Bulletin of Lviv National Academy of Arts最新文献

{"title":"Methods and models of administrative decision-making in the socio-cultural sphere: analysis and perspectives","authors":"Valentyn Nekhai","doi":"10.37131/2524-0943-2024-52-13","DOIUrl":"https://doi.org/10.37131/2524-0943-2024-52-13","url":null,"abstract":"General problems of decision-making in various spheres of activity require a systematic approach and consideration of many factors. This process is multistep and complex, as each decision can have a significant impact on the internal and external environment.\u0000Analytical thinking is a key component of successful decision-making. It includes the ability to recognize the main aspects of a problem, systematically analyze available information, and consider different options for action and their potential consequences. The development of analytical thinking helps managers and specialists make informed decisions based on logical and critical data analysis. Modern methods and decision-making models, such as economic-mathematical models, game theory, system analysis and heuristic approaches, allow you to objectively evaluate possible solutions to the problem. These techniques can help identify optimal strategies given limited resources and existing risks. The use of these tools allows you to reduce subjective influences on the decision-making process and increase its efficiency.\u0000The integration of different approaches is important to achieve a comprehensive understanding of the problem and develop comprehensive solutions. Successful decision-making requires not only deep knowledge and skills, but also the ability to work in conditions of uncertainty and complexity. It is important to consider both internal and external factors that can affect the result. A comprehensive approach to decision-making allows you to effectively manage these challenges and ensure the sustainable development of organizations and society as a whole.\u0000The article is devoted to the analysis of methods and models of managerial decision-making in the socio-cultural sphere. The study focuses on the importance of considering cultural and social factors in the decision-making process. The work examines various approaches to management, in particular methods of involving the public, ethical aspects, as well as the use of heuristic models.\u0000The purpose of the study is to determine effective approaches to management decision-making that take into account the specifics of the socio-cultural environment. The methodology includes the dialectical method, generalization, synthesis, and logical and systemic analysis.\u0000In the course of the research, the challenges and possibilities of applying various methods in the practice of managing socio-cultural processes were revealed. Special attention is paid to the analysis of potential obstacles, such as cultural, ethnic, religious, and social differences, and the difficulty of measuring the impact of these factors.\u0000The results of the study indicate the importance of the integration of the latest technologies as well as the development of adaptive methodologies for effective management in various socio-cultural conditions. Recommendations include the need for a multidisciplinary approach and collaboration between academics and practitioners to achieve po","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"93 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141835224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Management of socio-cultural activity in the context of information culture","authors":"Tamara Shadiuk, Natalia Zoshchuk, Oksana Kliukha","doi":"10.37131/2524-0943-2024-52-14","DOIUrl":"https://doi.org/10.37131/2524-0943-2024-52-14","url":null,"abstract":"The aim of the article. To find out the current theoretThe concept of information culture in this study was formed thanks to a reversible approach to the interpretation of socio-cultural activity, a component of which is the relationship between people based on the use of information and the related information policy of the organization and management practices. The key importance of the semantic aspects of information culture, which determine management strategies, is emphasized. \u0000The integrity of the concept of information culture is formed on the basis of the systematization of cultural and anthropological patterns that directly reflect the semantic patterns of relationships between people, mediated by information, and indicate the main directions of the formation of information culture. This concept reflects the content of existing information strategies used in the management of modern organizations, taking into account globalization trends and the functioning of an individual in a specific social environment.\u0000Four patterns of information culture, which have a cultural and anthropological content, are correlated with the socio-cultural conditions of the functioning of organizations and indicate the directions of management of information culture as an intangible asset of any organization, are singled out. These are resource, value, learning and quality patterns, which are important aspects of managing an organization. It has been established that resource and value patterns establish organizational culture and strengthen it from within. In the qualitative dimension, information culture appears as communication based on information as an asset of critical knowledge that needs to be managed in order to comply with rules and regulations that are relevant to the goals and visions of the organization.\u0000Effective management of information culture allows the organization to complicate its structure and reach a new quality level, characterized by a high degree of creativity, innovation and involvement, if it takes into account the interdependence of culture and strategy.","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"115 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141835020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Postmodernism in the art of Lviv in the late 1980s and early 1990s in the Ukrainian scientific discourse","authors":"Sofiia Ohonovska","doi":"10.37131/2524-0943-2024-52-7","DOIUrl":"https://doi.org/10.37131/2524-0943-2024-52-7","url":null,"abstract":"The key aspects of the works of domestic scientists are analyzed in the context of the historical development of fine arts and the artistic environment of Lviv in general, during the collapse of the totalitarian regime and in the first years of Ukraine's independence. Based on the method of systematization and synthesis of information, it was possible to outline the theoretical basis of the study of Lviv postmodernism of the late 1980s and early 1990s. Separate scientific sources are highlighted, which partially demonstrate the influence of postmodernism on the art of Lviv, and it is noted that the situation, characteristic of the whole of Ukraine, has acquired a vivid expression in Lviv: artists began to organize exhibitions more often, which no longer required the approval of the artists' union. The authors rejected Soviet templates and sought to expand the creative range of forms and methods. A protest against the old practice of \"faceless creativity\" began. The corresponding period in Lviv can be characterized as the heyday of postmodernism, which interacted with world trends and evolved into new forms. Art critics such as H. Vysheslavskyi, O. Holubets, A. Lozhkina, V. Sydorenko, H. Sklyarenko, B. Shumylovych and R. Yatsiv made a significant contribution to the illumination of this period. The source base is also demonstrated: catalogs, albums and other publications from exhibition projects. It was found that a significant part of mentions in newspapers, press releases, manifestos and photographs from exhibitions are in private collections.\u0000The purpose of the article is to find out the state of coverage in the Ukrainian scientific discourse of the influence of postmodern trends on the visual arts of Lviv in the late 1980s and early 1990s.\u0000Attention is focused on the unsystematic and selective review of postmodern art of this period in the works of researchers in general, and the lack of scientific publications devoted directly to the analysis of Lviv fine art of the late 1980s — early 1990s within the framework of art historical analysis, as a result of which this problem remains unsolved.","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"49 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141834884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The symbolism of the image of Christ in the Passion cycles of Olena Kulchytska, Osip Sorohtei, Ostap Lozynskyi","authors":"Borys Sheremeta","doi":"10.37131/2524-0943-2024-52-9","DOIUrl":"https://doi.org/10.37131/2524-0943-2024-52-9","url":null,"abstract":"The article deals with the symbolism of the image of Christ in the Passion cycles of three artists Olena Kulchytska, Osyp Sorokhtei, and Ostap Lozynskyi. The attention is focused on how they interpreted the image of Christ and what idea they put into the Passion theme. The relevance of the study is due to the constant interest of society in religious themes, in particular, in the passionate image of Christ as one of the most eloquent examples of sacrifice and sacrifice. The study of the image of the Savior in the Passion cycle is conducted through the prism of the concepts of E. Levinas, Raymond E. Brown, D. Stott, M. Borg, who considered the significance of Christ's sacrifice, His suffering, mercy and love. It was found that O. Kulchytska in her composition (1915) shows the humble image of Jesus Christ and focuses on his sacrifice. In his Passion cycle (1930-1932), O. Sorokhtei borrows the idea of the Pokuttya “calvary” and presents Christ as an ordinary person-one of us. O. Lozynsky in his project “The Way” (2014) speaks of the importance of the personal relationship between Jesus Christ and man. In our opinion, the creation of these cycles was influenced by the events of the First World War and the Liberation Movement of the Ukrainian people (O. Kulchytska), the events of repression of Ukrainians in the USSR (O. Sorokhtei), and the beginning of the Russian-Ukrainian war (O. Lozynskyi).","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"65 s254","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141834739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Technological research of Serhiy Shyshko’s graphic arts","authors":"Olena Andrianova, S. Biskulova","doi":"10.37131/2524-0943-2024-52-1","DOIUrl":"https://doi.org/10.37131/2524-0943-2024-52-1","url":null,"abstract":"Technological research of eight Serhiy Shyshko’s drawings from the artist's family was carried out. The technique of graphic arts and the composition of the paper supports were identified by optical and physics-chemical methods. The degradation level of drawings’ paper due to the natural aging and storage conditions was established. All the drawings were made with a graphite pencil by combining the techniques of working with the tip and the side surface of the pencil with shading. It was shown that ultraviolet fluorescence examination of drawings’ support could be useful method for making preliminary conclusions about the fiber composition of the paper and the presence of fillers. It was figured out that prolonged storage of drawings in the picture-framing mats caused paper destruction due to the influence of backing board material. The pulp fiber composition and binder of the Serhiy Shyshko’s drawing supports as well as the type of fillers, and the mineral coating composition were determined by optical microscopy, X-ray fluorescence analysis, and Fourier transform infrared spectroscopy. It was established that most of the drawings are created on drawing paper made of cotton pulp. The paper of the three drawings is made mainly of wood pulp. Rag fibers were found in the paper composition of 1930s–early 1940s drawings. Gum glue was identified as a binder of paper supports. It was determined that kaolin is the main filler of paper’s pulp and coating. The composition of the drawings’ supports was analyzed. It was demonstrated the necessity of an integrated approach using physical and chemical methods for the determination of the chemical elements’ origin in particular titanium, in the paper composition. The results of Serhiy Shyshko’s drawings’ technological research are introduced into scientific circulation for the first time. This article fills the gaps in the study of Shyshko's heritage and encourages further comprehensive research of his graphic arts. The composition changes in the paper support of different chronological periods were established. These data are important for dating graphic works of unknown creation time and clarifying the attribution of Ukrainian artists’ drawings.","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"72 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141835008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Alfred Maksymenko “A-vision” as an authorial form of virtual exposition","authors":"Andrii Helytovych","doi":"10.37131/2524-0943-2024-52-4","DOIUrl":"https://doi.org/10.37131/2524-0943-2024-52-4","url":null,"abstract":"Using the example of works up to 2019, the author's method of virtual exposition of paintings \"A-vision\" of the famous Lviv contemporary artist and teacher A. Maksymenko is considered.\u0000The goal is to single out and characterize the key features of the author's approach to the problem of virtual exhibition of works of art. The subject of the study is the inherent features of the combination of works of art with the exhibition environment in the \"A-vision\" form proposed by Maksymenko. Conclusions about the nature of the construction of the virtual space are drawn up in connection with the necessary concise analysis of the key features of the presented works. The considered samples include the works of 2006-2019, which present painting series about the impressions of visiting cities, combined into a cycle of album-catalogues \"Reflections\", work on which continues to this day. The A-vision formula based on the example of Reflections provides an exhibition project for a real space, but an independent presentation of paintings is also provided. The analysis of paintings in the article is presented only to the extent that it is necessary to reveal the peculiarities of visualization in the medium on which the emphasis is placed.\u0000Since the author's virtual expositions have not yet been publicly widely presented and continue to be in a state of development, they have not yet become the subject of special investigations. The primary analysis of A-vision expositions convinces of the presence of interesting author's finds in the way of virtual presentation of artworks, which constitute value and novelty within the framework of art research. Visualization of the exposition takes place both in two- and three-dimensional space, includes elements of collage, and the materialization of the exhibition in A-vision is foreseen, although not mandatory, and requires active creative interpretation and making corrections on the spot. An assumption is put forward about the connection of such a conventional way of presentation with Maksymenko's tendency to conceptualize the creative process, to reduce painting works-objects to the most laconic physical expression, even reaching the level of dematerialization; the return of such transformed images to a physical state is possible in a variety of genres, in which the visual counterpart can serve as an effective means of conveying content. The construction of a close connection between the paintings and the space was noted, in which with the help of additional elements a renewed landscape environment is created – it has its own expression, develops and complements the theme of the exhibited works. Therefore, in addition to painting, presented in the Reflections, visualization can sometimes be perceived as the idea of an installation, thanks to the introduction of a person – as a performance project, or to interpret an exhibition, so deeply connected with the environment, as a form of environmental art. It is assumed that due t","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"48 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141834886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Digital transformations in clothing design at the beginning of the 21st century","authors":"Khrystyna Shevchuk","doi":"10.37131/2524-0943-2024-52-12","DOIUrl":"https://doi.org/10.37131/2524-0943-2024-52-12","url":null,"abstract":"The main objectives of the study are to identify and analyze the ways of using 3D technologies in clothing design at the beginning of the 21st century.\u0000The subject of this study is the consideration of the influence of digital technologies on the processes of creation, production, distribution, and consumption of clothing.\u0000The scientific novelty of the study consists of the systematization of the ways of using digital 3D technologies in modern designer collections and the analysis of their influence at the stages of designing, manufacturing, and displaying clothes. In addition, the importance of introducing these technologies into the process of design education is emphasized.\u0000The methodology of this study is based on analytical, historical, and cultural-historical methods, as well as the method of formal analysis, which made it possible to consider the topic from different angles. \u0000The results of the study. The basic factors and reasons for its popularity, the advantages, and the problems of using 3D visualization methods in fashion design at the beginning of the 21st century are analyzed. Flexibility, high variability, ease of making changes, and forecasting in the process of 3D creating clothes are emphasized. Emphasis is placed on the environmental friendliness of 3D clothing design.\u0000The main practical applications of 3D tools in clothing design have been identified, and the impact of 3D visualization on digital transformation in clothing design has been examined. The current state of development of digital fashion within companies, digital platforms, and the creativity of individual foreign and Ukrainian designers has been traced, and the contributions of specific creative individuals to the formation of contemporary fashion trends have been reviewed.\u0000The role of implementing 3D technologies in the education process of clothing designers is emphasized, and practical methods of their application are demonstrated using the works of students from the Costume Design Department at the Lviv National Academy of Arts. The article comprises a comparative analysis of virtual prototypes and real garment models, identifying compositional, technological, and artistic characteristics of such products. Students who use 3D visualization tools have been proven to demonstrate higher levels of technological competence and creativity, which affects the quality and effectiveness of their design products. The conclusions of the article underscore the necessity of integrating 3D visualization into the educational process in line with the requirements of the modern fashion industry","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"52 s181","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141834683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Educational methods of Ukrainian theatrical design schools of the ХХ century in the context of European theatrical practice","authors":"Natalia Rudenko-Kraevska","doi":"10.37131/2524-0943-2024-52-8","DOIUrl":"https://doi.org/10.37131/2524-0943-2024-52-8","url":null,"abstract":"The article examines the conditions for the formation and development of Ukrainian theatrical design schools of the XX century in the context of the revolutionary processes of European and Ukrainian theatre art. The causes and consequences of the introduction into European and Ukrainian theatrical design practice of two theatre reforms of the XX century are determined, as well as the impact on the educational process of changing the function of the theatre in society, the tasks of theatrical design and the role of the theatrical designer in creating a performance.\u0000The conditions of emergence and development, creative platforms and pedagogical methods of the largest Ukrainian theatrical design schools are analyzed: the model workshop at the «Berezil» theatre of Les Kurbas and Vadym Meller in the 20-s — 30-s of the ХХ century; academic school of theatrical design at the Boris Kosarev Kharkov Art Institute of the 20-s — 60-s of the ХХ century; theatrical design laboratories at the theatre society and at the Kyiv Art Institute of Danylo Lider in the 70-s —80-s of the XX century and the Lvov school of practical theatrical design at the end of the 20th century. \u0000It has been found that no systematic scientific studies of the art of theatrical design, as a special type of fine art, are being conducted in Ukraine today. It is noted that one educational program is critically insufficient to meet the needs of Ukrainian theatres for professional theatrical designers. Especially, taking into account the significant change in the arsenal of theatrical designers' tools: the replacement of picturesque backdrops with video projections; expansion of possibilities of light equipment, development of digital 3d technologies, etc.; as well as the «de-dramatization» of the performance — the replacement of the plot with a chronic image, montage, collage, and bringing the theatre art closer to the happening, the performance of the environment, where the emphasis is shifted from the work to the process of art activity itself. \u0000Thus, the article proves that new realities require an urgent increase in the number of professional theatrical designers and the updating of educational methods of the modern Ukrainian school of theatrical design, both taking into account the methodological experience of previous national theatrical design schools, and in accordance with the new challenges of the time. The opening of the new educational program «Theatrical design» is an urgent need for the successful development of Ukrainian theatrical art and further integration into the European cultural space.","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"115 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141835019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Fashion photography in Ukraine: to the problem of source analysis","authors":"Mykola Maychyk, R. Patyk","doi":"10.37131/2524-0943-2024-52-10","DOIUrl":"https://doi.org/10.37131/2524-0943-2024-52-10","url":null,"abstract":"The article analyzes a portion of the fundamental world and Ukrainian sources on the formation and development of the genre of fashion photography in Ukraine. A brief tour of the works of foreign scientists who fully or partially researched the genre of fashion photography of the XX-XXI centuries — Roland Barthes (1967), Nancy Hall-Duncan (1978), Margaret Maynard (2008), Eugenie Shinkle (2008) and Karena De Perthuis (2020) was conducted. The main aspects from which existing studies were carried out were studied. It is noted that the rise in popularity of the photographic genre in Ukraine occurred in the first quarter of the XX century, which is a main reason of the narrow number of scientific studies in the field, as well as the lack of academic recognition of the genre. The share of works of Ukrainian scientists on the topic of studying the genre of fashion photography - N. Chuprina and V. Batrak (2011), O. Trachun (2014), I. Skoryk (2023) and S. Tulchynska (2023) was analyzed. It is acknowledged that the Ukrainian scientific space contains an insufficient number of works devoted to fashion photography, which indicates the need for further expansion of the scientific analysis of this photo genre, systematization of its development and influence in the Ukrainian scientific field. The purpose of the article is to analyze international and Ukrainian scientific sources that cover the key details of the formation and development of the genre of fashion photography.","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"105 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141835197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ukrainian vytynanka art in the context of ethno-design : modern progress trends","authors":"I. Syvash","doi":"10.37131/2524-0943-2024-52-11","DOIUrl":"https://doi.org/10.37131/2524-0943-2024-52-11","url":null,"abstract":"The article considers the possibilities of using modern Ukrainian vytynanka in interior design and graphic design, made with due regard for original Ukrainian traditions. The historical and social prerequisites for the development of this type of art are outlined, since vytynanka has powerful creative possibilities, harmoniously combining art and craft. It is emphasized that the production of vytynanka does not require a special material and technical base, and this allows many amateur artists to realize their creative potential, involving them in folk culture. It has been determined that Ukrainian vytynanka as a component of ethno-design is a form of creative activity with a pronounced ethnic component based on folk traditions, synthesizing artistic and technical components and having the prospect of mass replication of these products. At the same time, Ukrainian vytynanka can be used in art therapy to support people in difficult life circumstances, as well as as a means of national and patriotic education of young people, as it helps to affirm the national identity of Ukrainians. Vytynanka can be used to draw the world's attention to Ukrainian culture, which is an important task during the war in Ukraine. Vytynanka, thanks to its appeal to folklore sources, accessibility, mass production, and simplicity, can influence the development of Ukrainian ethnic design, which in the future, during the postwar development of Ukraine, should become the basis for the revival of culture, spiritual values, and self-identification of Ukrainians. The creative modernization of such a traditional art form as vytynanka will contribute to the development of the national style and the establishment of Ukraine's cultural image in the world. The purpose of the study is to identify current trends in the development of Ukrainian vytynanka in the context of ethnic design, considering its potential for further popularization of Ukrainian culture in the field of design. The methodology is based on comparative-historical, descriptive, analytical, and art historical methods to determine the culture-creating potential of vytynanka as a component of folk material culture and a trend in contemporary ethnic design at the same time. The relevance and scientific novelty lies in the consideration of the art of vytynanka of the modern period, taking into account its specificity and the possibilities of popularizing Ukrainian culture in the world with the help of ethnodesign as a materialized means of artist's expression.","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"111 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141835100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}