{"title":"专题传真:毛罗·朱利安尼的Zwölf neue Wald-Ländler(十二新Forest-Ländler),作品23","authors":"M. Giuliani","doi":"10.56902/sbs.2019.5.6","DOIUrl":null,"url":null,"abstract":"Giuliani's Zwölf neue Wald-Ländler (Twelve New Forest-Ländler), Op. 23, in score. It was first published by the prestigious firm of Artaria & Co., with plate no. 2710, advertised for sale on 27 January 1810. Characteristic of these waltzes were the chordal (triadic) melodies, inspired stylistically by yodelers and yodeling. The intervallic tuning of the guitar favors the performance of such melodies as these, which evoke a style of folk music that runs deep in Austrian musical consciousness. Usually performed in sets of twelve, all in the same key, a Ländler-reihe (set, or row) usually began slowly, accelerated gradually toward the middle of the set, and slowed down again towards the end.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Featured Facsimile: Mauro Giuliani’s Zwölf neue Wald-Ländler (Twelve New Forest-Ländler), Op. 23\",\"authors\":\"M. Giuliani\",\"doi\":\"10.56902/sbs.2019.5.6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Giuliani's Zwölf neue Wald-Ländler (Twelve New Forest-Ländler), Op. 23, in score. It was first published by the prestigious firm of Artaria & Co., with plate no. 2710, advertised for sale on 27 January 1810. Characteristic of these waltzes were the chordal (triadic) melodies, inspired stylistically by yodelers and yodeling. The intervallic tuning of the guitar favors the performance of such melodies as these, which evoke a style of folk music that runs deep in Austrian musical consciousness. Usually performed in sets of twelve, all in the same key, a Ländler-reihe (set, or row) usually began slowly, accelerated gradually toward the middle of the set, and slowed down again towards the end.\",\"PeriodicalId\":271859,\"journal\":{\"name\":\"Soundboard Scholar\",\"volume\":\"3 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Soundboard Scholar\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.56902/sbs.2019.5.6\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Soundboard Scholar","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.56902/sbs.2019.5.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
朱利安尼的Zwölf neue Wald-Ländler(十二新Forest-Ländler),作品23,得分。这本书最初是由著名的阿塔里亚公司出版的,号牌号是。于1810年1月27日登广告出售。这些圆舞曲的特点是和弦(三和弦)旋律,在风格上受到约德尔和约德尔的启发。吉他的音程调音有利于演奏这样的旋律,这些旋律唤起了奥地利音乐意识中根深蒂固的民间音乐风格。通常以十二组为一组,所有的调子都是相同的,Ländler-reihe(一组或一排)通常开始缓慢,在中间逐渐加速,在结束时再次减速。
Featured Facsimile: Mauro Giuliani’s Zwölf neue Wald-Ländler (Twelve New Forest-Ländler), Op. 23
Giuliani's Zwölf neue Wald-Ländler (Twelve New Forest-Ländler), Op. 23, in score. It was first published by the prestigious firm of Artaria & Co., with plate no. 2710, advertised for sale on 27 January 1810. Characteristic of these waltzes were the chordal (triadic) melodies, inspired stylistically by yodelers and yodeling. The intervallic tuning of the guitar favors the performance of such melodies as these, which evoke a style of folk music that runs deep in Austrian musical consciousness. Usually performed in sets of twelve, all in the same key, a Ländler-reihe (set, or row) usually began slowly, accelerated gradually toward the middle of the set, and slowed down again towards the end.