{"title":"The Wake’s Challenge to the Exposición de Puerto Rico","authors":"Maite Barragán","doi":"10.1525/lavc.2023.5.1.65","DOIUrl":"https://doi.org/10.1525/lavc.2023.5.1.65","url":null,"abstract":"This essay analyzes how the presence of Francisco Oller’s monumental painting, The Wake, challenged the narrative of progress set forth in the Exposición de Puerto Rico de 1893 (Fair of Puerto Rico). The fair celebrated four hundred years of Spanish rule over Puerto Rico and emphasized the cultural and economic advancements achieved throughout that time. As a contrast to the many displays of the island’s bounty, The Wake offered a vision of jíbaros (Puerto Rican peasants) celebrating a baquiné, an Afro-Caribbean tradition honoring a deceased child. The painting brought attention to the poverty and marginalization of the peasantry as well as their persistent practice of nonnormative rituals. Oller, like many of the other social-reform-minded intellectuals of Puerto Rico, focused on the jíbaro class in order to critique their lifestyles but also to propel social transformation that could improve peasants’ quality of life. My study intervenes in the scholarly literature of Oller and the politics of the fair to show how The Wake visually asserted the prejudices and deterministic preconceptions about these peasants that characterized the views of late-nineteenth century sociologists. More importantly, however, careful observation of the painting reveals subtle inaccuracies such as the scarcity of food and drink in the scene, errors that conflict with the conclusions intellectuals of the time were drawing about the peasantry. These ambiguous compositional choices disclose an unbridgeable gap between the critique The Wake offered and the fair’s objectives, but they are also central to the painting’s relevance in Puerto Rican culture today.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130478057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: Forming Abstraction: Art and Institutions in Postwar Brazil, by Adele Nelson","authors":"Elena Shtromberg","doi":"10.1525/lavc.2023.5.1.93","DOIUrl":"https://doi.org/10.1525/lavc.2023.5.1.93","url":null,"abstract":"","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127728159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: The Metropolis in Latin America, 1830–1930: Cityscapes, Photographs, Debates, edited by Idurre Alonso and Maristella Casciato","authors":"D. Stewart","doi":"10.1525/lavc.2023.5.1.88","DOIUrl":"https://doi.org/10.1525/lavc.2023.5.1.88","url":null,"abstract":"","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"124 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127411745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: Selling Black Brazil: Race, Nation, and Visual Culture in Salvador, Bahia, by Anadelia A. Romo, and Modernity in Black and White: Art and Image, Race and Identity in Brazil, 1890–1945, by Rafael Cardoso","authors":"Abigail Lapin Dardashti","doi":"10.1525/lavc.2023.5.1.90","DOIUrl":"https://doi.org/10.1525/lavc.2023.5.1.90","url":null,"abstract":"","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134295431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: A Maya Universe in Stone, edited by Stephen Houston","authors":"Bryan R. Just","doi":"10.1525/lavc.2023.5.1.84","DOIUrl":"https://doi.org/10.1525/lavc.2023.5.1.84","url":null,"abstract":"","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132220411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: Traitor, Survivor, Icon: The Legacy of La Malinche, edited by Victoria I. Lyall and Terezita Romo","authors":"M. A. Castro","doi":"10.1525/lavc.2023.5.1.86","DOIUrl":"https://doi.org/10.1525/lavc.2023.5.1.86","url":null,"abstract":"","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115605617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Suturing or Puncturing the Social Fabric? Afro-Caribbean Textile Art and the Limits of Repair","authors":"Mathilda Shepard","doi":"10.1525/lavc.2022.4.4.109","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.4.109","url":null,"abstract":"In these Dialogues, Lorna Dillon brings together essays that explore the relationship between fiber art and social justice in Latin America. The authors discuss Chilean arpilleras, needlework projects and the struggle for peace in Colombia, the Mexican Embroidering for Peace Movement, and Margarita Cabrera’s fabric sculptures about the US-Mexico borderlands. The section brings the work of scholars from different regions into dialogue. Beatriz Elena Arias López, Berit Bliesemann de Guevara, and Berena Torres Marín reflect on textile initiatives undertaken by peace signatories of the former guerrilla group FARC. Mathilda Shepard analyzes the work of the Tejedoras de Mampuján, asking what it means to speak of justice, reparations, and reconciliation in the wake of the plantation. Danielle House reflects on Mexican embroidery. She considers violence in Mexico and the way the victims it consumes have been framed as “ungrievable.” Mónica Salazar discusses symbolic resistance in participatory needlework projects about the US-Mexico border. Dillon writes about Chilean arpilleras and Colombian testimonial textiles. She draws parallels among the different artistic practices discussed in the collected essays, tracing the emergence of a supranational artistic movement that generates meaning through a multiplicity of practices. The Dialogues demonstrate the new signifying processes that these needlework groups use, as well as the way they articulate meanings that extend beyond the stitches and semiotics of their clothwork.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131146472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction to the Dialogues on Repairing the Fabric of Society through Needlework","authors":"Lorna Dillon","doi":"10.1525/lavc.2022.4.4.74","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.4.74","url":null,"abstract":"In these Dialogues, Lorna Dillon brings together essays that explore the relationship between fiber art and social justice in Latin America. The authors discuss Chilean arpilleras, needlework projects and the struggle for peace in Colombia, the Mexican Embroidering for Peace Movement, and Margarita Cabrera’s fabric sculptures about the US-Mexico borderlands. The section brings the work of scholars from different regions into dialogue. Beatriz Elena Arias López, Berit Bliesemann de Guevara, and Berena Torres Marín reflect on textile initiatives undertaken by peace signatories of the former guerrilla group FARC. Mathilda Shepard analyzes the work of the Tejedoras de Mampuján, asking what it means to speak of justice, reparations, and reconciliation in the wake of the plantation. Danielle House reflects on Mexican embroidery. She considers violence in Mexico and the way the victims it consumes have been framed as “ungrievable.” Mónica Salazar discusses symbolic resistance in participatory needlework projects about the US-Mexico border. Dillon writes about Chilean arpilleras and Colombian testimonial textiles. She draws parallels among the different artistic practices discussed in the collected essays, tracing the emergence of a supranational artistic movement that generates meaning through a multiplicity of practices. The Dialogues demonstrate the new signifying processes that these needlework groups use, as well as the way they articulate meanings that extend beyond the stitches and semiotics of their clothwork.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131224476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: Form and Feeling: The Making of Concretism in Brazil, edited by Antonio Sergio Bessa","authors":"Erin Aldana","doi":"10.1525/lavc.2022.4.4.135","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.4.135","url":null,"abstract":"","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132242595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bordando por la paz y la memoria","authors":"Danielle House","doi":"10.1525/lavc.2022.4.4.98","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.4.98","url":null,"abstract":"In these Dialogues, Lorna Dillon brings together essays that explore the relationship between fiber art and social justice in Latin America. The authors discuss Chilean arpilleras, needlework projects and the struggle for peace in Colombia, the Mexican Embroidering for Peace Movement, and Margarita Cabrera’s fabric sculptures about the US-Mexico borderlands. The section brings the work of scholars from different regions into dialogue. Beatriz Elena Arias López, Berit Bliesemann de Guevara, and Berena Torres Marín reflect on textile initiatives undertaken by peace signatories of the former guerrilla group FARC. Mathilda Shepard analyzes the work of the Tejedoras de Mampuján, asking what it means to speak of justice, reparations, and reconciliation in the wake of the plantation. Danielle House reflects on Mexican embroidery. She considers violence in Mexico and the way the victims it consumes have been framed as “ungrievable.” Mónica Salazar discusses symbolic resistance in participatory needlework projects about the US-Mexico border. Dillon writes about Chilean arpilleras and Colombian testimonial textiles. She draws parallels among the different artistic practices discussed in the collected essays, tracing the emergence of a supranational artistic movement that generates meaning through a multiplicity of practices. The Dialogues demonstrate the new signifying processes that these needlework groups use, as well as the way they articulate meanings that extend beyond the stitches and semiotics of their clothwork.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133027636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}