816/IDIL-05-19-06","url":null,"abstract":"","PeriodicalId":294286,"journal":{"name":"Idil Sanat ve Dil Dergisi","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133268072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"PİCASSO (GÜNCELLİK, ZEMİN, YÜZEY KAVRAMI ÜZERİNE)","authors":"Osman Altıntaş","doi":"10.7816/IDIL-02-06-01","DOIUrl":"https://doi.org/10.7816/IDIL-02-06-01","url":null,"abstract":"","PeriodicalId":294286,"journal":{"name":"Idil Sanat ve Dil Dergisi","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115762400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"20. YÜZYIL ALMAN RESİM SANATINDA BİR MODERNİST: MAX BECKMANN","authors":"F. Başbuğ","doi":"10.7816/IDIL-01-01-08","DOIUrl":"https://doi.org/10.7816/IDIL-01-01-08","url":null,"abstract":"","PeriodicalId":294286,"journal":{"name":"Idil Sanat ve Dil Dergisi","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133152945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE USE OF CALLIGRAPHY AS AN ABSTRACT EXPRESSION FORM IN THE TURKISH CONTEMPORARY PAINTING","authors":"Bengü Bahar Uzlikcan","doi":"10.7816/IDIL-06-29-13","DOIUrl":"https://doi.org/10.7816/IDIL-06-29-13","url":null,"abstract":"Scientific discoveries and mental and spiritual researches related to human led to a new period and perspective in art in addition to the despair brought by materialism in the early 1900s. Many art movements nurturing from each other and opponent to each other emerged. Among these movements abstract painting aimed at reaching the spiritual feelings only by using some plastic values such as colour, drawing and light without applying to objective forms observed in the environment. While interpretations of Kandinsky and Klee clarify the abstract painting in this period, Kandinsky requestioned the reality of art after seeing the changes in science and argued that the real art arises from a heartfelt necessity. To base this art on rules is only possible after the internal movement in theory. There are as the same descriptions in conditions of calligraphy. Abstract painting parallel with calligraphy in the context of spritualism. In that case, the sincerity in the creation of the both disciplin are the basis of the feeling that passes to the watcher. This sincerity, spontaneity and internal assimilation are the essence of religious spirituality. The calligraphist who internalised this essence transfers the feeling to the watcher no matter what he writes. Western artists who achieve this awareness thanks to the theory of Kandinsky created many works by using meditative technique on an abstract platform. They creatives many art works while giving importance sipirutualism and internalism. At that time many artists produced similar works in the period in which this theory was reflected in the Turkish art, they did not ignore the effects of our rich tradition of calligraphy. In this study, the aforementioned effects are evaluated in the samples of Sabri Berkel, Ergin İnan and Erol Akyavaş.","PeriodicalId":294286,"journal":{"name":"Idil Sanat ve Dil Dergisi","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123884077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"INTERSECTION PLANES OF ARCHITECTURE AND SURREALISM: SURREAL TRAILS IN CITY AND SPACE","authors":"Asli Tiryaki, S. K. Koca","doi":"10.7816/idil-09-65-02","DOIUrl":"https://doi.org/10.7816/idil-09-65-02","url":null,"abstract":"","PeriodicalId":294286,"journal":{"name":"Idil Sanat ve Dil Dergisi","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129220637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"CHRISTIAN EGALITARIANISM: THE BOOK OF THE CITY OF LADIES VERSUS THE BIBLE","authors":"Merve Aydoğdu","doi":"10.7816/IDIL-01-01-06","DOIUrl":"https://doi.org/10.7816/IDIL-01-01-06","url":null,"abstract":"The Bible is the sacred text of Christianity and Judaism and it contains stories about the lives of the people in the past. Some of these stories are about the women. In them, the women are either represented in derogatory terms such as sinfulbeing the descendants of Eve or portrayed less important than the men. In both cases, the women are not given the position they deserve and the male-female inequality inherent in the society gains strength with the holy book. On the other hand, taking some verses of it as their mainstay, Christian egalitarians defend that both sexes are equal in the eyes of God. Similarly, 14th century French author Christine de Pizan purports that the women are as intelligent and powerful as the men. To this end, she provides us with many woman portraits. Her stories function as a reply to the ones in the Bible and try to refute the misrepresentation of the women in it. Hence, it would not be wrong to state that she was among the first defenders of equality between the sexes and that she was courageous enough to stand up to the holy book.","PeriodicalId":294286,"journal":{"name":"Idil Sanat ve Dil Dergisi","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132059340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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