»Sicher in Kreuzberg«最新文献

Chapter 6. Aesthetics of Diaspora: Contemporary Minstrels 第六章。散居的美学:当代吟游诗人

»Sicher in Kreuzberg« Pub Date : 2001-12-31 DOI: 10.14361/9783839400715-007

Ayhan Kaya

{"title":"Chapter 6. Aesthetics of Diaspora: Contemporary Minstrels","authors":"Ayhan Kaya","doi":"10.14361/9783839400715-007","DOIUrl":"https://doi.org/10.14361/9783839400715-007","url":null,"abstract":"Hip-Hop as a form of aesthetics of diaspora enables the descendants of migrants to construct a syncretic culture entwined with diasporic consciousness and transculturalism through the method of collage and by means of globalism. The Turkish rappers in Berlin present an adequate example to expose the production of cultural bricolage among a group of Turkish diasporic youth. Accordingly, this chapter will map out the social identities and counter-hegemonic discourses of the Turkish rappers in Berlin, and the rise of the Turkish hip-hop community in Germany. There are many German-Turkish rap groups in Berlin, such as Cartel, Islamic Force, Ünal, Erci-E, Azize-A. The interviews held with the rappers will be often quoted in order to expose the way they narrate their stories as contemporary storytellers of the diasporic youth in the urban landscape. By doing so, the rappers will have the ground to express themselves as in a virtuoso verbal performance through an imaginative excursion. Besides describing the discourses of those storytellers and/or organic intellectuals, the interviews with the rappers are also essential to demonstrate the transcultural and transna1 tional nature of some diasporic youth cultures.","PeriodicalId":225296,"journal":{"name":"»Sicher in Kreuzberg«","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125755957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Conclusion 结论

»Sicher in Kreuzberg« Pub Date : 2001-12-31 DOI: 10.1515/9783839400715-008

引用次数: 0

Frontmatter

»Sicher in Kreuzberg« Pub Date : 2001-12-31 DOI: 10.1515/9783839400715-fm

引用次数: 0

Chapter 1. The Notions of Culture, Youth Culture, Ethnicity, and Globalisation 第1章。文化、青年文化、种族和全球化的概念

»Sicher in Kreuzberg« Pub Date : 2001-01-31 DOI: 10.14361/9783839400715-002

Ayhan Kaya

引用次数: 0

Chapter 4. Identity and Homing of Diaspora 第四章。侨民的身份认同与归乡

»Sicher in Kreuzberg« Pub Date : 2001-01-31 DOI: 10.14361/9783839400715-005

Ayhan Kaya

引用次数: 0

Chapter 3. Kreuzberg 36: A Diasporic Space in Multicultural Berlin 第三章。[36]多元文化柏林的流散空间

»Sicher in Kreuzberg« Pub Date : 2001-01-31 DOI: 10.14361/9783839400715-004

Ayhan Kaya

引用次数: 0

Chapter 2. Constructing Modern Diasporas 第二章。构建现代侨民

»Sicher in Kreuzberg« Pub Date : 2001-01-31 DOI: 10.14361/9783839400715-003

Ayhan Kaya

引用次数: 0

Chapter 5. Cultural Identity of the Turkish Hip-Hop Youth in Kreuzberg 36 第五章。克罗伊茨贝格地区土耳其嘻哈青年的文化认同

»Sicher in Kreuzberg« Pub Date : 2001-01-31 DOI: 10.14361/9783839400715-006

Ayhan Kaya

{"title":"Chapter 5. Cultural Identity of the Turkish Hip-Hop Youth in Kreuzberg 36","authors":"Ayhan Kaya","doi":"10.14361/9783839400715-006","DOIUrl":"https://doi.org/10.14361/9783839400715-006","url":null,"abstract":"The previous chapter portrayed the prevalent life-worlds of the diasporic Turkish youth in order to demonstrate the major constituents of their identity formation processes. This chapter primarily sets out to delineate the process of cultural bricolage and the cultural sources that shape the processes of identity formation of the working-class Turkish hip-hop youth. Being subject to a kind of structural outsiderism, the working-class ethnic minority youths tend to celebrate their past and cultural authenticity. This tendency becomes apparent in their rising orientation to their homeland, religion and ethnicity, which thus become their main cultural sources. Secondly, I shall describe both the particularist and universalist constituents of the Turkish hip-hop youth culture in Kreuzberg. The particularist components of their leisure culture are ‘âlem’ (meeting with friends), dügüns (wedding ceremony) and arabesk music, while the universalist ones are rap, graffiti, dance and ‘cool’ style. Turkish hip-hop youngsters tend to express themselves by means of these expressive forms of culture as they are seldom represented positively in the German media. In mapping out the main framework of the cultural identity formation process and leisure culture of these youngsters, I shall demonstrate the multicultural competence of ethnic minority youths.","PeriodicalId":225296,"journal":{"name":"»Sicher in Kreuzberg«","volume":"33 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2001-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131850197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0