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Étudier et enseigner les musiques actuelles : les frontières floues d’une expertise en devenir 学习和教授当代音乐:成为专家的模糊界限
Volume! Pub Date : 2021-12-15 DOI: 10.4000/volume.9444
Danick Trottier
{"title":"Étudier et enseigner les musiques actuelles : les frontières floues d’une expertise en devenir","authors":"Danick Trottier","doi":"10.4000/volume.9444","DOIUrl":"https://doi.org/10.4000/volume.9444","url":null,"abstract":"","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"57 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82272453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Écrans, médiations et authenticité dans le concert pop : deux cas d’étude 流行音乐会中的屏幕、中介和真实性:两个案例研究
Volume! Pub Date : 2021-12-15 DOI: 10.4000/volume.9768
Giulia Sarno
{"title":"Écrans, médiations et authenticité dans le concert pop : deux cas d’étude","authors":"Giulia Sarno","doi":"10.4000/volume.9768","DOIUrl":"https://doi.org/10.4000/volume.9768","url":null,"abstract":"","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"90 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85353608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Vers une étude citoyenne des musiques populaires ? 流行音乐的公民研究?
Volume! Pub Date : 2021-12-15 DOI: 10.4000/volume.9449
Christophe Levaux
{"title":"Vers une étude citoyenne des musiques populaires ?","authors":"Christophe Levaux","doi":"10.4000/volume.9449","DOIUrl":"https://doi.org/10.4000/volume.9449","url":null,"abstract":"","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87989902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
‟Original Artyfacts”: Rethinking Object Biography in Popular Music Studies “原创的艺术事实”:对流行音乐研究对象传记的再思考
Volume! Pub Date : 2021-12-15 DOI: 10.4000/volume.9428
José Vicente Neglia
{"title":"‟Original Artyfacts”: Rethinking Object Biography in Popular Music Studies","authors":"José Vicente Neglia","doi":"10.4000/volume.9428","DOIUrl":"https://doi.org/10.4000/volume.9428","url":null,"abstract":"","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78874201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Susan Fast & Craig Jennex, Popular Music and the Politics of Hope 苏珊·法斯特和克雷格·詹尼克斯,《流行音乐与希望政治》
Volume! Pub Date : 2021-12-15 DOI: 10.4000/volume.9523
Louise Barrière
{"title":"Susan Fast & Craig Jennex, Popular Music and the Politics of Hope","authors":"Louise Barrière","doi":"10.4000/volume.9523","DOIUrl":"https://doi.org/10.4000/volume.9523","url":null,"abstract":"","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"99 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85240563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lori A. Burns & Stan Hawkins, The Bloomsbury Handbook of Popular Music Video Analysis Lori A. Burns和Stan Hawkins,《布卢姆斯伯里流行音乐视频分析手册》
Volume! Pub Date : 2021-12-15 DOI: 10.4000/volume.9579
Antoine Gaudin
{"title":"Lori A. Burns & Stan Hawkins, The Bloomsbury Handbook of Popular Music Video Analysis","authors":"Antoine Gaudin","doi":"10.4000/volume.9579","DOIUrl":"https://doi.org/10.4000/volume.9579","url":null,"abstract":"","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84281801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Marta Amico, La Fabrique d’une musique touarègue. Un son du désert dans la world music
Volume! Pub Date : 2021-12-15 DOI: 10.4000/volume.9542
N. Puig
{"title":"Marta Amico, La Fabrique d’une musique touarègue. Un son du désert dans la world music","authors":"N. Puig","doi":"10.4000/volume.9542","DOIUrl":"https://doi.org/10.4000/volume.9542","url":null,"abstract":"","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"41 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84114367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Opera as Comics: Richard Wagner’s The Ring of the Nibelung in Craig P. Russell’s Graphic Adaptation 作为漫画的歌剧:理查德·瓦格纳的《尼伯隆的指环》在克雷格·p·拉塞尔的图像改编中
Volume! Pub Date : 2021-09-16 DOI: 10.16995/OLH.4680
Michael Weiss, Miroslav Urbanec
{"title":"Opera as Comics: Richard Wagner’s The Ring of the Nibelung in Craig P. Russell’s Graphic Adaptation","authors":"Michael Weiss, Miroslav Urbanec","doi":"10.16995/OLH.4680","DOIUrl":"https://doi.org/10.16995/OLH.4680","url":null,"abstract":"The article explores the capacity of the comics medium to represent a complex opera cycle in a graphic narrative. It analyses specific features of transmedial transmission between opera and comics through the example of the most recent graphic adaptation of Richard Wagner’s dramatic tetralogy The Ring of the Nibelung by P. Craig Russell, published by Dark Horse Comics (2000–2001). The adaptation, which fuses the disparate worlds of opera, comics, and fantasy culture, is stripped of Wagner’s controversial ideology. Russell interprets the Ring Cycle as an essential source of inspiration for American comics, thereby making this complex magnum opus attractive and accessible to wider audiences. His chief aim, however, is to reproduce an operatic effect by way of graphic mythic grandiosity. The study explores the visual aspects of the adaptation, addressing the potential of the comics medium to capture Wagner’s original vision. With a focus on illustration style and character depiction, this article discusses Russell’s imagery, which combines the classic illustrations of Arthur Rackham and Carl Emil Doepler, images from American popular culture, and Alan Lee’s illustrations of Tolkien’s series The Lord of the Rings. This article further analyses the methods of transmission of sounds into the silent medium, including both linguistic and visual means of expressing the intensity and quality of sound. Special attention is paid to the meaning and visual form of the Wagnerian leitmotiv as well as the use of colouring in relation to timing.","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86700884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rebalancing Roman Archaeology: from disciplinary inertia to decolonial and inclusive action 重新平衡罗马考古学:从学科惰性到非殖民和包容性行动
Volume! Pub Date : 2021-09-03 DOI: 10.16995/TRAJ.4330
Zena Kamash
{"title":"Rebalancing Roman Archaeology: from disciplinary inertia to decolonial and inclusive action","authors":"Zena Kamash","doi":"10.16995/TRAJ.4330","DOIUrl":"https://doi.org/10.16995/TRAJ.4330","url":null,"abstract":"This article analyses the current state of our discipline, particularly its decoloniality and inclusivity. This is investigated via two lenses: data from Roman Archaeology Conferences and Theoretical Roman Archaeology Conferences from 1991 to 2019; and data from the 2019 Roman Archaeology Teaching Survey. These two lenses provide ways into thinking about whose voices are heard in the discipline, current barriers to more diverse voices, and biases within the topics and regions of the Roman world in our research and teaching. The article argues that these data demonstrate a need for change within our discipline, across research and teaching, in order to promote a healthier, decolonial, and more inclusive discipline for the future. As a consequence, this article also makes numerous recommendations and suggestions for action to bring about positive change.","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78920197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
ON CONTROL OF A PRESSING FORCE APPLIED TO ACOUSTIC LINER SAMPLE IN A NORMAL INCIDENCE IMPEDANCE TUBE 法向入射阻抗管中声学衬里试样压紧力的控制
Volume! Pub Date : 2021-06-01 DOI: 10.36336/AKUSTIKA202139277
O. Kustov, V. Palchikovskiy, Igor Khramstov, R. Bulbovich
{"title":"ON CONTROL OF A PRESSING FORCE APPLIED TO ACOUSTIC LINER SAMPLE IN A NORMAL INCIDENCE IMPEDANCE TUBE","authors":"O. Kustov, V. Palchikovskiy, Igor Khramstov, R. Bulbovich","doi":"10.36336/AKUSTIKA202139277","DOIUrl":"https://doi.org/10.36336/AKUSTIKA202139277","url":null,"abstract":"The study considers the influence of control of the pressing force applied to an acoustic liner sample in a normal incidence\u0000impedance tube on the spread of acoustic characteristics of the tested sample. The design of a normal incidence impedance tube with\u0000a control system of a sample pressing force is presented. This system is implemented as a piston in a pneumatic cylinder with a pressure\u0000control unit. The measurements were taken on days when the characteristics of the environment were different from each other.\u0000This made it possible to better track the influence of the pressing force on reducing the spread of acoustic characteristics. In total, 10\u0000measurements of the acoustic liner sample were carried out on a normal incidence impedance tube with and without control of the\u0000pressing force. The measurements were carried out for six months. As a result, the study has shown that the control of the pressing force\u0000applied to the acoustic liner sample provides a smaller spread of the obtained acoustic characteristics.","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"58 3 1","pages":"277"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78389970","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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