Fate of the Flesh最新文献_第2页

Wanting to Be Another Person: Resurrection and Avant-Garde Poetics in George Herbert 想成为另一个人:乔治·赫伯特的复活与前卫诗学

Fate of the Flesh Pub Date : 2021-01-05 DOI: 10.5422/fordham/9780823290048.003.0003

D. Gil

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Index 指数

Fate of the Flesh Pub Date : 2021-01-05 DOI: 10.1515/9780823290079-011

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Preface: Christianity as Critical Theory 《作为批判理论的基督教》

Fate of the Flesh Pub Date : 2021-01-05 DOI: 10.1515/9780823290079-001

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5. Resurrection, Dualism, and Legal Personhood: Bodily Presence in Ben Jonson 5. 复活、二元论与法律人格:本·约翰逊的肉体存在

Fate of the Flesh Pub Date : 2021-01-05 DOI: 10.1515/9780823290079-007

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The Feeling of Being a Body: Resurrection and Habitus in Vaughan’s Medical Writings 作为一个身体的感觉:沃恩医学著作中的复活与习惯

Fate of the Flesh Pub Date : 2021-01-05 DOI: 10.5422/fordham/9780823290048.003.0005

D. Gil

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Epilogue: Resurrection and Zombies 尾声:复活和僵尸

Fate of the Flesh Pub Date : 2021-01-05 DOI: 10.1515/9780823290079-008

D. Gil

{"title":"Epilogue: Resurrection and Zombies","authors":"D. Gil","doi":"10.1515/9780823290079-008","DOIUrl":"https://doi.org/10.1515/9780823290079-008","url":null,"abstract":"This chapter examines the current pop culture fascination with the undead body visible in the explosion of TV shows and films about zombies. Emmanuel Carrère’s The Kingdom tells the story of the well-known French writer’s brief but intense conversion to Christianity, in the grip of which he was involved in developing the French TV series Les Revenants, which was the model for A&E’s The Returned. Carrère’s account of his relationship to the Christian theology of resurrection as an inspiration for Les Revenants reveals the truth of the “undead” genres more generally, namely as a culture-wide return of the repressed, a protest against the increasingly disembodied, virtualized way we live today. Implicitly, the undead character (including the zombie) attacks the modern fantasy that the self is, in its essence, disembodied and therefore reducible to information, data, and code and in which people yearn for a cybernetic resurrection that will take the form of entering into the disembodied life of the digital world. In the midst of this disembodied virtualized world, pop zombie culture, like seventeenth-century culture, is a reminder of the body’s abiding vulnerabilities, limitations, and also potentials for transcendence.","PeriodicalId":285889,"journal":{"name":"Fate of the Flesh","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128790022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Luminous Stuff: The Resurrection of the Flesh in Vaughan’s Religious Verse 发光的东西:沃恩宗教诗歌中的肉体复活

Fate of the Flesh Pub Date : 2021-01-05 DOI: 10.5422/fordham/9780823290048.003.0004

D. Gil

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4. The Feeling of Being a Body: Resurrection and Habitus in Vaughan’s Medical Writings 4. 作为一个身体的感觉:沃恩医学著作中的复活与习惯

Fate of the Flesh Pub Date : 2021-01-05 DOI: 10.1515/9780823290079-006

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Introduction: Secularization and the Resurrection of the Flesh 导言:世俗化与肉体的复活

Fate of the Flesh Pub Date : 2021-01-05 DOI: 10.1515/9780823290079-002

D. Gil

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Epilogue: 后记:

Fate of the Flesh Pub Date : 2021-01-05 DOI: 10.2307/j.ctv11990p2.10

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