第七. "自家的客观性" .麦克斯·恩德，艺术，自然与流行文化之间的搭建技巧

{"title":"第七. \"自家的客观性\" .麦克斯·恩德，艺术，自然与流行文化之间的搭建技巧","authors":"","doi":"10.14361/9783839446485-008","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":228674,"journal":{"name":"Der Schnitt als Denkfigur im Surrealismus","volume":"351 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"VII. „Poetische Objektivität“. Max Ernsts Montagetechniken zwischen Kunst, Natur und Populärkultur\",\"authors\":\"\",\"doi\":\"10.14361/9783839446485-008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":228674,\"journal\":{\"name\":\"Der Schnitt als Denkfigur im Surrealismus\",\"volume\":\"351 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Der Schnitt als Denkfigur im Surrealismus\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14361/9783839446485-008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Der Schnitt als Denkfigur im Surrealismus","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14361/9783839446485-008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}