Chapter 6. Aesthetics of Diaspora: Contemporary Minstrels

Ayhan Kaya
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Abstract

Hip-Hop as a form of aesthetics of diaspora enables the descendants of migrants to construct a syncretic culture entwined with diasporic consciousness and transculturalism through the method of collage and by means of globalism. The Turkish rappers in Berlin present an adequate example to expose the production of cultural bricolage among a group of Turkish diasporic youth. Accordingly, this chapter will map out the social identities and counter-hegemonic discourses of the Turkish rappers in Berlin, and the rise of the Turkish hip-hop community in Germany. There are many German-Turkish rap groups in Berlin, such as Cartel, Islamic Force, Ünal, Erci-E, Azize-A. The interviews held with the rappers will be often quoted in order to expose the way they narrate their stories as contemporary storytellers of the diasporic youth in the urban landscape. By doing so, the rappers will have the ground to express themselves as in a virtuoso verbal performance through an imaginative excursion. Besides describing the discourses of those storytellers and/or organic intellectuals, the interviews with the rappers are also essential to demonstrate the transcultural and transna1 tional nature of some diasporic youth cultures.
第六章。散居的美学:当代吟游诗人
Hip-Hop作为一种散居美学形式,通过拼贴的方法和全球主义的手段,使移民后裔能够构建一种与散居意识和跨文化主义交织在一起的融合文化。柏林的土耳其说唱歌手提供了一个充分的例子,揭露了一群土耳其流散青年之间文化拼凑的生产。因此,本章将描绘出柏林土耳其说唱歌手的社会身份和反霸权话语,以及土耳其嘻哈社区在德国的兴起。柏林有很多德土说唱组合,比如Cartel、Islamic Force、Ünal、Erci-E、Azize-A。对说唱歌手的采访将经常被引用,以揭示他们作为城市景观中流散青年的当代故事讲述者讲述故事的方式。这样一来,说唱歌手就有了通过想象的短途旅行来表达自己的基础,就像一个艺术大师的口头表演一样。除了描述这些故事讲述者和/或有机知识分子的话语外,对说唱歌手的采访也对展示一些流散青年文化的跨文化和跨国性质至关重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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