Reasons to understand the symbolic importance of Ricardo Darín in the Argentine audiovisual universe

Ñawi Pub Date : 2024-07-15 DOI:10.37785/nw.v8n2.a5
Lucía Rodríguez Riva
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Abstract

Argentine actor Ricardo Darín is the one who attracts the largest audiences in each of the films he stars in. He occupies a very important symbolic place within the national star system, and even in the country’s public arena. In this article, I go back to his television career to explain how, in his long career, there were two key products that helped to consolidate his persona, and at the same time allowed him to turn it around: the sitcom Mi cuñado (Carlos Berterreix, 1993-1996) and the feature film Nueve reinas (Fabián Bielinsky, 1999). I propose that his star text was shaped by the tension between the stereotype of the chanta (the rogue) –of long tradition and popularity in Argentine arts– and the measured middle-class young man. The qualitative leap between the two occurred between the peak of his television popularity and his consolidation as a film star of international scope.
了解里卡多-达林在阿根廷视听领域的重要象征意义的理由
阿根廷演员里卡多-达林(Ricardo Darín)在他主演的每部影片中都吸引了最多的观众。他在国家明星体系中,甚至在国家的公共舞台上,都占据着非常重要的象征性地位。在这篇文章中,我将回顾他的电视生涯,解释在他漫长的职业生涯中,有两部关键产品帮助他巩固了自己的形象,同时也让他扭转了自己的形象:情景喜剧《Mi cuñado》(Carlos Berterreix,1993-1996 年)和故事片《Nueve reinas》(Fabián Bielinsky,1999 年)。我认为,在阿根廷艺术界长期流行的 "流氓"(chanta)这一刻板印象与中产阶级年轻人之间的紧张关系塑造了他的明星形象。两者之间的质的飞跃发生在他的电视人气达到顶峰和他巩固了国际影星地位之间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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