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Napoléon Coste: Composer and Guitarist in the Musical Life of 19th-Century Paris by Ari Van Vliet 纳波塞姆·科斯特:19世纪巴黎音乐生活中的作曲家和吉他手，作者:阿里·范·弗利特

Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2017.3.9

R. Long

引用次数: 0

Remembering Tom Heck and His Legacy 纪念汤姆·赫克和他的遗产

Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2021.7.18

Roberta C. Ferguson

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Reginald Smith Brindle’s Concept of Tonal-Atonal Equilibrium in Theory and Practice 布林德尔的调性-非调性平衡理论与实践

Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2021.7.6

Oliver Chandler

{"title":"Reginald Smith Brindle’s Concept of Tonal-Atonal Equilibrium in Theory and Practice","authors":"Oliver Chandler","doi":"10.56902/sbs.2021.7.6","DOIUrl":"https://doi.org/10.56902/sbs.2021.7.6","url":null,"abstract":"In an attempt to explain how post-tonal harmonic progressions might “make sense,” Reginald Smith Brindle formulated theories of tension flow and tonal-atonal equilibrium in his 1966 textbook, Serial Composition. The former theory compares the number of consonant and/or dissonant intervals between chords, albeit without providing a consistent means of distinguishing between similar sonorities; the latter observes that various musical passages strike a balance between functional and non-functional harmony, albeit without explaining the nature of said balance. While his ideas are evocative, they lack theoretical finesse. Placing them in dialogue with recent developments in post-tonal scholarship helps to unlock their potential. Joseph Straus’s theory of voice leading in set-class space, for example, defines tension flow more rigorously: coherent post-tonal progressions often move smoothly from an initial, chromatically compact set class to one that is more open and consonant. To my mind, sets of the latter type resemble traditional seventh chords; they contain a tritone that requires resolution. If this tritone resolves to a third, then a contrapuntal resolution takes place, even if that third is housed in a dissonant harmony. Smith Brindle’s concept of tonal-atonal equilibrium neatly captures this effect—of simultaneous melodic release and increased harmonic tension. I explore the practical implications of these ideas through analysis of The Harmony of Peace from Smith Brindle’s Ten Simple Preludes (1979) and the first fragment of his El Polifemo de oro (1956).","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114576418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Soundboard Scholar no. 3 (Complete) 音板学者号。3(完成)

Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2017.3.1

引用次数: 0

Featured Facsimile: Mauro Giuliani’s Zwölf neue Wald-Ländler (Twelve New Forest-Ländler), Op. 23 专题传真:毛罗·朱利安尼的Zwölf neue Wald-Ländler(十二新Forest-Ländler)，作品23

Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2019.5.6

M. Giuliani

引用次数: 0

The Russian Guitar 1800-1850 (Timofeyev and Schneiderman) 俄罗斯吉他1800-1850 (Timofeyev和Schneiderman)

Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2017.3.13

S. Yates

引用次数: 0

A Checklist of Works Attributed to Charles de Marescot 查尔斯·德·马雷斯科特作品清单

Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2018.4.5

Damián Martín-Gil

引用次数: 0

English and Russian Guitars in Poland: A Summary of Sources Using Open-G Tuning, from the Nineteenth Century to the Present Day 波兰的英语和俄罗斯吉他:从19世纪到现在使用开g调音的来源摘要

Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2022.8.9

Wojciech Gurgul

{"title":"English and Russian Guitars in Poland: A Summary of Sources Using Open-G Tuning, from the Nineteenth Century to the Present Day","authors":"Wojciech Gurgul","doi":"10.56902/sbs.2022.8.9","DOIUrl":"https://doi.org/10.56902/sbs.2022.8.9","url":null,"abstract":"Polish sources related to the guitar in open-G tuning are a little-explored area of guitar scholarship — one, however, well worthy of introduction. We can distinguish two groups of such sources, according to the period and the type of guitar intended: the first group consists of publications and manuscripts for the English guitar from the first two decades of the nineteenth century; the second consists of publications for the Russian seven-string guitar from the first four decades of the twentieth century. These two instruments were cultivated in Poland contemporaneously with the Spanish guitar. The Spanish guitar, however, garnered a significantly larger number of publications, both in the first half of the nineteenth century and in the first half of the twentieth century, and these publications have attracted some discussion in English (as in the two volumes of selected works by Jan Nepomucen Bobrowicz, edited by Robert Coldwell and Krzysztof Komarnicki, published by DGA in 2005 and 2008). By contrast, information about sources of Polish provenance for the English guitar and the seven-string guitar is difficult to find even in Polish literature, let alone in foreign publications. The purpose of this text, therefore, is provide an overview of these sources and to make them more accessible to international scholars.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126017702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Guitar Music in Collections: A New Web-based Index Is Launched 吉他音乐收藏:一个新的基于网络的索引推出

Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2017.3.6

Ellwood Colahan

引用次数: 0

España de la Guerra, by Brian Jeffery 《战争中的西班牙》，布莱恩·杰弗瑞著

Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2018.4.9

R. Long

引用次数: 0