El paisaje sonoro de Sevilla durante la dictadura de Primo de Rivera (1923-1930)

Abstract

This research focuses on the musical life of the city of Seville during the Dictatorship of Miguel Primo de Rivera (1923-1930). The purpose of this study is to offer a first approach to the sound map of the Andalusian capital, delving into four typologies of musical spaces: theaters, salons, temples and the street. In this way, this paper projects not only to expose the musical manifestation developed in these spaces, but also to  Universidad de Cádiz (España; Adjudicataria de una ayuda para contratos predoctorales de FPU-MECD desde septiembre de 2015. Paisagens sonoras urbanas: História, Memória e Património Vanda de Sá e Antónia Fialho Conde _______________________________________________________________________________ 62 inquire into the institutions and personalities that contributed to these taking place. Therefore, it is necessary to study these elements both in isolation, and integrated into the complex networks that compose the musical framework of the city. Fundamentally, this approach draws upon mostly daily newspapers published in Seville at the time. However, the rich information provided by the press has been completed with data from other archival sources, such as the concert programs or the collection of letters conserved in the Manuel de Falla Archive (Granada) and the ERESBIL Archive (Rentería, Guipúzcoa).