Latin American and Latinx Visual Culture最新文献

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The Wake’s Challenge to the Exposición de Puerto Rico 威克的挑战Exposición de Puerto Rico
Latin American and Latinx Visual Culture Pub Date : 2023-01-01 DOI: 10.1525/lavc.2023.5.1.65
Maite Barragán
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引用次数: 0
Review: Forming Abstraction: Art and Institutions in Postwar Brazil, by Adele Nelson 书评:《形成抽象:战后巴西的艺术与制度》,阿黛尔·纳尔逊著
Latin American and Latinx Visual Culture Pub Date : 2023-01-01 DOI: 10.1525/lavc.2023.5.1.93
Elena Shtromberg
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引用次数: 0
Review: The Metropolis in Latin America, 1830–1930: Cityscapes, Photographs, Debates, edited by Idurre Alonso and Maristella Casciato 书评:拉丁美洲的大都市,1830-1930:城市景观,照片,辩论,由伊杜雷·阿隆索和玛丽斯特拉·卡西亚托编辑
Latin American and Latinx Visual Culture Pub Date : 2023-01-01 DOI: 10.1525/lavc.2023.5.1.88
D. Stewart
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引用次数: 0
Review: Selling Black Brazil: Race, Nation, and Visual Culture in Salvador, Bahia, by Anadelia A. Romo, and Modernity in Black and White: Art and Image, Race and Identity in Brazil, 1890–1945, by Rafael Cardoso 书评:出售黑人巴西:巴伊亚州萨尔瓦多的种族、民族和视觉文化,阿纳德利亚·a·罗莫著;以及拉斐尔·卡多佐著的《黑白现代性:1890-1945年巴西的艺术与形象、种族和身份》
Latin American and Latinx Visual Culture Pub Date : 2023-01-01 DOI: 10.1525/lavc.2023.5.1.90
Abigail Lapin Dardashti
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引用次数: 0
Review: A Maya Universe in Stone, edited by Stephen Houston 回顾:石头上的玛雅宇宙,斯蒂芬·休斯顿编辑
Latin American and Latinx Visual Culture Pub Date : 2023-01-01 DOI: 10.1525/lavc.2023.5.1.84
Bryan R. Just
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引用次数: 0
Review: Traitor, Survivor, Icon: The Legacy of La Malinche, edited by Victoria I. Lyall and Terezita Romo 书评:叛徒,幸存者,偶像:拉玛林奇的遗产,维多利亚·i·莱尔和特雷兹塔·罗莫编辑
Latin American and Latinx Visual Culture Pub Date : 2023-01-01 DOI: 10.1525/lavc.2023.5.1.86
M. A. Castro
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引用次数: 0
Suturing or Puncturing the Social Fabric? Afro-Caribbean Textile Art and the Limits of Repair 缝合还是刺穿社会结构?非洲-加勒比纺织艺术和修复的极限
Latin American and Latinx Visual Culture Pub Date : 2022-10-01 DOI: 10.1525/lavc.2022.4.4.109
Mathilda Shepard
{"title":"Suturing or Puncturing the Social Fabric? Afro-Caribbean Textile Art and the Limits of Repair","authors":"Mathilda Shepard","doi":"10.1525/lavc.2022.4.4.109","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.4.109","url":null,"abstract":"In these Dialogues, Lorna Dillon brings together essays that explore the relationship between fiber art and social justice in Latin America. The authors discuss Chilean arpilleras, needlework projects and the struggle for peace in Colombia, the Mexican Embroidering for Peace Movement, and Margarita Cabrera’s fabric sculptures about the US-Mexico borderlands. The section brings the work of scholars from different regions into dialogue. Beatriz Elena Arias López, Berit Bliesemann de Guevara, and Berena Torres Marín reflect on textile initiatives undertaken by peace signatories of the former guerrilla group FARC. Mathilda Shepard analyzes the work of the Tejedoras de Mampuján, asking what it means to speak of justice, reparations, and reconciliation in the wake of the plantation. Danielle House reflects on Mexican embroidery. She considers violence in Mexico and the way the victims it consumes have been framed as “ungrievable.” Mónica Salazar discusses symbolic resistance in participatory needlework projects about the US-Mexico border. Dillon writes about Chilean arpilleras and Colombian testimonial textiles. She draws parallels among the different artistic practices discussed in the collected essays, tracing the emergence of a supranational artistic movement that generates meaning through a multiplicity of practices. The Dialogues demonstrate the new signifying processes that these needlework groups use, as well as the way they articulate meanings that extend beyond the stitches and semiotics of their clothwork.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131146472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction to the Dialogues on Repairing the Fabric of Society through Needlework “用针线活修补社会结构”对话导论
Latin American and Latinx Visual Culture Pub Date : 2022-10-01 DOI: 10.1525/lavc.2022.4.4.74
Lorna Dillon
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引用次数: 0
Review: Form and Feeling: The Making of Concretism in Brazil, edited by Antonio Sergio Bessa 书评:《形式与感觉:巴西具体主义的形成》,安东尼奥·塞尔吉奥·贝萨主编
Latin American and Latinx Visual Culture Pub Date : 2022-10-01 DOI: 10.1525/lavc.2022.4.4.135
Erin Aldana
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引用次数: 0
Bordando por la paz y la memoria 为和平与记忆而刺绣
Latin American and Latinx Visual Culture Pub Date : 2022-10-01 DOI: 10.1525/lavc.2022.4.4.98
Danielle House
{"title":"Bordando por la paz y la memoria","authors":"Danielle House","doi":"10.1525/lavc.2022.4.4.98","DOIUrl":"https://doi.org/10.1525/lavc.2022.4.4.98","url":null,"abstract":"In these Dialogues, Lorna Dillon brings together essays that explore the relationship between fiber art and social justice in Latin America. The authors discuss Chilean arpilleras, needlework projects and the struggle for peace in Colombia, the Mexican Embroidering for Peace Movement, and Margarita Cabrera’s fabric sculptures about the US-Mexico borderlands. The section brings the work of scholars from different regions into dialogue. Beatriz Elena Arias López, Berit Bliesemann de Guevara, and Berena Torres Marín reflect on textile initiatives undertaken by peace signatories of the former guerrilla group FARC. Mathilda Shepard analyzes the work of the Tejedoras de Mampuján, asking what it means to speak of justice, reparations, and reconciliation in the wake of the plantation. Danielle House reflects on Mexican embroidery. She considers violence in Mexico and the way the victims it consumes have been framed as “ungrievable.” Mónica Salazar discusses symbolic resistance in participatory needlework projects about the US-Mexico border. Dillon writes about Chilean arpilleras and Colombian testimonial textiles. She draws parallels among the different artistic practices discussed in the collected essays, tracing the emergence of a supranational artistic movement that generates meaning through a multiplicity of practices. The Dialogues demonstrate the new signifying processes that these needlework groups use, as well as the way they articulate meanings that extend beyond the stitches and semiotics of their clothwork.","PeriodicalId":211015,"journal":{"name":"Latin American and Latinx Visual Culture","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133027636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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