Dahankal: A Subaltern Speaks Aesthetically

Susmita Basu
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Abstract

This essay explores the theme of the Bengali novel Dahankal and places it in the Dalit literary corpus of Bengal. To do this a historical survey in the field of Dalit literature of Bengal is presented along with an explanation of the phrase ‘Dalit Literature’ which first occurred in the context of Maratha literature. In this essay, the theme of Dahankal is analyzed first from the historical and then from the linguistic perspective. The historical time the novel depicts is the 1960s and early 1970s when erstwhile East Pakistan faced the military onslaught of the Pakistani army. The character of the protagonist is developed through his gradual consciousness of being a Dalit thrust upon him by the cruel society around him. The language invented by the novelist, as any successful Dalit writer, is analyzed from the angle of Dalit psychology. Finally, as for Bengali literature is concerned, Dahankal, or any Dalit writing, is absorbed in the mainstream literary corpus despite Dalit Literature being a class in itself.
达汉卡尔:一个下级的审美说话
本文探讨了孟加拉小说《达汉卡尔》的主题,并将其置于孟加拉达利特文学语料库中。为了做到这一点,在孟加拉达利特文学领域进行了历史调查,并对最初出现在马拉地文学背景下的“达利特文学”一词进行了解释。本文首先从历史的角度分析了达汉卡尔的主题,然后从语言学的角度分析了达汉卡尔的主题。小说描绘的历史时期是20世纪60年代和70年代初,当时东巴基斯坦正面临巴基斯坦军队的军事冲击。主人公的性格是通过他逐渐意识到自己是贱民而发展起来的,这是他周围残酷的社会强加给他的。小说家和任何一位成功的达利特作家一样,从达利特心理学的角度来分析他所创造的语言。最后,就孟加拉文学而言,达汉卡尔或任何达利特作品都被主流文学语料库所吸收,尽管达利特文学本身就是一个阶级。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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