{"title":"Chapter 6. Aesthetics of Diaspora: Contemporary Minstrels","authors":"Ayhan Kaya","doi":"10.14361/9783839400715-007","DOIUrl":null,"url":null,"abstract":"Hip-Hop as a form of aesthetics of diaspora enables the descendants of migrants to construct a syncretic culture entwined with diasporic consciousness and transculturalism through the method of collage and by means of globalism. The Turkish rappers in Berlin present an adequate example to expose the production of cultural bricolage among a group of Turkish diasporic youth. Accordingly, this chapter will map out the social identities and counter-hegemonic discourses of the Turkish rappers in Berlin, and the rise of the Turkish hip-hop community in Germany. There are many German-Turkish rap groups in Berlin, such as Cartel, Islamic Force, Ünal, Erci-E, Azize-A. The interviews held with the rappers will be often quoted in order to expose the way they narrate their stories as contemporary storytellers of the diasporic youth in the urban landscape. By doing so, the rappers will have the ground to express themselves as in a virtuoso verbal performance through an imaginative excursion. Besides describing the discourses of those storytellers and/or organic intellectuals, the interviews with the rappers are also essential to demonstrate the transcultural and transna1 tional nature of some diasporic youth cultures.","PeriodicalId":225296,"journal":{"name":"»Sicher in Kreuzberg«","volume":"3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2001-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"»Sicher in Kreuzberg«","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14361/9783839400715-007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Hip-Hop as a form of aesthetics of diaspora enables the descendants of migrants to construct a syncretic culture entwined with diasporic consciousness and transculturalism through the method of collage and by means of globalism. The Turkish rappers in Berlin present an adequate example to expose the production of cultural bricolage among a group of Turkish diasporic youth. Accordingly, this chapter will map out the social identities and counter-hegemonic discourses of the Turkish rappers in Berlin, and the rise of the Turkish hip-hop community in Germany. There are many German-Turkish rap groups in Berlin, such as Cartel, Islamic Force, Ünal, Erci-E, Azize-A. The interviews held with the rappers will be often quoted in order to expose the way they narrate their stories as contemporary storytellers of the diasporic youth in the urban landscape. By doing so, the rappers will have the ground to express themselves as in a virtuoso verbal performance through an imaginative excursion. Besides describing the discourses of those storytellers and/or organic intellectuals, the interviews with the rappers are also essential to demonstrate the transcultural and transna1 tional nature of some diasporic youth cultures.