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Paisagens sonoras urbanas: História, Memória e Património最新文献

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Um trajeto musical pelas sonoridades das procissões em Castelo Branco 在Castelo Branco游行的音乐之旅
Paisagens sonoras urbanas: História, Memória e Património Pub Date : 2017-10-01 DOI: 10.4000/books.cidehus.8779
Luísa Castilho
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引用次数: 0
La procesión de traslado de la custodia al Colegio Seminario de Corpus Christi de València, 1604
Paisagens sonoras urbanas: História, Memória e Património Pub Date : 1900-01-01 DOI: 10.4000/books.cidehus.8803
M. R. Conesa
{"title":"La procesión de traslado de la custodia al Colegio Seminario de Corpus Christi de València, 1604","authors":"M. R. Conesa","doi":"10.4000/books.cidehus.8803","DOIUrl":"https://doi.org/10.4000/books.cidehus.8803","url":null,"abstract":"","PeriodicalId":288734,"journal":{"name":"Paisagens sonoras urbanas: História, Memória e Património","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127718007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Manifestaciones musicales en las procesiones valencianas de Semana Santa y de San Vicente Ferrer a finales del siglo XVI 16世纪末瓦伦西亚圣周游行和圣维森特费雷尔游行中的音乐表现
Paisagens sonoras urbanas: História, Memória e Património Pub Date : 1900-01-01 DOI: 10.4000/books.cidehus.9039
Francesc Villanueva Serrano
{"title":"Manifestaciones musicales en las procesiones valencianas de Semana Santa y de San Vicente Ferrer a finales del siglo XVI","authors":"Francesc Villanueva Serrano","doi":"10.4000/books.cidehus.9039","DOIUrl":"https://doi.org/10.4000/books.cidehus.9039","url":null,"abstract":"","PeriodicalId":288734,"journal":{"name":"Paisagens sonoras urbanas: História, Memória e Património","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130422272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Espacios sonoros femeninos en ciudades de la Edad Moderna. El Palau de la Comtessa en Barcelona
Paisagens sonoras urbanas: História, Memória e Património Pub Date : 1900-01-01 DOI: 10.4000/books.cidehus.7788
Ascensión Mazuela-Anguita
{"title":"Espacios sonoros femeninos en ciudades de la Edad Moderna. El Palau de la Comtessa en Barcelona","authors":"Ascensión Mazuela-Anguita","doi":"10.4000/books.cidehus.7788","DOIUrl":"https://doi.org/10.4000/books.cidehus.7788","url":null,"abstract":"","PeriodicalId":288734,"journal":{"name":"Paisagens sonoras urbanas: História, Memória e Património","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125469784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Os hinos Ut queant laxis e Fortem virili pectore do fundo musical da Sé de Évora no contexto da produção musical de Inácio António Ferreira de Lima 赞美诗Ut queant laxis和Fortem virili pectore来自se de evora的音乐背景，在inacio antonio Ferreira de Lima的音乐制作的背景下
Paisagens sonoras urbanas: História, Memória e Património Pub Date : 1900-01-01 DOI: 10.4000/books.cidehus.7881
F. Oliveira
{"title":"Os hinos Ut queant laxis e Fortem virili pectore do fundo musical da Sé de Évora no contexto da produção musical de Inácio António Ferreira de Lima","authors":"F. Oliveira","doi":"10.4000/books.cidehus.7881","DOIUrl":"https://doi.org/10.4000/books.cidehus.7881","url":null,"abstract":"","PeriodicalId":288734,"journal":{"name":"Paisagens sonoras urbanas: História, Memória e Património","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122764600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
O repertório das marionetas antigas: uma dramaturgia sonora 古代木偶戏的剧目:声音戏剧
Paisagens sonoras urbanas: História, Memória e Património Pub Date : 1900-01-01 DOI: 10.4000/books.cidehus.7794
Christine Zurbach
{"title":"O repertório das marionetas antigas: uma dramaturgia sonora","authors":"Christine Zurbach","doi":"10.4000/books.cidehus.7794","DOIUrl":"https://doi.org/10.4000/books.cidehus.7794","url":null,"abstract":"even outside of erudite culture. We propose in this communication to approach the sound score of puppet theater based on a case study, focusing on traditional puppets that integrate contemporary Portuguese theatrical life. We will try to describe the dramaturgical dimension of the use of the music that is part of the spectacles, and of the voices that the manipulators, in their lines, lend to the puppet-objects. We will also emphasize the many other sounds that, with the distorted voices of the characters and the proliferation of noises - screams, blows, beats - are constitutive of the show and define the rhythm in performance.","PeriodicalId":288734,"journal":{"name":"Paisagens sonoras urbanas: História, Memória e Património","volume":"117 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132921585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Recebimento Real, 1518: eventos festivos & música 皇家收据，1518:节日活动和音乐
Paisagens sonoras urbanas: História, Memória e Património Pub Date : 1900-01-01 DOI: 10.4000/books.cidehus.8562
Isabel Monteiro
{"title":"Recebimento Real, 1518: eventos festivos & música","authors":"Isabel Monteiro","doi":"10.4000/books.cidehus.8562","DOIUrl":"https://doi.org/10.4000/books.cidehus.8562","url":null,"abstract":"","PeriodicalId":288734,"journal":{"name":"Paisagens sonoras urbanas: História, Memória e Património","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130360232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A antífona Recordare, Virgo Mater 一张antífona唱片，处女座的母星
Paisagens sonoras urbanas: História, Memória e Património Pub Date : 1900-01-01 DOI: 10.4000/books.cidehus.7918
L. Henriques
{"title":"A antífona Recordare, Virgo Mater","authors":"L. Henriques","doi":"10.4000/books.cidehus.7918","DOIUrl":"https://doi.org/10.4000/books.cidehus.7918","url":null,"abstract":"Évora has been an important centre of Marian cult since the Middle Ages, with the dedication of the Cathedral’s main altar to Our Lady of Assumption as a central point. It was also an important musical centre and the antiphon Recordare, Virgo Mater is one of the musical works associated with a Marian feast known as the Miracle of the Wax. One of the Cathedral chapel masters of the seventeenth century, Diogo Dias Melgaz, wrote a polychoral motet using this text the first known work to set it to music, followed by other works written in the eighteenth century with this text. The present study  Este trabalho enquadra-se no âmbito do projeto de Doutoramento financiado pela FCT Fundação para a Ciência e Tecnologia «Polifonia portuguesa tardia: A problemática da continuidade na obra sacra de Diogo Dias Melgaz e Pedro Vaz Rego» (FCT SFRH/BD/131505/2017) e no âmbito do projecto ALT20-03-0145FEDER-028584 (PTDC/ART-PER/28584/2017) – «PASEV: Patrimonialização da Paisagem Sonora em Évora (1540-1910)», financiado por fundos nacionais através da FCT/MCTES e co-financiado pelo Fundo Europeu de desenvolvimento Regional (FEDER) através do Compete 2020 – Programa Operacional Competividade e Internacionalização (POCI).  CESEM NOVA FCSH / Universidade de Évora Paisagens sonoras urbanas: História, Memória e Património Vanda de Sá e Antónia Fialho Conde _______________________________________________________________________________ 262 examines the works with the text Recordare, Virgo Mater and their possible liturgicalmusical contexts. Some of them point towards the offertorium of the Mass for Our Lady of Sorrows and others toward the celebration of Vespers and Litany. The association of the musical works with the liturgical feasts seems apparent and as such establishes a strong identity relation between the music produced in Évora Cathedral and the particular celebrations of the city.","PeriodicalId":288734,"journal":{"name":"Paisagens sonoras urbanas: História, Memória e Património","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130863611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El paisaje sonoro de Sevilla durante la dictadura de Primo de Rivera (1923-1930)
Paisagens sonoras urbanas: História, Memória e Património Pub Date : 1900-01-01 DOI: 10.4000/books.cidehus.7806
Olimpia García López
{"title":"El paisaje sonoro de Sevilla durante la dictadura de Primo de Rivera (1923-1930)","authors":"Olimpia García López","doi":"10.4000/books.cidehus.7806","DOIUrl":"https://doi.org/10.4000/books.cidehus.7806","url":null,"abstract":"This research focuses on the musical life of the city of Seville during the Dictatorship of Miguel Primo de Rivera (1923-1930). The purpose of this study is to offer a first approach to the sound map of the Andalusian capital, delving into four typologies of musical spaces: theaters, salons, temples and the street. In this way, this paper projects not only to expose the musical manifestation developed in these spaces, but also to  Universidad de Cádiz (España; Adjudicataria de una ayuda para contratos predoctorales de FPU-MECD desde septiembre de 2015. Paisagens sonoras urbanas: História, Memória e Património Vanda de Sá e Antónia Fialho Conde _______________________________________________________________________________ 62 inquire into the institutions and personalities that contributed to these taking place. Therefore, it is necessary to study these elements both in isolation, and integrated into the complex networks that compose the musical framework of the city. Fundamentally, this approach draws upon mostly daily newspapers published in Seville at the time. However, the rich information provided by the press has been completed with data from other archival sources, such as the concert programs or the collection of letters conserved in the Manuel de Falla Archive (Granada) and the ERESBIL Archive (Rentería, Guipúzcoa).","PeriodicalId":288734,"journal":{"name":"Paisagens sonoras urbanas: História, Memória e Património","volume":"55 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121012036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introdução 的介绍
Paisagens sonoras urbanas: História, Memória e Património Pub Date : 1900-01-01 DOI: 10.4000/books.cidehus.7521
Vanda de Sá, Antónia Fialho Conde
{"title":"Introdução","authors":"Vanda de Sá, Antónia Fialho Conde","doi":"10.4000/books.cidehus.7521","DOIUrl":"https://doi.org/10.4000/books.cidehus.7521","url":null,"abstract":"","PeriodicalId":288734,"journal":{"name":"Paisagens sonoras urbanas: História, Memória e Património","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130641814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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