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The Journal of Religion and Popular Culture最新文献

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Of Catholics, Commies, and the Anti-Christ: Mapping American Social Borders Through Cold War Comic Books 天主教、共产主义和反基督:通过冷战漫画绘制美国社会边界
The Journal of Religion and Popular Culture Pub Date : 2009-09-01 DOI: 10.3138/JRPC.21.3.003
E. Clark
{"title":"Of Catholics, Commies, and the Anti-Christ: Mapping American Social Borders Through Cold War Comic Books","authors":"E. Clark","doi":"10.3138/JRPC.21.3.003","DOIUrl":"https://doi.org/10.3138/JRPC.21.3.003","url":null,"abstract":"This article explores the use of religion in three different Christian Cold War era comic books, with particular focus upon their reflection of the social borders reconstruction of American identity. Two of the comics are dramatic what-if scenarios of communist takeovers of the United States printed by Catholic educators. The third comic is an anti-Catholic tract linking the Vatican to the communist party. Engaging the relationship between Catholicism and communism, these comics reflect different perspectives concerning American’s religious landscape and its relationship to the nation’s changing identity.","PeriodicalId":219603,"journal":{"name":"The Journal of Religion and Popular Culture","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128328461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Cyberpilgrimage: A Study of Authenticity, Presence and Meaning in Online Pilgrimage Experiences 网络朝圣:网络朝圣体验的真实性、临在性与意义研究
The Journal of Religion and Popular Culture Pub Date : 2009-06-01 DOI: 10.3138/JRPC.21.2.006
Connie Hill-Smith
{"title":"Cyberpilgrimage: A Study of Authenticity, Presence and Meaning in Online Pilgrimage Experiences","authors":"Connie Hill-Smith","doi":"10.3138/JRPC.21.2.006","DOIUrl":"https://doi.org/10.3138/JRPC.21.2.006","url":null,"abstract":"The idea of cyberpilgrimage may be met with scepticism. There may be a sense that pilgrimage via the Internet intrinsically cannot be authentic, that without any physical depth, it can only be an affectation, even a caricature, of “proper” (terrestrial) pilgrimage. This “authenticity issue” is crucial, and failure to address it will undermine academic attempts at its study, even while Internet religion becomes increasingly central to understanding contemporary religious expression. This article explores various aspects of the new phenomenon of cyberpilgrimage, framed by a discussion of the potential authenticity of cyberpilgrimage.","PeriodicalId":219603,"journal":{"name":"The Journal of Religion and Popular Culture","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115359803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 22
“One nation under God”: Identity and Resistance in a Rural Atheist Organization “上帝之下的一个国家”:农村无神论组织的认同与反抗
The Journal of Religion and Popular Culture Pub Date : 2009-06-01 DOI: 10.3138/JRPC.21.2.003
J. Ritchey
{"title":"“One nation under God”: Identity and Resistance in a Rural Atheist Organization","authors":"J. Ritchey","doi":"10.3138/JRPC.21.2.003","DOIUrl":"https://doi.org/10.3138/JRPC.21.2.003","url":null,"abstract":"This work explores identity development among members of the Atheist Station, a meeting place for agnostics, secular humanists and atheists in rural, southwest-central Pennsylvania. Utilizing the research and conceptual framework provided by “communities of practice” social learning theory, this work attempts to better understand member participation, meaning-making and the subsequent development of an atheist identity taking place within this highly marginalized group.","PeriodicalId":219603,"journal":{"name":"The Journal of Religion and Popular Culture","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125346216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
“Love in the Clouds”: Barbara Cartland’s Religious Romances 《云中之爱》:芭芭拉·卡特兰的宗教浪漫故事
The Journal of Religion and Popular Culture Pub Date : 2009-06-01 DOI: 10.3138/JRPC.21.2.002
R. Rix
{"title":"“Love in the Clouds”: Barbara Cartland’s Religious Romances","authors":"R. Rix","doi":"10.3138/JRPC.21.2.002","DOIUrl":"https://doi.org/10.3138/JRPC.21.2.002","url":null,"abstract":"Barbara Cartland has become a byword for pulp fiction, the epitome of popular culture lacking progressive purpose and deeper meaning. It is well known that Cartland wrote sentimental romances, but the extent to which these were written against the backdrop of a spiritual framework with the intent of propagating a “religion of love” is little realized. This article discusses how Cartland represents romantic love as a means to accessing an “absolute reality” transcending ordinary experience. Focusing on her novel Love in the Clouds as a case study, I will examine how Cartland used the popular romance genre as a platform for a spiritual awakening of her readers. Her ideas and influences will be contextualized within the tradition of religious romance writing.","PeriodicalId":219603,"journal":{"name":"The Journal of Religion and Popular Culture","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114711407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Wiccan “Great Rite”— Hieros Gamos in the Modern West 威卡教的“大仪式”——现代西方的希洛斯·加莫斯
The Journal of Religion and Popular Culture Pub Date : 2009-06-01 DOI: 10.3138/JRPC.21.2.004
Samuel Wagar
{"title":"The Wiccan “Great Rite”— Hieros Gamos in the Modern West","authors":"Samuel Wagar","doi":"10.3138/JRPC.21.2.004","DOIUrl":"https://doi.org/10.3138/JRPC.21.2.004","url":null,"abstract":"This paper deals with the core of the Wiccan religion—the small group based practices which define Wicca as an initiatory Mystery religion practiced by clergy. At the centre of Wiccan ritual and theology is an ancient idea—the hieros gamos / sacred marriage. The hieros gamos ritual, called by Wiccans The Great Rite, is a ritual of sexual magic involving intercourse between the Goddess of fertility, embodied by Her Priestess, and Her Consort, present in the Priest. It is an egalitarian erotic mystical path open to both genders and all sexual interests, most often expressed as heterosexual, valuing sexuality and the female body and challenging the sexual power dynamics in Western culture.\u2028 \u2028The paper begins by outlining the theology and history of the Great Rite, Wiccan ritual in general and the Rite, then excerpts from primary documents of Priestesses and Priests reporting on their experiences of the Rite, before concluding. The sacred marriage in Wicca confirms and seals the highest level of religious ini...","PeriodicalId":219603,"journal":{"name":"The Journal of Religion and Popular Culture","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130953197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
Favourite Pew or Box Seat? Sabbath Beliefs as a Barrier to Sporting Event Attendance on Sunday: A Congregational Study 最喜欢的皮尤座位还是包厢座位?安息日信仰是周日参加体育赛事的障碍:一项会众研究
The Journal of Religion and Popular Culture Pub Date : 2009-06-01 DOI: 10.3138/JRPC.21.2.005
D. Waller
{"title":"Favourite Pew or Box Seat? Sabbath Beliefs as a Barrier to Sporting Event Attendance on Sunday: A Congregational Study","authors":"D. Waller","doi":"10.3138/JRPC.21.2.005","DOIUrl":"https://doi.org/10.3138/JRPC.21.2.005","url":null,"abstract":"A 10-item Sabbath Beliefs and Practices Scale was administered to 100 respondents as a part of a congregational study designed to investigate how beliefs about the Christian Sabbath influenced sport spectatorship on Sunday. Using a five point Likert-type scale, ranging from 1 (strongly disagree) to 5 (strongly agree) respondents were asked to indicate their strength of agreement with the statements relating to the Christian Sabbath. Key findings included: (1) a strong relationship between belief (that attending a sporting event on Sunday was sinful) and source of belief (the Bible, a church doctrine, personal belief); and (2) a significant difference in Sabbath Belief and Practices Scores as a function of length of membership in the congregation. The results suggest that these congregants would find ways to negotiate religious constraints and attend sporting events on Sunday.","PeriodicalId":219603,"journal":{"name":"The Journal of Religion and Popular Culture","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130732559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Shojo Savior: Princess Nausicaä, Ecological Pacifism, and The Green Gospel 《Shojo救世主:公主Nausicaä》、《生态和平主义》、《绿色福音》
The Journal of Religion and Popular Culture Pub Date : 2009-06-01 DOI: 10.3138/JRPC.21.2.001
Ian T. E. Deweese-Boyd
{"title":"Shojo Savior: Princess Nausicaä, Ecological Pacifism, and The Green Gospel","authors":"Ian T. E. Deweese-Boyd","doi":"10.3138/JRPC.21.2.001","DOIUrl":"https://doi.org/10.3138/JRPC.21.2.001","url":null,"abstract":"In the distant future, a thousand years after “The Seven Days of Fire”—the holocaust that rapacious industrialization spawned—the earth is a wasteland of sterile deserts and toxic jungles that threaten the survival of the few remaining human beings. This is the world of Hayao Miyazaki’s film, Nausicaa of the Valley of the Wind. In this film, Miyazaki offers a vision of an alternative to the violent quest for dominion that has brought about this environmental degradation, through the struggle of the young princess of the Valley of the Wind, Nausicaa. As a messianic figure, I contend the shojo Nausicaa offers a beneficial estrangement from common conceptions of the gospel and opens up the ecological significance of Christ’s message of non-violence. Exploring the ecological and pacific aspects of the gospel through this figure, I argue, may provide a helpful lens for examining our own distorting visions in this age of war and environmental crisis.","PeriodicalId":219603,"journal":{"name":"The Journal of Religion and Popular Culture","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130208006","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Home Altars and the Virgin of Guadalupe in Quinceañera: Historical and Critical Perspectives 家庭祭坛和瓜达卢佩圣母Quinceañera:历史和批判的观点
The Journal of Religion and Popular Culture Pub Date : 2009-03-01 DOI: 10.3138/JRPC.21.1.002
A. Espinosa
{"title":"Home Altars and the Virgin of Guadalupe in Quinceañera: Historical and Critical Perspectives","authors":"A. Espinosa","doi":"10.3138/JRPC.21.1.002","DOIUrl":"https://doi.org/10.3138/JRPC.21.1.002","url":null,"abstract":"In this article I explain the historical trajectory of Guadalupan devotion as a strategic repertoire of beliefs and practices, especially the use of home altars. I investigate continuities of Guadalupan performances and representations in order to show how these are inscribed in the film, Quinceanera, which was produced and made in the United States.","PeriodicalId":219603,"journal":{"name":"The Journal of Religion and Popular Culture","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127445835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Unveiling Satan’s Wrath: Aesthetics and Ideology in Anti-Christian Heavy Metal 揭露撒旦的愤怒:反基督教重金属的美学与意识形态
The Journal of Religion and Popular Culture Pub Date : 2009-03-01 DOI: 10.3138/JRPC.21.1.005
J. Cordero
{"title":"Unveiling Satan’s Wrath: Aesthetics and Ideology in Anti-Christian Heavy Metal","authors":"J. Cordero","doi":"10.3138/JRPC.21.1.005","DOIUrl":"https://doi.org/10.3138/JRPC.21.1.005","url":null,"abstract":"Unlike many heavy metal bands that utilize blasphemy, sacrilege, and evil images for superficial shock value, the wrath of anti-Christian heavy metal bands is rooted in authentic sources. The anti-Christian aesthetic within the Black Metal and impious Death Metal scenes derives from the ideology of popular satanism and the subordinate structural position of the scene. In addition to the defiance engendered by the scene’s resistance to Christianity, the masculine imperative within the genre of heavy metal influences the extreme nature of the anti-Christian aesthetic.","PeriodicalId":219603,"journal":{"name":"The Journal of Religion and Popular Culture","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126709682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 12
Redeeming Sexual Difference: Stigmata, The Messenger and Luce Irigaray’s Bleeding Woman 救赎性别差异:《耻辱》、《信使》和卢斯·伊里加雷的《流血的女人》
The Journal of Religion and Popular Culture Pub Date : 2009-03-01 DOI: 10.3138/JRPC.21.1.004
Luciana Ugrina
{"title":"Redeeming Sexual Difference: Stigmata, The Messenger and Luce Irigaray’s Bleeding Woman","authors":"Luciana Ugrina","doi":"10.3138/JRPC.21.1.004","DOIUrl":"https://doi.org/10.3138/JRPC.21.1.004","url":null,"abstract":"The 1999 film Stigmata foregrounds the difficulties and hazards involved in representing a woman as a Christ figure, and the necessity of imagining new ways of understanding gendered identity within Christianity. The Messenger: The Story of Joan of Arc (1999) similarly confronts the female body in an attempt to reconfigure the relationship between femininity and the sacred. Considering both films alongside the psycholinguistics of Luce Irigaray surfaces the “bleeding woman,” a figure of lack who paradoxically underwrites and secures that which excludes her – a masculine symbolic. Building on Tina Beattie’s assertions that the sacramentality of the female body in orthodox Catholicism is nonexistent – a result, she argues, of an underdeveloped theology of gender and embodiment – I explore if a way beyond the essentialist predicaments of sexed identity in Christianity might be found in Irigaray’s understanding of the divine.","PeriodicalId":219603,"journal":{"name":"The Journal of Religion and Popular Culture","volume":"11 8","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120859761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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