Musicology Papers最新文献

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The Ferenc László School of Musicology. Perennial Lessons and Testimonies 佛罗伦萨László音乐学院。常年的教训和见证
Musicology Papers Pub Date : 2022-10-01 DOI: 10.47809/mp.2020.35.02.08
Iulia Mogoșan
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引用次数: 0
Career-Related Self-Perceptions of Vocal Music Teacher Candidates 声乐教师候选人职业相关的自我认知
Musicology Papers Pub Date : 2022-10-01 DOI: 10.47809/mp.2021.36.01.01
Rita Kerekes
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引用次数: 0
The Bride's Ritual Song from the Land of Pădureni, Hunedoara. Evolution of a Distinct Melodic Type 新娘的仪式之歌来自秘鲁的普鲁特杜雷尼。一种独特旋律类型的演变
Musicology Papers Pub Date : 2022-10-01 DOI: 10.47809/mp.2021.36.01.05
A. Stan
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引用次数: 0
Relevance of the José Limón Dance Technique in Teaching Modern Dance jos<s:1> Limón舞蹈技术在现代舞教学中的意义
Musicology Papers Pub Date : 2022-10-01 DOI: 10.47809/mp.2021.36.01.08
Ruxandra-Mihaela Enache
{"title":"Relevance of the José Limón Dance Technique in Teaching Modern Dance","authors":"Ruxandra-Mihaela Enache","doi":"10.47809/mp.2021.36.01.08","DOIUrl":"https://doi.org/10.47809/mp.2021.36.01.08","url":null,"abstract":"","PeriodicalId":212720,"journal":{"name":"Musicology Papers","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129451406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Alfred Cortot, portrait of a School Founder 阿尔弗雷德·科托特,一位学校创始人的肖像
Musicology Papers Pub Date : 2022-10-01 DOI: 10.47809/mp.2020.35.02.04
Cristina Eleonora Pascu
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引用次数: 0
The Influence of Political Regimes on Romanian Psaltic Music in the Second Half of the 20thCentury 20世纪下半叶政治制度对罗马尼亚圣咏音乐的影响
Musicology Papers Pub Date : 2020-11-01 DOI: 10.47809/mp.2020.35.01.01
Elena Chircev, Academia Națională de Muzică „Gh. Dima„ Cluj-Napoca
{"title":"The Influence of Political Regimes on Romanian Psaltic Music in the Second Half of the 20thCentury","authors":"Elena Chircev, Academia Națională de Muzică „Gh. Dima„ Cluj-Napoca","doi":"10.47809/mp.2020.35.01.01","DOIUrl":"https://doi.org/10.47809/mp.2020.35.01.01","url":null,"abstract":"During the second half of the 20th century, the Romanian society was marked by two events that had a profound impact on its destiny: the establishment of the communist regime after the abdication of King Michael I in 1948, and the Romanian Revolution of 1989, which marked the end of this regime. The Byzantine monody has had a millenary tradition in this part of Europe, and the contribution of the local chanters to the perpetuation of Orthodox church music – also through their own compositions – is evidenced by the numerous manuscripts written by Romanian authors and by the works printed in the last two centuries. In 20th-century Romania, the music written in neumatic notation specific to the Orthodox Church manifested itself discontinuously due to the historical events mentioned above. The church chant in the traditional psaltic style managed to survive, despite being affected by the Communist Party’s decisions regarding the Church, namely the attempt to standardize the church chant. This paper captures the way in which the preservation of tradition and the perpetuation of church music succeeded through the difficult times of the communist period, with special emphasis on the religious music written in neumatic notation and on certain peculiarities of the period, due to the political regime. The musicians trained before the establishment of Communism – by teachers concerned with the preservation of the good tradition of church chanting, in monastic schools and prestigious theological seminaries of the interwar period – were the binding forces who ensured the rapid revival of the music of Byzantine tradition in the last decade of the 20thcentury and who enriched the repertoire of the Romanian churches with valuable original works.","PeriodicalId":212720,"journal":{"name":"Musicology Papers","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123189900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Komitas – An Icon in Armenian Music 小田-亚美尼亚音乐的偶像
Musicology Papers Pub Date : 2020-11-01 DOI: 10.47809/mp.2020.35.01.07
Ágota Bodurian, Universitatea „Transilvania” din Brașov
{"title":"Komitas – An Icon in Armenian Music","authors":"Ágota Bodurian, Universitatea „Transilvania” din Brașov","doi":"10.47809/mp.2020.35.01.07","DOIUrl":"https://doi.org/10.47809/mp.2020.35.01.07","url":null,"abstract":"Although the 150th anniversary of the birth of the great Armenian composer, Komitas – celebrated with great respect in Armenian communities everywhere – took place last year, we believe that the importance of the work of this icon in Armenian music deserves and must be mentioned in any period. The author of this study has been concerned with the issue of Armenian music for a long time. During the in-depth studies in the field, the conviction of the need to talk about Armenian music – very little known in Europe – and about its famous representatives, of which the most important was and still is Komitas, was strengthened. At the same time, studying the life and work of this outstanding composer, the similarity of his life and career with that of Bartók Béla, sometimes even surprising, arose several times, despite the great geographical distance that separated them. In this article we will try to briefly present the biography and creation of the great Komitas, as well as some parallel elements in terms of life, research and works of the two composers, musicologists and ethnographers. Belonging to the same generation of musicians, they dedicated their lives to collecting, researching and processing authentic folk music, being concerned not only with the folklore of their own nation, but also with the music of neighbouring peoples. The activity and research of the two present remarkable similarities, and through their compositional activity they both succeeded in opening new perspectives, decisive for their descendants, the generations of composers of the twentieth century.","PeriodicalId":212720,"journal":{"name":"Musicology Papers","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125222906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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