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Reasons to understand the symbolic importance of Ricardo Darín in the Argentine audiovisual universe 了解里卡多-达林在阿根廷视听领域的重要象征意义的理由
Ñawi Pub Date : 2024-07-15 DOI: 10.37785/nw.v8n2.a5
Lucía Rodríguez Riva
{"title":"Reasons to understand the symbolic importance of Ricardo Darín in the Argentine audiovisual universe","authors":"Lucía Rodríguez Riva","doi":"10.37785/nw.v8n2.a5","DOIUrl":"https://doi.org/10.37785/nw.v8n2.a5","url":null,"abstract":"Argentine actor Ricardo Darín is the one who attracts the largest audiences in each of the films he stars in. He occupies a very important symbolic place within the national star system, and even in the country’s public arena. In this article, I go back to his television career to explain how, in his long career, there were two key products that helped to consolidate his persona, and at the same time allowed him to turn it around: the sitcom Mi cuñado (Carlos Berterreix, 1993-1996) and the feature film Nueve reinas (Fabián Bielinsky, 1999). I propose that his star text was shaped by the tension between the stereotype of the chanta (the rogue) –of long tradition and popularity in Argentine arts– and the measured middle-class young man. The qualitative leap between the two occurred between the peak of his television popularity and his consolidation as a film star of international scope.","PeriodicalId":261814,"journal":{"name":"Ñawi","volume":"50 14","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141644427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reflections of the Everyday. Exploring the essence of Ecuadorian cinema through Ratas, Ratones, Rateros 反映日常。通过 Ratas、Ratones、Rateros 探索厄瓜多尔电影的精髓
Ñawi Pub Date : 2024-07-15 DOI: 10.37785/nw.v8n2.a4
René Idrovo
{"title":"Reflections of the Everyday. Exploring the essence of Ecuadorian cinema through Ratas, Ratones, Rateros","authors":"René Idrovo","doi":"10.37785/nw.v8n2.a4","DOIUrl":"https://doi.org/10.37785/nw.v8n2.a4","url":null,"abstract":"This essay analyzes the film Ratas, Ratones, Rateros (1999), by Ecuadorian director Sebastián Cordero, as a reflection of the social problems that affect contemporary Ecuador. Through a textual analysis of the work, it is examined how the main characters, two cousins ​​who are dedicated to theft and crime, represent the Creole liveliness, social resentment and corruption that are some of the characteristic features of Ecuadorian society. Likewise, the film is contextualized with the political and economic scenario of the country at the end of the nineties, marked by the banking crisis, dollarization and government instability. The conclusion to be reached is that Ecuadorian cinema, more than a nationalist art, functions as a mirror of daily reality; as a reflection of the identity and social problems of Ecuadorians.","PeriodicalId":261814,"journal":{"name":"Ñawi","volume":"32 20","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141648032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Northern mexican cinema. A historical perspective 墨西哥北部电影。历史视角
Ñawi Pub Date : 2024-07-15 DOI: 10.37785/nw.v8n2.a1
Alba Nidia Sánchez Baltazar
{"title":"Northern mexican cinema. A historical perspective","authors":"Alba Nidia Sánchez Baltazar","doi":"10.37785/nw.v8n2.a1","DOIUrl":"https://doi.org/10.37785/nw.v8n2.a1","url":null,"abstract":"Over time, the relationship between film and history has evolved to be mutually considered an indispensable tool in their respective disciplines. This essay focuses on exploring these connections and analyzing how contemporary northern Mexican cinema has employed historical tools and resources to understand and reflect upon the region's development. This environment possesses unique characteristics that have been addressed both explicitly in historical works and implicitly in films that contemplate memory and the passage of time. The foundation of this proposal is a directory of contemporary works of northern Mexican cinema. It has allowed for the examination of various perspectives in film proposals spanning from 2006 to 2022, with the historical approach being one of the highlighted aspects.","PeriodicalId":261814,"journal":{"name":"Ñawi","volume":"28 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141646920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Proyectar la imaginación. La influencia de las imágenes en red en la fase de prediseño en comunicación gráfica 投射想象力。网络图像在平面设计前期阶段的影响。
Ñawi Pub Date : 2024-07-15 DOI: 10.37785/nw.v8n2.a10
Núria Garuz Ansaldo
{"title":"Proyectar la imaginación. La influencia de las imágenes en red en la fase de prediseño en comunicación gráfica","authors":"Núria Garuz Ansaldo","doi":"10.37785/nw.v8n2.a10","DOIUrl":"https://doi.org/10.37785/nw.v8n2.a10","url":null,"abstract":"Graphic communication projects begin with a strategic phase whose objective is to conceptualize a sensory universe that will be associated with the product or brand for which the project is developed. The objective is to emotionally connect the brand or product with the user. In this process, the \"performativity\" potential of images is used to define and communicate complex emotional qualities that are difficult to express through verbal language. Mostly, images are searched on the Internet and classified through hegemonic iconographic and iconological patterns. This article proposes to activate a critical look at the hybrid co-creation process that is generated between human and machine in the search for images on the net. Analyzing the agency of the non-human in this procedure will allow us to establish if the creative and methodological processes used contribute to establish and perpetuate a prevailing visual hegemony, or if they help to open fissures in its structure.","PeriodicalId":261814,"journal":{"name":"Ñawi","volume":"32 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141646583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Analysis of the Implementation of Artificial Intelligence as a Tool for Digital Audiovisual Post-Production 将人工智能作为数字音像后期制作工具的实施分析
Ñawi Pub Date : 2024-07-15 DOI: 10.37785/nw.v8n2.a9
Jheimy Jironza Hidalgo
{"title":"Analysis of the Implementation of Artificial Intelligence as a Tool for Digital Audiovisual Post-Production","authors":"Jheimy Jironza Hidalgo","doi":"10.37785/nw.v8n2.a9","DOIUrl":"https://doi.org/10.37785/nw.v8n2.a9","url":null,"abstract":"Con el desarrollo de las tecnologías, muchos trabajadores se han visto enfrentados a la automatización de sus cargos. Al igual que la era industrial, la era virtual se está convirtiendo en un conflicto en diferentes campos laborales. En el mundo tanto del cine y de la creación de contenido, la inteligencia artificial ha tomado protagonismo, simplificando varias tareas en la producción y postproducción de contenido. En el arte de la postproducción o edición, existen muchas herramientas que facilitan diferentes trabajos que antes tomaban horas, días, e incluso meses en realizarse, tales como la colorización, los recortes, la animación, entre otras cosas. En este trabajo se indaga en el uso de la inteligencia artificial por medio de distintos softwares que se pueden emplear en la postproducción audiovisual, aprovechando la era digital como una aliada en la realización del séptimo arte.","PeriodicalId":261814,"journal":{"name":"Ñawi","volume":"67 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141647530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Analysis of the female stereotypes represented in the Harry Potter film saga 分析《哈利-波特》电影传奇中的女性定型形象
Ñawi Pub Date : 2024-07-15 DOI: 10.37785/nw.v8n2.a7
Shaony Marlene Severino Cueva, Adriana Margarita Turriate Guzmán, Norma Inés Caldas Gayoso
{"title":"Analysis of the female stereotypes represented in the Harry Potter film saga","authors":"Shaony Marlene Severino Cueva, Adriana Margarita Turriate Guzmán, Norma Inés Caldas Gayoso","doi":"10.37785/nw.v8n2.a7","DOIUrl":"https://doi.org/10.37785/nw.v8n2.a7","url":null,"abstract":"El presente estudio tiene como objetivo el analizar los estereotipos femeninos representados en la saga Harry Potter. La investigación es cualitativa. Se usa, como método, el análisis de contenido; y como técnica de investigación, la observación. Los resultados de la investigación indicaron que, las mujeres de estudio, aunque tienen variedad de color de ojos y cabello, todas son de piel blanca; incluso la mayoría solo usa el maquillaje natural para diferentes ocasiones. Por otro lado, la fuerza en los personajes femeninos es casi inexistente. Finalmente, la investigación concluye que las características ayudan a incentivar a que el espectador siga teniendo una mujer ideal en mente, y las descripciones físicas no ayudan a la identificación de las diferentes niñas del mundo con sus personajes femeninos favoritos.","PeriodicalId":261814,"journal":{"name":"Ñawi","volume":"12 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141646621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Anatomía cinematográfica del documental ecuatoriano. Estudio detallado de los códigos visuales, sonoros y sintácticos del documental Con mi corazón en Yambo (2011) 厄瓜多尔纪录片的电影解剖学。详细研究纪录片《Con mi corazón en Yambo》（2011 年）的视觉、声音和句法代码。
Ñawi Pub Date : 2024-07-15 DOI: 10.37785/nw.v8n2.a8
Juana Cecibel Noboa Cevallos
{"title":"Anatomía cinematográfica del documental ecuatoriano. Estudio detallado de los códigos visuales, sonoros y sintácticos del documental Con mi corazón en Yambo (2011)","authors":"Juana Cecibel Noboa Cevallos","doi":"10.37785/nw.v8n2.a8","DOIUrl":"https://doi.org/10.37785/nw.v8n2.a8","url":null,"abstract":"Esta investigación se centra en el análisis detallado de Con mi corazón en Yambo (2011), un documental emblemático del cine ecuatoriano, con el propósito de comprender cómo los códigos cinematográficos visuales, sonoros, gráficos, sintácticos y políticos se entrelazan para transmitir significados y construir narrativas. Se realizó un análisis exhaustivo de secuencias seleccionadas del documental, permitiendo una clasificación del montaje según su tipo y modalidad. Los enfoques de Francesco Casetti y Federico Di Chio, así como de Sergei Eisenstein, junto con un análisis comparativo basado en una entrevista a la cineasta productora del documental, nos permitieron desentrañar por completo su estructura. Este enfoque no solo explora la influencia de estos elementos en la representación cultural, la estética y la comunicación en el cine documental ecuatoriano, sino que también revela la riqueza artística, el mensaje cultural y la singularidad narrativa de esta película. Con ello, se ofrece una comprensión más profunda y detallada del cine documental en Ecuador.","PeriodicalId":261814,"journal":{"name":"Ñawi","volume":"37 26","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141645094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El lado oscuro de la juventud. Sexo, drogas y modernización cultural en el cine negro argentino de los años sesenta 青春的黑暗面。二十世纪六十年代阿根廷黑色电影中的性、毒品和文化现代化。
Ñawi Pub Date : 2024-07-15 DOI: 10.37785/nw.v8n2.a2
D. Giacomelli
{"title":"El lado oscuro de la juventud. Sexo, drogas y modernización cultural en el cine negro argentino de los años sesenta","authors":"D. Giacomelli","doi":"10.37785/nw.v8n2.a2","DOIUrl":"https://doi.org/10.37785/nw.v8n2.a2","url":null,"abstract":"This article analyzes three Argentine films from the 60s: La Patota (Daniel Tinayre, 1960), Orden de Matar (Román Viñoly Barreto, 1965), and Humo de Marihuana (Lucas Demare, 1968). In them, youth and their customs are central. The protagonists seek a life of pleasures but find tragic destinies. The films present sexuality, violence, rock & roll, social gatherings, fashions, and drugs as threats to their lives and social order. Reflect the conservative perspectives of the time, which viewed with concern the youth getting involved in renewing activities. The films contrast with the thematic and aesthetic renewal of the Generation of 60 and represent the opinions of the most conservative sectors of Argentine society, which from 1966 would impose a dictatorial regime that saw youth as the cause of many of the country’s problems.","PeriodicalId":261814,"journal":{"name":"Ñawi","volume":"27 22","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141645365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Terra em Transe. A Marxist Poetics and Aesthetics as a Critique of Capitalist Development Terra em Transe.马克思主义诗学和美学对资本主义发展的批判
Ñawi Pub Date : 2024-07-15 DOI: 10.37785/nw.v8n2.a3
Diana Montes
{"title":"Terra em Transe. A Marxist Poetics and Aesthetics as a Critique of Capitalist Development","authors":"Diana Montes","doi":"10.37785/nw.v8n2.a3","DOIUrl":"https://doi.org/10.37785/nw.v8n2.a3","url":null,"abstract":"This article examines the film Terra em Transe (Glauber Rocha, 1967), framed in the Brazilian “Cinema Novo” movement. The analysis revolves around the constitution of a cinematographic poetics linked to a Marxist aesthetic. The principle of movie montage is the essential component of his cinematographic poetics. The Marxist aesthetic falls on what Alberto Híjar Serrano called rough communism, and some techniques of the Brechtian theory of distancing can also be appreciated. These elements constitute the cinematographic formula that is configured in a kind of critique of capitalist development, that industrializing meta-narrative that became hegemonic from the second half of the twentieth century.","PeriodicalId":261814,"journal":{"name":"Ñawi","volume":"36 37","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141645377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sexo, drogas y ¿cárcel? Subjetividades modernas en Intimidades de una cualquiera (1974) 性、毒品和监狱？Intimidades de una cualquiera》（1974 年）中的现代主体性
Ñawi Pub Date : 2024-07-15 DOI: 10.37785/nw.v8n2.a6
Oliver Wilson-Nunn
{"title":"Sexo, drogas y ¿cárcel? Subjetividades modernas en Intimidades de una cualquiera (1974)","authors":"Oliver Wilson-Nunn","doi":"10.37785/nw.v8n2.a6","DOIUrl":"https://doi.org/10.37785/nw.v8n2.a6","url":null,"abstract":"The aim of this this paper is to analyse the film Intimidades de una cualquiera (1974) by Armando Bó and Isabel Sarli in relation to the social, economic, and cultural modernisation of the 1960s and 1970s. We consider the prison to be the key space-concept of the film in which the complex reformulation of sexual, religious, and economic subjectivities is concentrated. Within the broader theoretical framework of modernity, we establish a dialogue between the history of gender and sexuality, reception studies, critical theories of spectatorship and the recent critical revaluation of exploitation cinemas. From this perspective, we argue that the production, narrative, and reception of the film are grounded in subjective and institutional contradictions that transcend any simple dichotomy between tradition and modernity.","PeriodicalId":261814,"journal":{"name":"Ñawi","volume":"13 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141649263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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