{"title":"Echo","authors":"Youshouzhai Gu","doi":"10.1163/1574-9347_dnp_e326110","DOIUrl":"https://doi.org/10.1163/1574-9347_dnp_e326110","url":null,"abstract":"1. Place animal in induction chamber and anesthetize the mouse and ensure sedation. 2. Once the animal is sedated, move it to a nose cone for hair removal using cream. Only apply cream to the area of the chest that will be utilized for imaging. Once the hair is removed, wipe area with wet gauze to ensure all hair is removed. 3. Move the animal to the imaging platform and tape its paws to the ECG lead plates and insert rectal probe. Body temperature should be maintained at 36-37°C. During imaging, reduce anesthesia to maintain proper heart rate. If the animal shows signs of being awake, use a higher concentration of anesthetic.","PeriodicalId":240092,"journal":{"name":"The Craft of Poetry","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1980-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124761610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
•Walt Whitman, •T. S. Eliot, •Carl Sandburg, •Marianne Moore, •William Carlos Williams, W. Whitman, Carl Sandburg
{"title":"Free verse","authors":"•Walt Whitman, •T. S. Eliot, •Carl Sandburg, •Marianne Moore, •William Carlos Williams, W. Whitman, Carl Sandburg","doi":"10.2307/j.ctv1hztrbd.89","DOIUrl":"https://doi.org/10.2307/j.ctv1hztrbd.89","url":null,"abstract":"","PeriodicalId":240092,"journal":{"name":"The Craft of Poetry","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127458521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Carpe diem","authors":"Carpe Diem","doi":"10.2307/j.ctv1hztrbd.115","DOIUrl":"https://doi.org/10.2307/j.ctv1hztrbd.115","url":null,"abstract":"This chapter, the introduction to Practical Economics, discusses the challenge of fixing a broken country and describes the situation in Georgia in the early 2000s. The author, Georgia’s former prime minister, Nika Gilauri, explains why he believes that other countries can learn from the reforms he oversaw between 2004 and 2012. The chapter contains an overview of the impact of this largescale transformation in areas ranging from corruption and doing business to economic growth and energy supply, as well as a personal account of how Mr. Gilauri, a political novice at the time, became a member of the cabinet in 2004.","PeriodicalId":240092,"journal":{"name":"The Craft of Poetry","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114359192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cut-up","authors":"D. Fuss","doi":"10.2307/j.ctv1hztrbd.120","DOIUrl":"https://doi.org/10.2307/j.ctv1hztrbd.120","url":null,"abstract":"and learning from each other, inevitably provoking such observations as “I hadn’t realized how funny that part was!” “The Blow Up” emphasizes the closeness of close reading, but it also grounds and enlivens more general discussions in the text—removing parts from the whole and putting the whole back into conversation with its parts. After having extracted, magnified, transformed, performed, and resituated individual sentences, students will feel more authoritative when the conversation widens to larger themes and ideas. They will also not be afraid to take apart the text, to zoom in and out of any page, drawing in or blocking out what they already know for the sake of testing new claims or ideas. Students will not only feel comfortable referring to specific passages, but they will find it easier to refer to one another’s readings as evidence and counterevidence. Most importantly, they will enjoy the opportunity to converse freely with each other (instead of answering the instructor’s questions), tracking their own interpretative moves and choices in a collective and creative encounter.","PeriodicalId":240092,"journal":{"name":"The Craft of Poetry","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132347004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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