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itw : im dialog最新文献

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Festivals als Innovationsmotor? 艺术节作为创新引擎?
itw : im dialog Pub Date : 2021-06-18 DOI: 10.16905/itwid.2020.17
Beate Hochholdinger-Reiterer
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引用次数: 0
"Uns schreckt nicht das Neue." "我们并不害怕新的事物"
itw : im dialog Pub Date : 2021-06-18 DOI: 10.16905/itwid.2020.3
Ann-Christine Simke
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引用次数: 0
Festivals als Plattformen für Wissensaustausch 电影节是知识交流平台
itw : im dialog Pub Date : 2021-06-18 DOI: 10.16905/itwid.2020.14
Beate Hochholdinger-Reiterer
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引用次数: 0
Between Teaching And Not Teaching or How to Make The Audience Believe You 教与不教之间，如何让观众相信你
itw : im dialog Pub Date : 2021-06-18 DOI: 10.16905/itwid.2020.16
Alexandra Portmann
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引用次数: 0
Vorwort
itw : im dialog Pub Date : 2021-06-17 DOI: 10.16905/itwid.2020
Beate Hochholdinger-Reiterer, Alexandra Portmann
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引用次数: 0
The Money – Eine Performance für den emanzipierten Zuschauer? 他是解放的观众的表演?
itw : im dialog Pub Date : 2019-03-07 DOI: 10.16905/itwid.2018.17
Vera Nitsche
{"title":"The Money – Eine Performance für den emanzipierten Zuschauer?","authors":"Vera Nitsche","doi":"10.16905/itwid.2018.17","DOIUrl":"https://doi.org/10.16905/itwid.2018.17","url":null,"abstract":"","PeriodicalId":253429,"journal":{"name":"itw : im dialog","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115436045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Freie Republik HORA – Regie und Schauspiel als fortwährender Aushandlungsprozess 导演与戏剧自由共和国作为持续的拉票过程
itw : im dialog Pub Date : 2019-03-07 DOI: 10.16905/itwid.2018.19
M. Urban, Sarah Marinucci
{"title":"Freie Republik HORA – Regie und Schauspiel als fortwährender Aushandlungsprozess","authors":"M. Urban, Sarah Marinucci","doi":"10.16905/itwid.2018.19","DOIUrl":"https://doi.org/10.16905/itwid.2018.19","url":null,"abstract":"Ein Gespräch mit Gianni Blumer (Schauspieler Theater HORA) und Nele Jahnke (Stv. künstlerische Leiterin Theater HORA)","PeriodicalId":253429,"journal":{"name":"itw : im dialog","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130588009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Geld und Gravitas. Untersuchung von Einflussfaktoren auf die Compliance des Publikums anhand Kaleiders The Money 钱和重力利用钱调查观众对于合规的影响
itw : im dialog Pub Date : 2019-03-07 DOI: 10.16905/itwid.2018.16
Géraldine Boesch
{"title":"Geld und Gravitas. Untersuchung von Einflussfaktoren auf die Compliance des Publikums anhand Kaleiders The Money","authors":"Géraldine Boesch","doi":"10.16905/itwid.2018.16","DOIUrl":"https://doi.org/10.16905/itwid.2018.16","url":null,"abstract":"","PeriodicalId":253429,"journal":{"name":"itw : im dialog","volume":"110 10","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113935256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Publikum als (bewegte) Masse. Suddenly everywhere is black with people von Marcelo Evelin Publikum也(称重)massse。突然间，到处都是冯·马塞洛·埃弗林
itw : im dialog Pub Date : 2019-03-07 DOI: 10.16905/ITWID.2018.4
R. Rossi
{"title":"Publikum als (bewegte) Masse. Suddenly everywhere is black with people von Marcelo Evelin","authors":"R. Rossi","doi":"10.16905/ITWID.2018.4","DOIUrl":"https://doi.org/10.16905/ITWID.2018.4","url":null,"abstract":"Interaktion und Partizipation des Publikums in den performativen Künsten nehmen seit den späten 1990er-Jahren stark zu: Die Performances von LIGNA, Gob Squad, Rimini Protokoll und SIGNA sowie die Museumsarbeiten von Tino Sehgal sind nur einige Beispiele des deutschsprachigen Gegenwartstheaters hierfür. Inszenierungen und Spielarten von Interaktion und Partizipation sind im Feld der Theater- und Tanzwissenschaft mittlerweile gut erforscht. Die Ausnahme hingegen sind systematisch-wissenschaftliche Analysen der Organisation und Dynamik eines Publikums beispielsweise als Gruppe, Gemeinschaft oder Masse. Aus diesem Grund wird in diesem Beitrag eine Option für die Untersuchung eines teilnehmenden Publikums eröffnet, die auf der Beobachtung von Konstellationen, Reaktionen und Bewegung des Publikums der Performance Suddenly everywhere is black with people basiert. Ausgehend von Elias Canettis Überlegungen in Masse und Macht soll die Gruppe der Zuschauenden als Masse betrachtet werden.","PeriodicalId":253429,"journal":{"name":"itw : im dialog","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124536853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Künstler_innen und ihr Publikum. Strategien der Begegnung als konstitutives Moment eines ›Singulär Plural Seins‹ im Theater 艺术家的内部和她的观众战略的一个konstitutives的时刻相遇›Singulär复数的‹在剧院
itw : im dialog Pub Date : 2019-03-07 DOI: 10.16905/itwid.2018.15
Anne Bonfert
{"title":"Künstler_innen und ihr Publikum. Strategien der Begegnung als konstitutives Moment eines ›Singulär Plural Seins‹ im Theater","authors":"Anne Bonfert","doi":"10.16905/itwid.2018.15","DOIUrl":"https://doi.org/10.16905/itwid.2018.15","url":null,"abstract":"","PeriodicalId":253429,"journal":{"name":"itw : im dialog","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121805209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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