Cut-up

D. Fuss
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引用次数: 0

Abstract

and learning from each other, inevitably provoking such observations as “I hadn’t realized how funny that part was!” “The Blow Up” emphasizes the closeness of close reading, but it also grounds and enlivens more general discussions in the text—removing parts from the whole and putting the whole back into conversation with its parts. After having extracted, magnified, transformed, performed, and resituated individual sentences, students will feel more authoritative when the conversation widens to larger themes and ideas. They will also not be afraid to take apart the text, to zoom in and out of any page, drawing in or blocking out what they already know for the sake of testing new claims or ideas. Students will not only feel comfortable referring to specific passages, but they will find it easier to refer to one another’s readings as evidence and counterevidence. Most importantly, they will enjoy the opportunity to converse freely with each other (instead of answering the instructor’s questions), tracking their own interpretative moves and choices in a collective and creative encounter.
切好的
互相学习,不可避免地引发这样的评论:“我没有意识到这部分有多有趣!”《爆炸》强调了细读的亲密性,但它也为文本中更广泛的讨论奠定了基础,并使之活跃起来——从整体中剔除部分,把整体重新置于与其部分的对话中。在对单个句子进行提取、放大、转换、表演和还原之后,当对话扩展到更大的主题和思想时,学生们会感到更有权威。他们也不会害怕拆解文本,放大或缩小任何一页,为了测试新的观点或想法,画出或遮住他们已经知道的内容。学生们不仅会觉得参考特定的段落很舒服,而且他们会发现更容易将彼此的阅读材料作为证据和反证。最重要的是,他们将享受彼此自由交谈的机会(而不是回答教练的问题),在集体和创造性的遭遇中跟踪他们自己的解释动作和选择。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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