{"title":"An Engagement with Life-Place Entanglements: An Ecocritical Reading of Anita Desai’s Fire on the Mountain","authors":"Ashwarya Samkaria","doi":"10.53034/transcript.2022.v02.n02.002","DOIUrl":"https://doi.org/10.53034/transcript.2022.v02.n02.002","url":null,"abstract":"Through an ecocritical perspective, my paper is a geocritical study of Anita Desai’s novel Fire on the Mountain (1977) by analyzing the literary text’s engagement with the natural landscape as its platial setting and the textual representation of nature. My paper analyzes the presencing and representation of the environment and to what effect (and affect) has the place of Carignano (the site at which the story unfolds) been modelled as a life-place for the novel’s characters, to critically study the delineation of interdependence between organisms (both human and nonhuman) and their environment. Thus, my paper seeks to emphasize the relationality between the characters and their environment to analyze how the spatial discourse effectively shapes the characters’ mindscapes and ecological visions respectively.","PeriodicalId":225089,"journal":{"name":"Transcript: An e-Journal of Literary and Cultural Studies","volume":"93 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116747593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Manifestations of Sound of Silence in R.N. Tagore’s Gitanjali and the Power of Soundless Words in Sri Aurobindo’s Savitri: A Comparative Study","authors":"Pratap Kumar Dash","doi":"10.53034/transcript.2023.v03.n01.001","DOIUrl":"https://doi.org/10.53034/transcript.2023.v03.n01.001","url":null,"abstract":"This paper foregrounds the effective use of the theme of silence in the two Indian literary masterpieces viz. Tagore’s Gitanjali and Sri Aurobindo’s Savitri. Firstly, it makes a critical discussion on the philosophical notions of silence quoting Kierkegaard as he says it is essentially a spiritual state that helps establishing relationship between God and human being. Then, the Hindu philosophical views have been focused critically quoting lines from the Gita, the Upanishads, and the writings of both Adishankara and Raman Maharshi that advocate silence to be the state of trance providing eternal happiness obtained after profound introspection, meditation, ultimate realization and gaining spiritual attainment or enlightenment. Both Tagore and Aurobindo have vividly used the tenets of silence very much attributed to their characters as well as the narrative perspectives of their writings. Silence is apparent in them in terms of the value of both the ethereal as well as spiritual forms. It is noticed that they carry on the threads of their writings by making us realize the silence of five categories and concepts. They are the silence of the natural elements like the forest, sea, hills, valleys, etc.; five ethereal elements like earth, water, air, fire, and the sky; the silence of cosmic elements like darkness, light, the stars, the planets, and the space; the silence of personal elements like heart and mind, tolerance, efforts, thoughts, intuitions, and looks. What is more, they philosophize the silence of soul and the glorification of the supreme soul—the absolute and the relative; and the silence of the mystics and the mysteries that abounds the matrix of the communion between the Creator and the creation. Finally, lines from William Wordsworth’s “Address to Silence” have been quoted to examine the uniformity of thoughts and approaches towards the theme of silence.","PeriodicalId":225089,"journal":{"name":"Transcript: An e-Journal of Literary and Cultural Studies","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133000015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Visibility of Disability: Ableism in Indian Film, Politics and Sports","authors":"Stenza Augustine, Abhaydev C S","doi":"10.53034/transcript.2023.v03.n01.003","DOIUrl":"https://doi.org/10.53034/transcript.2023.v03.n01.003","url":null,"abstract":"“Visibility of Disability: Ableism in Indian Film, Politics and Sports” is a study of the representation of the disabled in Indian film, politics, and sports, where the representation of anything matters the most since these three are the major cultural texts of the country. Indian film had a sympathetic yet pessimistic approach towards the disabled as they were seen as victims or as aftereffects of a ‘sin.’ But recent trends show a bolder representation as they even discuss the sexuality of the disabled. Indian politics has its share for the disabled with its limited accessibility to contesting and even voting. The skills of able-bodied politicians are adjectivised to describe the politicians with disability whose magnanimity often surpasses the former. Indian disability sports suffer from issues like lesser participation from disabled women and lack of awareness. Film, sports, and politics form the cultural fabric of Indian society. Being underrepresented in them is like being underrepresented in Indian society in general. With more awareness and funding, the disabled can get the equal status and opportunity as said in the Indian constitution about all citizens.","PeriodicalId":225089,"journal":{"name":"Transcript: An e-Journal of Literary and Cultural Studies","volume":" 10","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120829035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dahankal: A Subaltern Speaks Aesthetically","authors":"Susmita Basu","doi":"10.53034/transcript.2022.v02.n01.004","DOIUrl":"https://doi.org/10.53034/transcript.2022.v02.n01.004","url":null,"abstract":"This essay explores the theme of the Bengali novel Dahankal and places it in the Dalit literary corpus of Bengal. To do this a historical survey in the field of Dalit literature of Bengal is presented along with an explanation of the phrase ‘Dalit Literature’ which first occurred in the context of Maratha literature. In this essay, the theme of Dahankal is analyzed first from the historical and then from the linguistic perspective. The historical time the novel depicts is the 1960s and early 1970s when erstwhile East Pakistan faced the military onslaught of the Pakistani army. The character of the protagonist is developed through his gradual consciousness of being a Dalit thrust upon him by the cruel society around him. The language invented by the novelist, as any successful Dalit writer, is analyzed from the angle of Dalit psychology. Finally, as for Bengali literature is concerned, Dahankal, or any Dalit writing, is absorbed in the mainstream literary corpus despite Dalit Literature being a class in itself.","PeriodicalId":225089,"journal":{"name":"Transcript: An e-Journal of Literary and Cultural Studies","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116994372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"This Land, This People (Rajbanshi Poems in translation)","authors":"Bondita Baruah","doi":"10.53034/transcript.2022.v02.n01.005","DOIUrl":"https://doi.org/10.53034/transcript.2022.v02.n01.005","url":null,"abstract":"","PeriodicalId":225089,"journal":{"name":"Transcript: An e-Journal of Literary and Cultural Studies","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127106516","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Speaking Birds and Cosmic Kites: Belief Narratives and Conspiracy Theories Regarding Latin American Political","authors":"M. Palleiro","doi":"10.53034/transcript.2023.v03.n01.002","DOIUrl":"https://doi.org/10.53034/transcript.2023.v03.n01.002","url":null,"abstract":"This article deals with conspiracy narratives regarding two deceased Latin American leaders from Venezuela and Argentina, Hugo Chávez and Néstor Kirchner. These narratives, circulating on the Internet, are supported by allusions to ritualized communications with the dead, such as the supernatural apparition of Chávez as a speaking bird and of Kirchner as a “cosmic kite.” Such symbols are used as argumentative strategies to legitimate political programs, in narratives whose rhetorical construction is based on a synecdochic logic connected with the global threats to local cultures. These discourses show a folklorization process of these political figures, presented as emblematic metaphors of local identities rooted in the traditional past.","PeriodicalId":225089,"journal":{"name":"Transcript: An e-Journal of Literary and Cultural Studies","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130254994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Behavioural Approach to Kazuo Ishiguro’s Novels","authors":"Amalia Călinescu","doi":"10.53034/transcript.2022.v02.n01.001","DOIUrl":"https://doi.org/10.53034/transcript.2022.v02.n01.001","url":null,"abstract":"Behavioural research indicates that humans can seldom be rational decision-makers that maximise their profits while minimising their costs at all times. The current paper proposes an interdisciplinary perspective on Kazuo Ishiguro’s novels with regard to his characters’ choices, decisions and actions. By presenting identity crises as a result of faulty choices and decisions, Ishiguro stresses the importance of heuristics, biases and conditioning in the decision-making process. Like real people, Ishigurian characters are emotional, irrational and prone to error, behaving contrary to the maximisation of their lives. This behavioural pattern comes as everyday normality in both real and fictional environments plagued by uncertainty and unable to provide all the available information on every topic – not even in an unnamed modern city (The Unconsoled) or a dystopian England in the late 1990s (Never Let Me Go), let alone in a post-Arthurian England dominated by magic (The Buried Giant) or during and after the Second World War (A Pale View of Hills; An Artist of the Floating World; The Remains of the Day; When We Were Orphans). As a case study from literature, Ishiguro’s characters prove that the decision-making process cannot be viewed unilaterally, hence the interdisciplinary nature of the current study.","PeriodicalId":225089,"journal":{"name":"Transcript: An e-Journal of Literary and Cultural Studies","volume":"133 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131323810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}