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Journal of Italian Cinema & Media Studies最新文献

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Experimental and Independent Italian Cinema: Legacies and Transformations into the Twenty-first Century, Anthony Cristiano and Carlo Coen (eds) (2020) 意大利实验和独立电影：进入 21 世纪的遗产和变革》，Anthony Cristiano 和 Carlo Coen（编辑）（2020 年）
Journal of Italian Cinema & Media Studies Pub Date : 2024-07-01 DOI: 10.1386/jicms_00271_5
Rossella Catanese
{"title":"Experimental and Independent Italian Cinema: Legacies and Transformations into the Twenty-first Century, Anthony Cristiano and Carlo Coen (eds) (2020)","authors":"Rossella Catanese","doi":"10.1386/jicms_00271_5","DOIUrl":"https://doi.org/10.1386/jicms_00271_5","url":null,"abstract":"Review of: Experimental and Independent Italian Cinema: Legacies and Transformations into the Twenty-first Century, Anthony Cristiano and Carlo Coen (eds) (2020)\u0000 Edinburgh: Edinburgh University Press, 332 pp.,\u0000 ISBN 978-1-47447-403-0, p/bk, $19.99/$90.00","PeriodicalId":283889,"journal":{"name":"Journal of Italian Cinema & Media Studies","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141705599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cinematic structures in Italo Calvino’s fictions 伊塔洛-卡尔维诺小说中的电影结构
Journal of Italian Cinema & Media Studies Pub Date : 2024-07-01 DOI: 10.1386/jicms_00266_1
M. Bellardi
{"title":"Cinematic structures in Italo Calvino’s fictions","authors":"M. Bellardi","doi":"10.1386/jicms_00266_1","DOIUrl":"https://doi.org/10.1386/jicms_00266_1","url":null,"abstract":"The article explores the influence of cinema on Italo Calvino’s writing. Critics and even Calvino himself have tended to construe visibility in his works as purely abstract, pictorial and geometric. However, the article shows that the writer’s style includes references to film form and culture. Precise transmediations of cinematic temporality, techniques and characterization are found in his literary production from Il sentiero dei nidi di ragno (The Path to the Spiders’ Nests) (1947) to Palomar (Mr Palomar) (1983). Drawing on narratology and semiotics, the analysis retraces various para-cinematic techniques in Calvino’s literary corpus, pointing to the 1958 short story La signora Paulatim (Mrs Paulatim) as a prime example of full cinematization. Moreover, it points out that the characterization in Marcovaldo (1963) draws on classical slapstick comedies and anticipates some of the features found in the Fantozzi series. Finally, the article frames the contribution of film culture through the concept of ‘cinematic mode in fiction’.","PeriodicalId":283889,"journal":{"name":"Journal of Italian Cinema & Media Studies","volume":"34 29","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141716896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Women, Feminism and Italian Cinema: Archives from a Film Culture, Dalila Missero (2022) 妇女、女权主义和意大利电影：电影文化档案，Dalila Missero (2022)
Journal of Italian Cinema & Media Studies Pub Date : 2024-07-01 DOI: 10.1386/jicms_00273_5
Paola Bonifazio
{"title":"Women, Feminism and Italian Cinema: Archives from a Film Culture, Dalila Missero (2022)","authors":"Paola Bonifazio","doi":"10.1386/jicms_00273_5","DOIUrl":"https://doi.org/10.1386/jicms_00273_5","url":null,"abstract":"Review of: Women, Feminism and Italian Cinema: Archives from a Film Culture, Dalila Missero (2022)\u0000 Edinburgh: Edinburgh University Press, 200 pp.,\u0000 ISBN 978-1-47446-324-9, p/bk, £19.99","PeriodicalId":283889,"journal":{"name":"Journal of Italian Cinema & Media Studies","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141706160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Orienting Italy: China through the Lens of Italian Filmmakers, Mary Ann Mcdonald Carolan (2022) 意大利定向：意大利电影人眼中的中国》，玛丽-安-麦克唐纳-卡罗琳（2022年）
Journal of Italian Cinema & Media Studies Pub Date : 2024-07-01 DOI: 10.1386/jicms_00277_5
Michele Monserrati
{"title":"Orienting Italy: China through the Lens of Italian Filmmakers, Mary Ann Mcdonald Carolan (2022)","authors":"Michele Monserrati","doi":"10.1386/jicms_00277_5","DOIUrl":"https://doi.org/10.1386/jicms_00277_5","url":null,"abstract":"Review of: Orienting Italy: China through the Lens of Italian Filmmakers, Mary Ann Mcdonald Carolan (2022)\u0000 Albany, NY: State University of New York Press, 184 pp.,\u0000 ISBN 978-1-43849-060-1, p/bk, $95\u0000 ISBN 978-1-43849-062-5, kindle","PeriodicalId":283889,"journal":{"name":"Journal of Italian Cinema & Media Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141705208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
National identity in Italian westerns and post-westerns 意大利西部片和后西部片中的国家认同
Journal of Italian Cinema & Media Studies Pub Date : 2024-07-01 DOI: 10.1386/jicms_00265_1
Jesús Ángel González
{"title":"National identity in Italian westerns and post-westerns","authors":"Jesús Ángel González","doi":"10.1386/jicms_00265_1","DOIUrl":"https://doi.org/10.1386/jicms_00265_1","url":null,"abstract":"Since Schatz defined the western genre as America’s foundation ritual, several film critics have emphasized the role of the western as a foundational fiction. Interestingly enough, just like American westerns deal with American identity and its foundational myth, one can find westerns and post-westerns made in other countries that are also concerned with these countries’ national identities. This article analyses how spaghetti westerns set in the United States deal metaphorically with Italian identity and foundational myths, and how post-western films set in Italy approach similar topics more directly. The article considers several films, by directors like Pietro Germi, Sergio Sollima, Florestano Vancini or Pasquale Squitieri, from the perspective of transnational post-westerns in order to scrutinize the way they deal with the difficulties of integration of the North and the South of Italy and present different perspectives on the Italian foundational myth of Risorgimento.\u0000","PeriodicalId":283889,"journal":{"name":"Journal of Italian Cinema & Media Studies","volume":"758 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141707511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Il libro bianco di Pasolini: La raccolta dei processi a Pier Paolo Pasolini, Francesco Aliberti, Alessandro Di Nuzzo and Enzo Lavagnini (2022) 帕索里尼白皮书：皮埃尔-保罗-帕索里尼、弗朗切斯科-阿利贝尔蒂、亚历山德罗-迪努佐和恩佐-拉瓦格尼尼的审判（2022 年）
Journal of Italian Cinema & Media Studies Pub Date : 2024-07-01 DOI: 10.1386/jicms_00279_5
Anna Tonelli
{"title":"Il libro bianco di Pasolini: La raccolta dei processi a Pier Paolo Pasolini, Francesco Aliberti, Alessandro Di Nuzzo and Enzo Lavagnini (2022)","authors":"Anna Tonelli","doi":"10.1386/jicms_00279_5","DOIUrl":"https://doi.org/10.1386/jicms_00279_5","url":null,"abstract":"Review of: Il libro bianco di Pasolini: La raccolta dei processi a Pier Paolo Pasolini, Francesco Aliberti, Alessandro Di Nuzzo and Enzo Lavagnini (2022)\u0000 Reggio Emilia: Compagnia editoriale Aliberti, 378 pp.,\u0000 ISBN 978-8-89323-464-1, p/bk, €19.00","PeriodicalId":283889,"journal":{"name":"Journal of Italian Cinema & Media Studies","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141717089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Suspended meanings: Pier Paolo Pasolini’s and Ritwik Ghatak’s ‘epic melodramas’ 悬浮的意义：皮埃尔-保罗-帕索里尼和里特维克-加塔克的 "史诗情节剧
Journal of Italian Cinema & Media Studies Pub Date : 2024-07-01 DOI: 10.1386/jicms_00264_1
Alessandro Brunazzo
{"title":"Suspended meanings: Pier Paolo Pasolini’s and Ritwik Ghatak’s ‘epic melodramas’","authors":"Alessandro Brunazzo","doi":"10.1386/jicms_00264_1","DOIUrl":"https://doi.org/10.1386/jicms_00264_1","url":null,"abstract":"Pier Paolo Pasolini’s encounter with India is well known, but India’s engagement with Pasolini’s work is much less considered. This article puts the work of Pasolini in dialogue with the work of Bengali director Ritwik Ghatak, one of the most important figures in Indian parallel cinema. Ghatak discussed the Italian director’s work on several occasions. More importantly, Ghatak’s intellectual path and films have notable similarities with Pasolini’s. Both directors, Ghatak and Pasolini, pursued a ‘heretical’ approach to Marxist ideology by contaminating it with a passionate identification with the marginalized communities of today’s Bangladesh and southern Italy, respectively. Drawing from film critic Bhaskar Sarkar’s notion of epic melodrama, I suggest an analysis of two coeval films, Mamma Roma () and Meghe dhaka tara (The Cloud-Capped Star) (), in order to expose the directors’ complex location between Brechtian aesthetic, epic-religious vision and melodramatic motives. This article argues that these epic-melodramatic films suspend a final interpretation, providing an aesthetic correlative to the unreconciled position of the people the directors aimed to represent.","PeriodicalId":283889,"journal":{"name":"Journal of Italian Cinema & Media Studies","volume":"42 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141713098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fare storia del cinema: Metodi, oggetti, temi, Fabio Andreazza (ed.) (2022) 制作电影史：方法、对象、主题》，法比奥-安德烈亚扎（编）（2022 年）
Journal of Italian Cinema & Media Studies Pub Date : 2024-07-01 DOI: 10.1386/jicms_00280_5
P. Villa
{"title":"Fare storia del cinema: Metodi, oggetti, temi, Fabio Andreazza (ed.) (2022)","authors":"P. Villa","doi":"10.1386/jicms_00280_5","DOIUrl":"https://doi.org/10.1386/jicms_00280_5","url":null,"abstract":"Review of: Fare storia del cinema: Metodi, oggetti, temi, Fabio Andreazza (ed.) (2022)\u0000 Roma: Carocci, 239 pp.,\u0000 ISBN 978-8-82901-716-4, p/bk, €26.00","PeriodicalId":283889,"journal":{"name":"Journal of Italian Cinema & Media Studies","volume":"10 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141698644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Good Morning Tel Aviv, Giovanna Gagliardo (dir.) (2022) 早安，特拉维夫》，乔凡娜-加利亚尔多（导演）（2022 年）
Journal of Italian Cinema & Media Studies Pub Date : 2024-07-01 DOI: 10.1386/jicms_00234_4
F. Laviosa
{"title":"Good Morning Tel Aviv, Giovanna Gagliardo (dir.) (2022)","authors":"F. Laviosa","doi":"10.1386/jicms_00234_4","DOIUrl":"https://doi.org/10.1386/jicms_00234_4","url":null,"abstract":"Review of: Good Morning Tel Aviv, Giovanna Gagliardo (dir.) (2022)\u0000 Italy: Istituto Luce Cinecittà (colour 91’)","PeriodicalId":283889,"journal":{"name":"Journal of Italian Cinema & Media Studies","volume":"118 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141712976","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fashion, migration and identity in Italian cinema: The case of Billo il grand dakhaar and Bangla 意大利电影中的时尚、移民和身份：《Billo il grand dakhaar》和《孟加拉》案例
Journal of Italian Cinema & Media Studies Pub Date : 2024-04-16 DOI: 10.1386/jicms_00254_1
Giulia Po DeLisle
{"title":"Fashion, migration and identity in Italian cinema: The case of Billo il grand dakhaar and Bangla","authors":"Giulia Po DeLisle","doi":"10.1386/jicms_00254_1","DOIUrl":"https://doi.org/10.1386/jicms_00254_1","url":null,"abstract":"This article analyses the insightful role that fabric, fashion and clothing shops have in Laura Muscardin’s Billo il grand dakhaar (Billo the Grand Dakhaar) (2008) and Phaim Bhuiyan’s first feature film Bangla (2019). Billo portrays the story of a young tailor from Senegal who dreams of becoming a fashion designer in Rome; Bangla fictionalizes the life of its director, Phaim Bhuiyan, a second-generation Italian of Bangladeshi descent. By analysing flashbacks and dream sequences as signifiers of cultural ties and by examining the role of the shops as emblematic spaces where the local and the transnational forge a new intersecting reality, the article aims to investigate how both protagonists become active agents of change and how fashion contributes to the reshaping of the landscape of the city of Rome.","PeriodicalId":283889,"journal":{"name":"Journal of Italian Cinema & Media Studies","volume":"5 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140697781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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