{"title":"Jennifer Peedom's Mountain as a City Symphony","authors":"Benita Lehmann","doi":"10.47060/jaaas.v2i2.100","DOIUrl":"https://doi.org/10.47060/jaaas.v2i2.100","url":null,"abstract":"This article explores Jennifer Peedom’s film Mountain (2017) through the lens of the city symphony in view of structural, aesthetic, and thematic parallels between mountain and city symphony films. Analyzing Mountain in the generic context of the city symphony film draws attention to the deep structural links between urban centers and mountains, and their shared technological and urban infrastructures. This appraoch also harnesses the potential of film studies to revise dominant perceptions of mountains and can help viewers understand mountains as places of density and as dense networks that are developed by technological infrastructure and informed by dense technological, social, and cultural networks. By drawing on media ecology, actor-network theory, and media archeology, I will show that, similar to city symphonies, Mountain explores collective networks beyond the human realm to shed light on mountains as cultural spaces, geological manifestations, and eco-social realities. In so doing, Mountain tries to help humans to come to terms with the deep temporalities of alpine spaces and their technological mediations.","PeriodicalId":239099,"journal":{"name":"JAAAS: Journal of the Austrian Association for American Studies","volume":"213 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124293041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dreams of El Dorado: A History of the American West. By H. W. Brands (New York: Basic Books, 2019), xvi+524pp.","authors":"M. Gabriel","doi":"10.47060/jaaas.v2i1.136","DOIUrl":"https://doi.org/10.47060/jaaas.v2i1.136","url":null,"abstract":"This is a review of Dreams of El Dorado: A History of the American West by H. W. Brands.","PeriodicalId":239099,"journal":{"name":"JAAAS: Journal of the Austrian Association for American Studies","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130479740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Commemorating Abraham Lincoln and the Transnational Way: Lincoln Monuments in Great Britain. By Liv Birte Buchmann (Heidelberg: Universitätsverlag Winter, 2020), 311pp.","authors":"J. Parker","doi":"10.47060/jaaas.v2i1.151","DOIUrl":"https://doi.org/10.47060/jaaas.v2i1.151","url":null,"abstract":".Joshua Parker reviews Liv Birte Buchmann's Commemorating Abraham Lincoln and the Transnational Way.","PeriodicalId":239099,"journal":{"name":"JAAAS: Journal of the Austrian Association for American Studies","volume":"120 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122912133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Remaking Columbine","authors":"Johannes Walter Vith","doi":"10.47060/jaaas.v2i1.43","DOIUrl":"https://doi.org/10.47060/jaaas.v2i1.43","url":null,"abstract":"High school shootings in the United States generally receive enormous amounts of journalistic coverage and thus spark a lot of public interest. However, the topic appears to be taboo for mainstream cinema, and there are barely any films about real-life school shootings. This article seeks to show that Gus Van Sant's Elephant (2003) is both an enlightening exception to this seeming contradiction and an interesting response to the popular narratives surrounding the Columbine High School shooting of 1999. The film is not only unique in its portrayal of a real-life school shooting but also in the way that it approaches the topic. There are three important processes that make this depiction of the Columbine High School shooting so powerful: remaking, remediating, and reflecting. First, Van Sant's film is a remake of Alan Clarke's 1989 film of the same name. Clarke's film depicts several incidents of gun violence in Northern Ireland without any commentary, and Van Sant employs the same techniques in his film about gun violence at a school. Second, the film critiques the discourse around the shooting, as it remediates video games for its filmic rhetoric. Lastly, Gus Van Sant de-narrativizes the shooting and creates a reflective space for the audience. These three aspects all influence the film's storytelling and cinematography, which aim at promoting reflection rather than providing a straightforward narrative.","PeriodicalId":239099,"journal":{"name":"JAAAS: Journal of the Austrian Association for American Studies","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114944242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"'The World Called Him a Thug'","authors":"Barbara Gföllner","doi":"10.47060/jaaas.v2i1.23","DOIUrl":"https://doi.org/10.47060/jaaas.v2i1.23","url":null,"abstract":"Widespread police violence, often targeted at black people, has increasingly entered public debates in recent years. Inspired by the Black Lives Matter movement, various African American young adult novelists have addressed the topic of police brutality and offer counternarratives to the stories about black victims disseminated in the media. This article illustrates how prevalent debates of Black Lives Matter are reflected in contemporary young adult fiction. To this end, the first part elucidates substantial issues that have led to the precarious position of African Americans today and to the emergence of the Black Lives Matter movement. Drawing on theoretical concepts such as Judith Butler’s notion of \"precarious lives\" and Frantz Fanon’s description of the black experience in a white-dominated world, I will analyze Angie Thomas's novel The Hate U Give in view of ongoing debates about racial inequality. As I will show, the novel features striking similarities to real-world incidents of police brutality while simultaneously drawing attention to the manifold ways in which society disregards black lives and continues to subject African Americans to racial injustice.","PeriodicalId":239099,"journal":{"name":"JAAAS: Journal of the Austrian Association for American Studies","volume":"218 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122518961","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dissolution of Racial Boundaries","authors":"Julia Knaus","doi":"10.47060/jaaas.v2i1.73","DOIUrl":"https://doi.org/10.47060/jaaas.v2i1.73","url":null,"abstract":"As the field of mixed-race studies continues to expand, my article adds to this growth by analyzing the representation of mixed-race children in Natasha Trethewey's Thrall in relation to the corresponding Mexican casta paintings she refers to. I explore how Trethewey uses diction and etymology in Thrall by performing close readings of her Mexican casta painting poems. Throughout my analysis, I pay special attention to how aspects of knowledge and colonialism affect the portrayal of these mixed-race offspring. The aim of this article is to demonstrate that Trethewey skillfully uses diction and etymology to emphasize the relationship between knowledge and power, particularly with regard to the representation of mixed-race people in society. Trethewey intertwines mixed-race representation and experiences that seem disparate—her poems cross geographical, temporal, and spatial boundaries—in order to illustrate how mixed-race peoples' positioning and representation in society often transcends such boundaries while additionally critically assessing power dynamics controlling said representation. Accordingly, by closely examining the representation of mixed-race people and miscegenation in art and poetry, this article sheds a new light on how meaning can be developed between races and cultures and stresses how colonialism and knowledge can be connected to contextualizing difference across time and space.","PeriodicalId":239099,"journal":{"name":"JAAAS: Journal of the Austrian Association for American Studies","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121274165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Autobiography: A Very Short Introduction. By Laura Marcus (Oxford: Oxford University Press, 2018), 168pp.","authors":"P. Reisner","doi":"10.47060/jaaas.v2i1.130","DOIUrl":"https://doi.org/10.47060/jaaas.v2i1.130","url":null,"abstract":"Philipp Reisner reviews Laura Marcus's Autobiography: A Very Short Introduction (2018)","PeriodicalId":239099,"journal":{"name":"JAAAS: Journal of the Austrian Association for American Studies","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114260513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Awful Archives: Conspiracy Theory, Rhetoric, and Acts of Evidence. By Jenny Rice (Columbus: Ohio State University Press, 2020). 226pp.","authors":"C. Dickson","doi":"10.47060/jaaas.v2i1.133","DOIUrl":"https://doi.org/10.47060/jaaas.v2i1.133","url":null,"abstract":"This is a review of Awful Archives: Conspiracy Theory, Rhetoric, and Acts of Violence by Jenny Rice.","PeriodicalId":239099,"journal":{"name":"JAAAS: Journal of the Austrian Association for American Studies","volume":"92 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116567813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Elisabeth Krieber, Christian Stenico, C. Straub, Roberta Hofer
{"title":"Guest Editors' Editorial","authors":"Elisabeth Krieber, Christian Stenico, C. Straub, Roberta Hofer","doi":"10.47060/jaaas.v2i1.124","DOIUrl":"https://doi.org/10.47060/jaaas.v2i1.124","url":null,"abstract":"In lieu of an abstract, this is the first paragraph of the contribution: \u0000This third issue of the Journal of the Austrian Association for American Studies (JAAAS) is a special issue in more ways than one. The idea at its core was to highlight contributions by emerging scholars in American studies at Austrian universities, compiled and arranged by a team of guest editors who are members of Austria’s Young Americanists (AYA)—the graduate network affiliated with the Austrian Association for American Studies (AAAS). Beyond that, the journal itself is likewise young—at the time we began our work, it had just been founded and was still in its conceptual stages. As such, the editing process presented a number of unique challenges in the ambitious process of putting together a special issue. While most jobs in academia are tenuous, with 78% of all scientific jobs at universities being limited term,1 coordinating long-term projects presents an exciting but sometimes unpredictable endeavor, especially at the early career level. This is reflected in both the composition of the issue’s editorial team, as well as the remarkable flexibility demonstrated by all contributors throughout the process.","PeriodicalId":239099,"journal":{"name":"JAAAS: Journal of the Austrian Association for American Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129307899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gendered Sounds of Revolutionary American Theater","authors":"Leopold Lippert","doi":"10.47060/JAAAS.V1I2.30","DOIUrl":"https://doi.org/10.47060/JAAAS.V1I2.30","url":null,"abstract":"This article examines the relationship of sound and gender politics in revolutionary America by reading two late eighteenth-century dramatic texts, the 1774 pamphlet A Dialogue, Between a Southern Delegate, and His Spouse (written pseudonymously by Mary V. V.), and Virginia playwright Robert Munford's five-act play The Patriots (written c1777, published only posthumously in 1798). Even though the sounds of early America cannot be accessed directly, as there was no sound recording in the modern, technology-based sense, and even though neither of the two dramatic texts has a known record of performances, the article sets out to explore how sound and speech were heard and negotiated, and how they reflected on prevailing cultural assumptions about gendered personhood, and the relationship between gender and politics. Arguably, attention to sound in these texts offers specific insights into the joint articulation of gender and transatlantic politics in the larger struggle over the American revolution. As this article shows, both texts, albeit for different reasons, strategically use gendered sounds to stage specific political interventions: By \"listening\" carefully to these sounds (as they are represented in writing), one can understand in more detail how acoustic environments impacted on the articulation, legitimation and deliberation of political argument in revolutionary America.","PeriodicalId":239099,"journal":{"name":"JAAAS: Journal of the Austrian Association for American Studies","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127979680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}