Museum Frictions最新文献

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Frontmatter
Museum Frictions Pub Date : 2020-12-31 DOI: 10.1515/9780822388296-fm
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引用次数: 0
Sites of Persuasion: Yingapungapu at the National Museum of Australia 说服的地点:澳大利亚国家博物馆的英加普
Museum Frictions Pub Date : 2020-12-31 DOI: 10.1515/9780822388296-026
H. Morphy
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引用次数: 13
The Complicity of Cultural Production: The Contingencies of Performance in Globalizing Museum Practices 文化生产的共犯:全球化博物馆实践中的偶然性
Museum Frictions Pub Date : 2020-12-31 DOI: 10.1215/9780822388296-025
F. Myers
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引用次数: 2
DOCUMENT: Declaration on the Importance and Value of Universal Museums 文件:《世界博物馆的重要性和价值宣言》
Museum Frictions Pub Date : 2020-12-31 DOI: 10.1515/9780822388296-015
{"title":"DOCUMENT: Declaration on the Importance and Value of Universal Museums","authors":"","doi":"10.1515/9780822388296-015","DOIUrl":"https://doi.org/10.1515/9780822388296-015","url":null,"abstract":"I n December 2002, a “Declaration on the Importance and Value of Universal Museums” was signed by leading museums of Europe and North America. Through the Declaration, these museums wished to stress the vital role they play in cultivating a better comprehension of different civilisations and in promoting respect between them. They also stress the need to address claims for restitution on a case by case basis, with attention to the historical and legal circumstances of acquisition. > On the issue of restitution, is it reprehensible to insist on the examination of each case of acquisition and restitution individually? Of course not, for any claim for unconditional return to the place of origin of a work would be legally questionable and would also show no respect for the history and fate of the object. For example, where and to whom does a Greek Attic vase of the 5 century B.C. belong, which was exported 2,500 years ago from Athens to Etruria, was excavated legally by a Delegation from the Vatican, sold to a Prussian monarch and lastly transferred from the royal collection to the nascent public museum some 170 years ago? Does the vase now belong to Athens, Vulci, Rome or Berlin ? Moreover, many priceless objects would have been destroyed had they not been rescued by archæologists, as is the case with the Pergamon Altar, saved by German archæologists. > From the outset, the State Museums of Berlin based their acquisitions on the decisions of a committee of directors (replacing the personal tastes of largely aristocratic individuals), and displayed the arts and cultures of the whole world. This is why the objects in the collections of major museums may be considered to be part of world heritage. Often these objects only gain their notoriety because they have been displayed, in these universal museums, to a wide international audience for hundreds of years. > The collections in Berlin were acquired through the art market or private commerce. No deal was in fact possible without a contract of sale or permission to export. This does not mean that nothing was sold or exported. But it does mean that all objects came legally into the collections. > The Directors of the State Museums in West Berlin adopted a Declaration in 1976 which condemned illegal excavations, the concealment of origin and the illegal trade of archaeological objects. It argued for cultural exchange through loans between museums which would respect the requirements of preserving and restoring the works. As a consequence, long-term loan agreements have been introduced between Germany and both Italy and Greece. In 2002, we also prepared a Declaration to the effect that we, as Universal Museums, will not loan out for exhibition any objects of dubious legal background. Our international congress on Illegal Archaeology, planned long before the Declaration on Universal Museums, again denounced unauthorised excavation and illegal art-dealing, and proposed solutions. > In connection with the dem","PeriodicalId":212126,"journal":{"name":"Museum Frictions","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116616157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 14
World Heritage and Cultural Economics 世界遗产与文化经济学
Museum Frictions Pub Date : 2020-12-31 DOI: 10.1215/9780822388296-008
B. Kirshenblatt-Gimblett
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引用次数: 74
Communities of Sense/Communities of Sentiment: Globalization and the Museum Void in an Extreme Periphery 感官社区/情感社区:全球化与极端边缘的博物馆空白
Museum Frictions Pub Date : 2020-12-31 DOI: 10.1215/9780822388296-011
Gustavo Buntinx
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引用次数: 3
Exhibitionary Complexes Exhibitionary复合物
Museum Frictions Pub Date : 2020-12-31 DOI: 10.1515/9780822388296-005
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引用次数: 6
Musings on Museums from Phnom Penh 金边博物馆之旅
Museum Frictions Pub Date : 2020-12-31 DOI: 10.1215/9780822388296-015
Ingrid Muan
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引用次数: 7
The Reappearance of the Authentic 真实的再现
Museum Frictions Pub Date : 2020-12-31 DOI: 10.1215/9780822388296-004
M. Hall
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引用次数: 7
Revisiting the Old Plantation: Reparations, Reconciliation, and Museumizing American Slavery 重访旧种植园:美国奴隶制的赔偿、和解与博物馆化
Museum Frictions Pub Date : 2020-12-31 DOI: 10.1215/9780822388296-021
Fath Davis Ruffins
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引用次数: 7
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