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Cinéma & Cie. Film and Media Studies Journal最新文献

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Gestalt Theory for ‘Disorder’: From Arnheim’s Ordered Chaos to Brambilla’s Entropic Art “无序”的格式塔理论:从阿恩海姆的有序混沌到布兰比拉的熵艺术
Cinéma & Cie. Film and Media Studies Journal Pub Date : 2022-06-27 DOI: 10.54103/2036-461x/17087
M. Poulaki
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引用次数: 0
Future of the Past. Arnheim and Film Today 过去的未来。阿恩海姆和今日电影
Cinéma & Cie. Film and Media Studies Journal Pub Date : 2022-06-27 DOI: 10.54103/2036-461x/17977
A. D'Aloia, Ian Verstegen
{"title":"Future of the Past. Arnheim and Film Today","authors":"A. D'Aloia, Ian Verstegen","doi":"10.54103/2036-461x/17977","DOIUrl":"https://doi.org/10.54103/2036-461x/17977","url":null,"abstract":"","PeriodicalId":262328,"journal":{"name":"Cinéma & Cie. Film and Media Studies Journal","volume":"433 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125762425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Enfin le cinéma! Arts, images, spectacles en France (1833 –1907), ed. by Dominique Païni, Paul Perrin, Marie Robert, Paris: Musée d’Orsay / Réunion des Musées Nationaux –Grand Palais, 2021, pp. 331 终于看电影了!《法国的艺术、图像、表演》(1833 - 1907)，Dominique paini, Paul Perrin, Marie Robert编辑，巴黎:musee d’Orsay / reunion des musees Nationaux - Grand Palais, 2021，第331页
Cinéma & Cie. Film and Media Studies Journal Pub Date : 2022-06-27 DOI: 10.54103/2036-461x/17979
Anika Franceschini
{"title":"Enfin le cinéma! Arts, images, spectacles en France (1833 –1907), ed. by Dominique Païni, Paul Perrin, Marie Robert, Paris: Musée d’Orsay / Réunion des Musées Nationaux –Grand Palais, 2021, pp. 331","authors":"Anika Franceschini","doi":"10.54103/2036-461x/17979","DOIUrl":"https://doi.org/10.54103/2036-461x/17979","url":null,"abstract":"","PeriodicalId":262328,"journal":{"name":"Cinéma & Cie. Film and Media Studies Journal","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129892740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La haute et la basse définition des images. Photographie, cinéma, art contemporain, culture visuelle, sous la direction de Francesco Casetti et Antonio Somaini, Milano-Udine: Éditions Mimésis, 2021, pp. 363 高清晰度和低清晰度图像。摄影、电影、当代艺术、视觉文化，Francesco Casetti和Antonio Somaini指导，米兰-乌迪内:mimesis版本，2021年，第363页
Cinéma & Cie. Film and Media Studies Journal Pub Date : 2022-06-27 DOI: 10.54103/2036-461x/17980
A. Pinotti
{"title":"La haute et la basse définition des images. Photographie, cinéma, art contemporain, culture visuelle, sous la direction de Francesco Casetti et Antonio Somaini, Milano-Udine: Éditions Mimésis, 2021, pp. 363","authors":"A. Pinotti","doi":"10.54103/2036-461x/17980","DOIUrl":"https://doi.org/10.54103/2036-461x/17980","url":null,"abstract":"","PeriodicalId":262328,"journal":{"name":"Cinéma & Cie. Film and Media Studies Journal","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132629823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aha, Ha! Moment: A Gestalt Perspective on Audiovisual Humour 啊哈,哈!时刻:视听幽默的格式塔视角
Cinéma & Cie. Film and Media Studies Journal Pub Date : 2022-06-27 DOI: 10.54103/2036-461x/16912
Emilio Audissino
{"title":"Aha, Ha! Moment: A Gestalt Perspective on Audiovisual Humour","authors":"Emilio Audissino","doi":"10.54103/2036-461x/16912","DOIUrl":"https://doi.org/10.54103/2036-461x/16912","url":null,"abstract":"In my previous work about film music, I had adopted Gestalt as a theoretical framework to explain the functions and effects of music in film, from a perspective that did not stem from musicology but from film studies. I developed what I call ‘micro/macro configurations’ analysis. In films, music contributes to the overall form with its specific gestalt (the configuration of the musical structures), and such musical gestalt meets the gestalt of some other cinematic device/s. Besides music, any device (light design, colour schemes, dialogue, acting, camerawork, cutting…) has a specific micro-configuration that can fuse with those of the other devices, and it can be analysed in terms of micro/macro-configuration. The product of the fusion of these micro-configurations is a macro-configuration in which the devices create an audiovisual whole that is ‘something else than the sum of its parts’. In this article I apply this Gestalt-inspired analytical approach to audiovisual humour, more specifically to ‘audiovisual puns’, ‘sight gags’, and ‘perceptual pranks’. The bulk of the examples come from the cinema of the Zucker-Abrahams-Zucker trio, whose comedy is largely based on a clash of incongruous micro-configurations, on perceptual accumulation that creates results similar to multistable figures, and even on comical optical illusions. Closing the article is a proposal that links Gestalt to the Release Theories of humour, explaining the laughter engendered by humour as a ‘Aha, Ha! moment’.","PeriodicalId":262328,"journal":{"name":"Cinéma & Cie. Film and Media Studies Journal","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131094557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Points of Anchorage: Exo-Centric Images and the Perceptual Relativity of Camera Movement 锚点:外心影像与摄影机运动的感性相对性
Cinéma & Cie. Film and Media Studies Journal Pub Date : 2022-06-27 DOI: 10.54103/2036-461x/16883
Philippe Bédard
{"title":"Points of Anchorage: Exo-Centric Images and the Perceptual Relativity of Camera Movement","authors":"Philippe Bédard","doi":"10.54103/2036-461x/16883","DOIUrl":"https://doi.org/10.54103/2036-461x/16883","url":null,"abstract":"This essay analyzes a unique filmmaking technique to highlight the fact that camera movement is fundamentally an optical illusion based on a misinterpretation of visual cues. The unique technique in question is what I have called the ‘exo-centric image’, namely an image produced by a camera attached to the body of an actor which, paradoxically, generates the impression of an immobile body in a moving world. Through an analysis of this peculiar technique, I make claims about the illusory nature of camera movement in general. In so doing, this essay concludes that the vocabulary we use to describe camera movement keeps us from seeing some of the more eccentric aspects of the effect we call camera movement.","PeriodicalId":262328,"journal":{"name":"Cinéma & Cie. Film and Media Studies Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130693339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Rhythm Beyond the Cinematic Medium/The Pixel Beyond the Movie Theatre 节奏超越电影媒介/像素超越电影院
Cinéma & Cie. Film and Media Studies Journal Pub Date : 2022-06-27 DOI: 10.54103/2036-461x/17923
Sharon Jane Mee
{"title":"Rhythm Beyond the Cinematic Medium/The Pixel Beyond the Movie Theatre","authors":"Sharon Jane Mee","doi":"10.54103/2036-461x/17923","DOIUrl":"https://doi.org/10.54103/2036-461x/17923","url":null,"abstract":"In The Affect Theory Reader, Gregory J. Seigworth and Melissa Gregg write about Roland Barthes’s splendid notion of ‘shimmer’: an ‘exhaustively nuanced space’ that may be inventoried as patho-logies (by which to contemplate pathos) of bodies (human and nonhuman). In Alex Garland’s 2018 film Annihilation, a refracting effect — the Shimmer — which has appeared around a lighthouse and is slowly spreading outwards, is being studied. Military groups have entered the Shimmer never to return. A group of female scientists — of which Lena (Natalie Portman), a biologist, is one — enter the Shimmer and begin to inventory the strange organic duplicates of form within it. These organic structures, while extraordinarily nuanced, are also patho-logies of organic life as they are refracted by the Shimmer. This article will consider the ‘exhaustively nuanced space’ of cinema and its patho-logies via the conditions of the rhythm of the pixel in cinema, and beyond, in social media. While cinema, as well as social media, can be conceived as an affective experience, this essay will consider how the rhythm of the pixel as an energetic relation allows for an ethics to arise in the relation between the media text and the spectator/operator. In an examination of the rhythm of the pixel beyond the cinematic medium, I consider the energetic ‘becoming’ of the spectator/operator and the digital image (text and image in social media) as they act in relation. In an examination of the rhythm of the pixel beyond the movie theatre, I consider the infinite intensities in the aisthetic encounter of body and text/image in social media and its correlation to the politics of a mass-art. My hope is that in the ‘exhaustively nuanced space’ of rhythm beyond the cinematic medium and the pixel beyond the movie theatre, what may be found is patho-logies conjured by affective intensities and their connectives whereby digital interactions may no longer be refracted by the passions of divisive debate, but by an ethics of care, compassion, and empathy.","PeriodicalId":262328,"journal":{"name":"Cinéma & Cie. Film and Media Studies Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126093118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Global Perspectives on Amateur Film Histories and Cultures 业余电影历史和文化的全球视角
Cinéma & Cie. Film and Media Studies Journal Pub Date : 2021-01-05 DOI: 10.2307/j.ctv1b742mb
Elena Gipponi
{"title":"Global Perspectives on Amateur Film Histories and Cultures","authors":"Elena Gipponi","doi":"10.2307/j.ctv1b742mb","DOIUrl":"https://doi.org/10.2307/j.ctv1b742mb","url":null,"abstract":"","PeriodicalId":262328,"journal":{"name":"Cinéma & Cie. Film and Media Studies Journal","volume":"559 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116446882","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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