Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung最新文献_第6页

Naturalistisches Träumen und irreales Wachen 一切正常的梦，不眠的侍卫

Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung Pub Date : 2020-12-01 DOI: 10.21248/gkjf-jb.51

Marvin Madeheim

{"title":"Naturalistisches Träumen und irreales Wachen","authors":"Marvin Madeheim","doi":"10.21248/gkjf-jb.51","DOIUrl":"https://doi.org/10.21248/gkjf-jb.51","url":null,"abstract":"Artikelbeginn:[English title and abstract below]\u0000»Nun denkt der Traum hauptsächlich in Bildern« (Freud 2008, S. 51), stellt schon Sigmund Freud 1900 in seiner Traumdeutung fest. Träumen ist nach Freud eine visuelle Erfahrung, und als solche erscheint das Bilderbuch prädestiniert, Träume darzustellen. Was von dem Abgebildeten jedoch Traum ist und was nicht, lässt sich nicht immer eindeutig bestimmen.\u0000 \u0000Naturalistic Dreaming and Unreal WakingAspects of Dreaminess in Blexbolex’s Textless Picturebook The Holidays\u0000This article examines narrative forms of dreaminess in Blexbolex’s textless picturebook The Holidays (2018; original title, Nos vacances, 2017; German edition, Unsere Ferien, 2018), which tells the story of a girl who, on a visit to her grandfather, encounters an anthropomorphised elephant – an encounter which is not harmonious. In two dream sequences, the desires and fears of the protagonist are revealed and put into perspective. In this article, these two sequences are examined within the contexts of the cultural history of dreams, and their narrative functions as analeptic reflections of daily events, on the one hand, and as proleptic epiphanies, on the other. Dream elements of the fictional waking world in the frame are also considered using Stefanie Kreuzer’s typology of narrative-structural characteristics and Christiane Solte-Gresser’s examination of the conventions pertaining to how dreams are presented in picturebooks. This article asks to what extent the alleged waking world itself can be categorised as a dream world. To answer this question, it focusses on the characters’ masking and identity confusion, the motif of the dream journey as well as the presentation of the elephant, whose naturalistic appearance in the dream sequences is in marked contrast to the unrealism with which the waking world is portrayed. The conclusion reflects on the particular suitability of textless picturebooks for presenting dreams.","PeriodicalId":284994,"journal":{"name":"Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126508085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

»Hab ich jetzt nur geträumt oder ist das wirklich passiert?« »我不是你就是我梦想这是真的?«

Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung Pub Date : 2020-12-01 DOI: 10.21248/gkjf-jb.52

Christoph Gschwind

{"title":"»Hab ich jetzt nur geträumt oder ist das wirklich passiert?«","authors":"Christoph Gschwind","doi":"10.21248/gkjf-jb.52","DOIUrl":"https://doi.org/10.21248/gkjf-jb.52","url":null,"abstract":"Artikelbeginn:[English title and abstract below]\u0000Traumdarstellungen in Büchern und Filmen mit ›ambiguem‹ Ende sind in der Populärkultur seit den 1990er-Jahren beliebt. (Kuhn 2009, S. 141 f.) Man kann die Popularität solcher plot-Strukturen durchaus plausibel als Reaktion der Kunst auf die zunehmende Komplexität der Gesellschaft (Berndt / Koepnick 2018, S. 7) deuten. Diese Komplexitätssteigerung ergibt sich beispielsweise durch die Möglichkeiten digitaler Technologien, neben der wirklichen Welt auch virtuelle Welten, eine virtual, mixed oder augmented reality, zu kreieren, in denen sich die Grenze zwischen Realität und Fiktion verschiebt.\u0000 \u0000»Did I Dream That or Did It Really Happen?«How Dream Images in Picturebooks Can Promote ›Ambiguity Skills‹\u0000Ambiguity is a key aesthetic and cultural cornerstone reflected in the multiple examples in literature, history and analysis that make the connection between the ambiguity of works of art and dream representations. This is particularly true in children's literature, in which children’s dreams are presented in pictures. This article focusses on picturebooks that question various interpretations of reality, whose ontology, in other words, is open to interpretation: Are the worlds represented through imagery fictionally true or imagined as a dream? It also aims to show that the ultimate openness of images to interpretation results from an indiscernible oscillation between ambiguation and disambiguation. The central hypothesis of the article states that these images have the potential to sensitise their audiences to ambiguity and thus promote its tolerance – even outside of literature. It posits that these images can support the development of ›ambiguity skills‹, understood here to refer to a child’s ability to handle perceived ambiguities productively, for instance by using them to examine basic anthropological questions, and is one means to prepare children for complex social ambiguities in real-life situations.","PeriodicalId":284994,"journal":{"name":"Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133937180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Tannengrund und Wald 草原和森林

Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung Pub Date : 2020-12-01 DOI: 10.21248/gkjf-jb.57

Anna Stemmann

{"title":"Tannengrund und Wald","authors":"Anna Stemmann","doi":"10.21248/gkjf-jb.57","DOIUrl":"https://doi.org/10.21248/gkjf-jb.57","url":null,"abstract":"Artikelbeginn:[English title and abstract below]\u0000In Ludwig Tiecks Die Elfen (1812) und E.T.A. Hoffmanns Das fremde Kind (1817) nehmen Naturräume eine zentrale Position ein. Insbesondere der Wald ist als ein Kindheitsraum besetzt, der ambivalent konnotiert ist. Im Wald können sich die kindlichen Figuren fernab der Eltern autonom bewegen, dennoch geht diese Raumaneignung auch mit bedrohlichen Erfahrungen einher, die die aufstörenden Ablösungsprozesse in der Kindheit verdeutlichen.\u0000 \u0000Into the WoodsConstructions of Fragile Childhood in Ludwig Tieck’s Die Elfen and E.T.A . Hoffmann’s Das fremde Kind\u0000In Die Elfen (1812) by Ludwig Tieck and Das fremde Kind (1817) by E.T.A. Hoffmann, natural spaces occupy a central position in terms of the spatial semantic field of the texts. As a narrative element, they fulfil complex functions that go beyond the mere spatial dimension. The forest, in particular, is rendered as a childhood space with ambivalent connotations and functions. Although the childlike figures can move autonomously within the forest – far away from their parents – this spatialisation is nevertheless accompanied by threatening experiences that reflect the disturbing process of detachment from childhood. This article examines the spatial construction of Hoffmann’s and Tieck’s texts by rereading both literary fairy tales from a topographical perspective in order, on the one hand, to trace the spatial semantic order (Yuri Lotman) and interstices (Michel Foucault) and, on the other, to discuss the associated notions of childhood. It also seeks to make recent German-language research on Romanticism, which has been informed by cultural studies, productive for children’s and young adult literature research. The idea of Romantic childhood as a utopia must, in the wake of the work of Detlef Kremer and Andreas Kilcher, be differentiated and brought into line with current research on Romanticism.","PeriodicalId":284994,"journal":{"name":"Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung","volume":"114 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132638664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Explosive Kontaktzonen

Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung Pub Date : 2020-12-01 DOI: 10.21248/gkjf-jb.56

C. Lötscher

{"title":"Explosive Kontaktzonen","authors":"C. Lötscher","doi":"10.21248/gkjf-jb.56","DOIUrl":"https://doi.org/10.21248/gkjf-jb.56","url":null,"abstract":"Artikelbeginn:[English title and abstract below]\u0000Tankstellen im Alltag sind grundsätzlich unauffällig. Überlandstraßen und Autobahnen saumend, eingefaltet in urbane Raume oder als Element suburbaner, industrieller Zonen nimmt man sie kaum wahr. Werden sie jedoch gebraucht, sei es zum Tanken, sei es zum Einkaufen abseits der üblichen Öffnungszeiten, rücken sie aus ihrer Latenz von einem Augenblick auf den anderen in den Vordergrund der Wahrnehmung und können für Reisende zu einer Obsession werden – rettende Oasen in der Wüste.\u0000 \u0000Explosion HazardGas Stations in the Coming-of-Age Genre\u0000Gas stations are in-between-places; non-lieux (Marc Augé), places with a special density. In terms of space and metaphor they are often situated at the margins of urban and suburban zones. Gas stations frequently appear throughout popular culture, in novels, films and T V series, often as a threshold to supernatural, uncanny spaces. At a gas station, anything can happen, any time. People meet by chance, continue their trip together, get into fights, fall in love, get killed. And of course, gas stations can explode as soon as safe-ty measures are ignored. In the coming-of-age genre, in particular, there is a huge variety of gas stations: Gas stations as everyday places as well as adventurous zones reflect the fragile emotional state of adolescent characters on the run. When they turn in at a gas station, dramatic things happen – an old order might be destroyed and a new one seems possible. Even though gas stations seem easy to grasp as icons of modernity, they are the result of complex media processes. This article analyses the poetics of the gas station in German coming-of-age-novels, putting them into the context of international media culture for young adults.","PeriodicalId":284994,"journal":{"name":"Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125674308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Bringing the Dreamwork to the Picturebook 把梦工厂带到绘本上

Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung Pub Date : 2020-12-01 DOI: 10.21248/gkjf-jb.50

Kenneth B. Kidd

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