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Der Schnitt als Denkfigur im Surrealismus最新文献

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XV. Bildnachweis
Der Schnitt als Denkfigur im Surrealismus Pub Date : 2019-12-31 DOI: 10.14361/9783839446485-016
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引用次数: 0
XII. Bibliografie
Der Schnitt als Denkfigur im Surrealismus Pub Date : 2019-12-31 DOI: 10.14361/9783839446485-013
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引用次数: 0
Inhalt 内容
Der Schnitt als Denkfigur im Surrealismus Pub Date : 2019-12-31 DOI: 10.14361/9783839446485-toc
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引用次数: 0
VII. „Poetische Objektivität“. Max Ernsts Montagetechniken zwischen Kunst, Natur und Populärkultur 第七. "自家的客观性" .麦克斯·恩德，艺术，自然与流行文化之间的搭建技巧
Der Schnitt als Denkfigur im Surrealismus Pub Date : 2019-12-31 DOI: 10.14361/9783839446485-008
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引用次数: 0
IX. „Bewusster Automatismus“ und semantische Verschiebung durch Montage Prinzipien der Verknüpfung in Luis Buñuels Frühen Filmen IX . "有必要自我训练”和语义原则通过组装链接转移到路易斯优ñuels早期电影
Der Schnitt als Denkfigur im Surrealismus Pub Date : 2019-12-31 DOI: 10.14361/9783839446485-010
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引用次数: 0
Dank 谢谢
Der Schnitt als Denkfigur im Surrealismus Pub Date : 2019-12-31 DOI: 10.14361/9783839446485-001
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引用次数: 0
X. „Die Eroberung des Irrationalen“. Salvador Dalís Entdeckung paranoisch-kritischer Aktivität 毫无疑问萨尔瓦多午餐ís发现paranoisch-kritischer活动
Der Schnitt als Denkfigur im Surrealismus Pub Date : 2019-12-31 DOI: 10.14361/9783839446485-011
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引用次数: 0
VIII. Der erfinderische Blick. Man Rays Entdeckung effektreicher Bewegung und Belichtung in der Dunkelkammer 八.想像力丰富伙计们，这是他们发现光的效果
Der Schnitt als Denkfigur im Surrealismus Pub Date : 2019-12-31 DOI: 10.14361/9783839446485-009
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引用次数: 0
XIII. Abbildungen XIII 插图
Der Schnitt als Denkfigur im Surrealismus Pub Date : 2019-12-31 DOI: 10.14361/9783839446485-014
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引用次数: 0
III. Forschungsstand III .研究
Der Schnitt als Denkfigur im Surrealismus Pub Date : 2019-12-31 DOI: 10.14361/9783839446485-004
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引用次数: 0
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