{"title":"LOS FESTIVALES DE MÚSICA ELECTRÓNICA COMO RITUAL NUMINOSO CONTEMPORÁNEO","authors":"Citlaly Aguilar Campos","doi":"10.37572/edart_1408214224","DOIUrl":"https://doi.org/10.37572/edart_1408214224","url":null,"abstract":"","PeriodicalId":283888,"journal":{"name":"Estudos Latino-Americanos sobre Música Vol III","volume":"63 1-3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123469235","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"SOBRE SONS E SILÊNCIO: A VISÃO DE INTÉRPRETES VIOLONCELISTAS ACERCA DO SILÊNCIO ENQUANTO TIMING EM MÚSICA","authors":"Pedro Bielschowsky, Felipe Avellar de Aquino","doi":"10.37572/edart_1408214226","DOIUrl":"https://doi.org/10.37572/edart_1408214226","url":null,"abstract":"","PeriodicalId":283888,"journal":{"name":"Estudos Latino-Americanos sobre Música Vol III","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130282236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"SONS BRILHANTES E SONS AVELUDADOS: UM EXPERIMENTO VOCAL COM O SUPORTE PRAAT","authors":"Régis Luís de Carvalho Silva","doi":"10.37572/edart_1408214227","DOIUrl":"https://doi.org/10.37572/edart_1408214227","url":null,"abstract":"","PeriodicalId":283888,"journal":{"name":"Estudos Latino-Americanos sobre Música Vol III","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116232401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pablo Alejandro Suárez Marrero, Ibisamy Rodríguez Pairol
{"title":"HUMOR Y POLÍTICA EN EL PERFORMANCE LA HISTORIA DE CUBA (1979) DE ALEJANDRO GARCÍA VILLALÓN VIRULO: PERSPECTIVAS ETNOMUSICOLÓGICAS E HISTORIOGRÁFICAS","authors":"Pablo Alejandro Suárez Marrero, Ibisamy Rodríguez Pairol","doi":"10.37572/edart_1408214221","DOIUrl":"https://doi.org/10.37572/edart_1408214221","url":null,"abstract":"","PeriodicalId":283888,"journal":{"name":"Estudos Latino-Americanos sobre Música Vol III","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130361773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"LA GUITARRA ELÉCTRICA, LA CUMBIA Y LA MÚSICA TROPICAL COLOMBIANA: MARIANO SEPÚLVEDA EL PIONERO DEL ROCK TROPICAL EN COLOMBIA","authors":"Carlos Andrés Caballero Parra","doi":"10.37572/edart_1408214223","DOIUrl":"https://doi.org/10.37572/edart_1408214223","url":null,"abstract":"","PeriodicalId":283888,"journal":{"name":"Estudos Latino-Americanos sobre Música Vol III","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116423300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"O CONTEXTO IDEOLÓGICO E NORMATIVO DA PERFORMANCE DA MÚSICA CLÁSSICA OCIDENTAL E CAMINHOS CRIATIVOS ALTERNATIVOS E DISRUPTIVOS","authors":"Maria Durce Costa Gomes","doi":"10.37572/edart_1408214225","DOIUrl":"https://doi.org/10.37572/edart_1408214225","url":null,"abstract":"","PeriodicalId":283888,"journal":{"name":"Estudos Latino-Americanos sobre Música Vol III","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114678988","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"PADADADÁ!: UMA ETNOGRAFIA DO CHORO","authors":"Cleida Lourenço da Silva","doi":"10.37572/edart_1408214222","DOIUrl":"https://doi.org/10.37572/edart_1408214222","url":null,"abstract":"","PeriodicalId":283888,"journal":{"name":"Estudos Latino-Americanos sobre Música Vol III","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124880900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ABORDAGEM ECOLÓGICA DA EDUCAÇÃO MUSICAL: EM DIREÇÃO À EMANCIPAÇÃO E À PRÁTICAS DE LIBERDADE","authors":"A. Oliveira, Patrícia Lakchmi Leite Mertzig","doi":"10.37572/edart_14082142210","DOIUrl":"https://doi.org/10.37572/edart_14082142210","url":null,"abstract":"","PeriodicalId":283888,"journal":{"name":"Estudos Latino-Americanos sobre Música Vol III","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114689829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A INTRODUÇÃO DO GLOCKENSPIEL NAS OFICINAS DE PERCUSSÃO DO PROJETO GURI NOS CENTROS DE INTERNAÇÃO DA FUNDAÇÃO CASA, SÃO PAULO","authors":"Rafael Y Castro, Carlos Stasi","doi":"10.37572/edart_1408214228","DOIUrl":"https://doi.org/10.37572/edart_1408214228","url":null,"abstract":"","PeriodicalId":283888,"journal":{"name":"Estudos Latino-Americanos sobre Música Vol III","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114366137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"PROPOSTAS PEDAGÓGICAS PARA INICIANTES: IDENTIFICANDO TENDÊNCIAS EM MÉTODOS DE CONTRABAIXO ACÚSTICO","authors":"J. M. B. Filho","doi":"10.37572/edart_1408214229","DOIUrl":"https://doi.org/10.37572/edart_1408214229","url":null,"abstract":"The present article seeks to identify instrument teaching trends, characteristics and transformations in doubleabass methods for beginners, and how they affect our conception of the lesson. I will use as reference for the material analysis, the content analysis proposed by Bardin (2011) and the classifications used by Soares da Silva (2016) and Silva (2016). The analysis indicated three main trends: the concern with student motivation, music development and the possibility of teaching in the group class format.","PeriodicalId":283888,"journal":{"name":"Estudos Latino-Americanos sobre Música Vol III","volume":"1997 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125586267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}