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What flaws can tell: a case study on weaving faults in Late Roman and Early Medieval weft-faced compound fabrics from Egypt 缺陷能说明什么:罗马晚期和中世纪早期埃及纬面复合织物编织缺陷的案例研究
Zea Books Pub Date : 1900-01-01 DOI: 10.32873/unl.dc.zea.1084
B. Köstner
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引用次数: 0
Contextualizing a Maya Collection from Alta Verapaz, Guatemala, at the University of Ghent, Belgium 在比利时根特大学对危地马拉阿尔塔韦拉帕斯的玛雅藏品进行背景分析
Zea Books Pub Date : 1900-01-01 DOI: 10.32873/unl.dc.zea.1274
Julia Montoya
{"title":"Contextualizing a Maya Collection from Alta Verapaz, Guatemala, at the University of Ghent, Belgium","authors":"Julia Montoya","doi":"10.32873/unl.dc.zea.1274","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1274","url":null,"abstract":"The aim of the present study is to contextualize a collection of Maya artifacts that have been kept for 125 years at the University of Ghent, in Belgium. The objects came from one of the first archaeological excavations carried out in Guatemala, between 1880 and 1900. The collection includes 130 pottery pieces, 64 jadeite pieces, 24 stone objects (serpentine, silex, and other stones), and 52 obsidian pieces. The study started in 2016, with the identification and location of the provenance site, which was visited in 2017. The phases of documentation and photographic registration of the objects were completed in 2019. It is the intention to digitize the collection and make it available to scholars for further research. This report presents a brief description of the site, Chich’en, and analyzes aspects of its geographical environment, as well as the historical and religious context that determined its relevance from the Classic period to the Late Postclassic and the early colonial period. A selection of the objects is presented, and outstanding iconographic elements are analyzed. The analysis is based on a bibliography review in the fields of archaeology, history, and ethnology in the Maya region and in Mesoamerica in general.\u0000\u0000It is extraordinary to find an extensive collection of Maya archaeological artifacts in the reserves of a university museum, and a privilege to study them. These artifacts hold a wealth of information about the archaeological site Chich’en, where they were excavated 126 years ago. They enlighten the role of this site in the history of Verapaz (ancient Tezulutlán), strategically situated between the Northern Highlands and the Lowlands of Guatemala. Little is known about the history of this region. We are fortunate to lean on the research carried out by countless scholars in various disciplines to guide us in our search for answers to the many questions. Making this collection accessible for collaborative study should ensure that this cultural heritage will not remain silent nor stay forgotten.","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129875088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La diferencia entre ver y observar. La síntesis en la expresión gráfica precolombina. 看和观察的区别。前哥伦比亚时期图形表达的合成。
Zea Books Pub Date : 1900-01-01 DOI: 10.32873/unl.dc.zea.1404
Luz Helena Ballestas Rincón
{"title":"La diferencia entre ver y observar. La síntesis en la expresión gráfica precolombina.","authors":"Luz Helena Ballestas Rincón","doi":"10.32873/unl.dc.zea.1404","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1404","url":null,"abstract":"Resumen: Las formas figurativas son representaciones fáciles de ver y de verificar con los modelos; las esquemáticas, en cambio, requieren de observación cercana y precisa para descubrir qué son, por ejemplo, las representaciones de elementos de la naturaleza como la fauna y la flora. Se mostrarán algunas de esas formas que sólo mediante la observación se pueden revelar. Detallar, descubrir y maravillarse es el propósito de este texto.\u0000\u0000Abstract: The figurative forms are representation that are easy to see and verify with the models. The schematic ones, on the other hand, require close and precise observation to discover what are, for example, the representations of elements of nature such as fauna and flora. Some of those shapes that can only be revealed through observation will be shown. Detailing, discovering and wondering is the purpose of this text.","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127682984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Las huacas moches y sus relieves pintados 丑陋的华卡斯和他们的彩绘浮雕
Zea Books Pub Date : 1900-01-01 DOI: 10.32873/unl.dc.zea.1426
Sarai Ramos Muñoz
{"title":"Las huacas moches y sus relieves pintados","authors":"Sarai Ramos Muñoz","doi":"10.32873/unl.dc.zea.1426","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1426","url":null,"abstract":"En el siguiente artículo se lleva a cabo un estudio iconográfico e iconológico de la decoración pictórica, a modo de relieves y/o pintura mural, de cuatro huacas moches distintas, pero relacionadas entre ellas, situadas en el Valle de Moche y el Valle de Chicama. Para llevar a cabo la investigación, primero se hace una explicación general de la estructura arquitectónica de cada edificio y, después, de cada estancia. A continuación, se hace una descripción y un análisis de las pinturas encontradas en cada una de las huacas, centrándonos en la forma, la estructura, los motivos y los colores de cada una de ellas. De este modo, podemos compararlos y estudiarlos viendo sus similitudes, diferencias y los significados de los distintos relieves pintados de estas cuatro huacas moches.","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126950840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La plástica mesoamericana 在pl mesoamericanaá统计
Zea Books Pub Date : 1900-01-01 DOI: 10.32873/unl.dc.zea.1407
Montserrat Camacho Ángeles
{"title":"La plástica mesoamericana","authors":"Montserrat Camacho Ángeles","doi":"10.32873/unl.dc.zea.1407","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1407","url":null,"abstract":"En los albores de nuestra cultura, aproximadamente hacia el 2500 a.C. surgió una civilización con grandes rostros, conformada por pueblos étnica y lingüísticamente diferentes pero unidos por una sola visión del mundo. Estos pueblos se desarrollaron en la región comprendida hoy por parte de México y América Central, caracterizados por algunos elementos culturales comunes, como el uso del calendario, el cultivo del maíz, los sacrificios humanos y un estilo artístico con rasgos únicos. Paul Kirchhoff denomina en 1943 a esta región como Mesoamérica y las culturas que en ella surgen estuvieron cimentadas fundamentalmente sobre tres bases: el sedentarismo, la agricultura y la alfarería. Se sabe que contaban con una compleja organización económica, política y religiosa; determinada de manera importante por su cosmovisión en donde las diferentes manifestaciones de las fuerzas de la naturaleza fueron convertidas en deidades, dando origen a una vasta y complejísima red de dioses y mitos.\u0000\u0000Los seres humanos, el maíz y el calendario permean y determinan la consolidación de la cultura y el origen del poder. Las historias narradas en edificios, estelas, murales, cerámica y códices, son la transformación del conocimiento en materia (la idea en objeto). A través de la obra, el artista interpreta y materializa un mundo sobrenatural por medio de formas, volúmenes y color, para producir en el espectador una experiencia mística y tender un puente entre el hombre y su cosmovisión.","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127635176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Un pensamiento sin fronteras 没有边界的思想
Zea Books Pub Date : 1900-01-01 DOI: 10.32873/unl.dc.zea.1401
Catalina Simmonds Caldas
{"title":"Un pensamiento sin fronteras","authors":"Catalina Simmonds Caldas","doi":"10.32873/unl.dc.zea.1401","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1401","url":null,"abstract":"Reconocer en la formación de la (nuestra) identidad los aportes que las imágenes visuales han conferido a los distintos soportes mentales, es reconocer en este proceso el que en las lecturas que sobre las imágenes visuales se haga, las líneas conceptuales aprehendidas no son solo mecanismos y métodos, son también estructuras identitarias. La descripción de la significativa trayectoria académica que hacemos hoy, en este homenaje a la Dra. Solanilla, estaría incompleta en gran medida si no nos detenemos en que su aporte es ante todo una construcción humanística, y esta se traduce en un ir más allá de las fronteras tajantes que las diferencias entre el hacer científico y el hacer cotidiano escriben en los tiempos actuales.\u0000\u0000Al contraponer la realidad social a la realidad académica, surge, en general, un encuentro en el que las diferencias alcanzan las voces del silencio y en el que los ecos de las definiciones se vuelven inalcanzables para lo cotidiano, lo coloquial, lo común. La informalidad de los gestos no tiene cabida en lo formal, ni tampoco en las dudas que la teoría impone y, puesto que en sus dictámenes la realidad académica evita abrazar la mirada del que observa sin mucho saber, la realidad social deja de buscar la realidad académica.","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"119 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132358368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La botella Balzarotti y la danza de los guerreros moche: breve ensayo iconográfico en honor de Victòria Solanilla 巴尔扎罗蒂瓶和莫切战士的舞蹈:纪念victoria Solanilla的简短肖像散文
Zea Books Pub Date : 1900-01-01 DOI: 10.32873/unl.dc.zea.1424
C. Orsini
{"title":"La botella Balzarotti y la danza de los guerreros moche: breve ensayo iconográfico en honor de Victòria Solanilla","authors":"C. Orsini","doi":"10.32873/unl.dc.zea.1424","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1424","url":null,"abstract":"Un pequeño número de vasos de la cultura Moche (costa norte de Perú, 0-600 d.C.) representan figuras danzantes con pintura de líneas finas. En este breve ensayo se presenta una pieza inédita con este tipo de decoración, la botella Balzarotti. Revisando el repertorio iconográfico de esta pieza, avanzo algunas hipótesis sobre la ocasión de las danzas representadas y los contextos de producción y utilización de este tipo de botellas.\u0000\u0000A small number of vessels from the Moche culture (northern coast of Peru, 0-600 A.D.) represent dancing figures with the fine line painting technique. This brief essay presents an unpublished piece with this type of decoration, the Balzarotti bottle. Reviewing the iconographic repertoire of this piece, I advance some hypotheses about the occasion of the dances represented and the contexts of production and use of this type of bottles.","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131659235","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Frontmatter for Egyptian textiles and their production: ‘word’ and ‘object’. (Hellenistic, Roman and Byzantine periods) 埃及纺织品及其生产的主题:“词”和“物”。(希腊化、罗马和拜占庭时期)
Zea Books Pub Date : 1900-01-01 DOI: 10.32873/unl.dc.zea.1078
Maria Mossakowska-Gaubert
{"title":"Frontmatter for Egyptian textiles and their production: ‘word’ and ‘object’. (Hellenistic, Roman and Byzantine periods)","authors":"Maria Mossakowska-Gaubert","doi":"10.32873/unl.dc.zea.1078","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1078","url":null,"abstract":"","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122371680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
A Daughter of the Samurai 武士的女儿
Zea Books Pub Date : 1900-01-01 DOI: 10.2307/537289
Etsu Inagaki Sugimoto
{"title":"A Daughter of the Samurai","authors":"Etsu Inagaki Sugimoto","doi":"10.2307/537289","DOIUrl":"https://doi.org/10.2307/537289","url":null,"abstract":"Born in 1874 the youngest daughter of a samurai and former daimyo—a feudal prince under the Takugawa shogunate—Etsu Inagaki grew up surrounded by ghosts of an aristocratic military lineage. Having fought on the losing side in the wars that installed the Meiji emperor, the ­Inagaki family was reduced in power, status, and wealth but not in pride or ­devotion to its traditional roles and customs. Etsu’s upbringing and education were conservative and old-fashioned, guided by the Shinto and Buddhist beliefs her family held. The samurai virtues of honor, ­stoicism, and sacrifice applied to daughters and wives as well as sons and fathers: “The eyelids of a samurai know not moisture.” Family turmoil, including her father’s death and the return of her prodigal brother, led her on another path—to an English-language mission school in Tokyo and an arranged marriage to a Japanese businessman in Cincinnati, Ohio, where she became mother to two daughters before being widowed and returning with them to Japan. Her story, as she tells it, is: “How a daughter of feudal Japan, living hundreds of years in one generation, became a modern American.” The clash of cultures, the momentous and sometimes hilarious misunderstandings between Japanese and Western ways are revealed in intriguing intimate episodes involving love, duty, and family ties. Living between a semi-mythical past and an emergent ­international present, Mrs. Sugimoto recounts the personal impact of the profound social changes brought about by Japanese-American relations during the Meiji period (1868–1912) and offers an unexpected insider’s view of traditional Japanese samurai family life as it is in the process of being swept away.","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"31 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116673302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Conservación y restauración de tejidos precolombinos 前哥伦比亚组织的保护和修复
Zea Books Pub Date : 1900-01-01 DOI: 10.32873/unl.dc.zea.1433
Teresa Toca
{"title":"Conservación y restauración de tejidos precolombinos","authors":"Teresa Toca","doi":"10.32873/unl.dc.zea.1433","DOIUrl":"https://doi.org/10.32873/unl.dc.zea.1433","url":null,"abstract":"El material de este estudio lo constituyen cincuenta y siete piezas de tejidos precolombinos de la Zona Andina. Entre estas piezas se encuentran también husos para hilar y madejas de hilo. Todas pertenecen al Instituto de Antropología de la Ciudad de La Habana, y en el momento de ser estudiadas y trabajadas se encontraban depositadas en una bóveda de la Academia de Ciencias de La Habana. Llegué a conectarme con el arte precolombino desde mi perspectiva como pintora, con un ojo sintonizado hacia el uso del color, sus formas y texturas. Me sedujo la manera como en él se resolvían los problemas plásticos, con imaginación y soltura que recuerdan las obras de muchos artistas modernos. Volví a retomarlo siendo ya restauradora especialista en tejido al estudiar esta colección. En esta ocasión he logrado conectar mi visión a las raíces, al uso ritual y doméstico de estos tejidos. Se procederá a un análisis del estado de conservación, y posteriormente a su restauración.","PeriodicalId":213927,"journal":{"name":"Zea Books","volume":"321 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115279595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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