{"title":"4. Gender, Nation and Spatial Mobility in On Top of the Wave, on Top of the Wind","authors":"Quí-Hà Hoàng Nguyễn","doi":"10.1515/9789048541904-007","DOIUrl":"https://doi.org/10.1515/9789048541904-007","url":null,"abstract":"This chapter examines women’s mobility as presented in Vietnamese\u0000 revolutionary cinema in its heyday following the Gulf of Tonkin incident\u0000 (in 1964). Focusing on Ngọc Quỳnh’s On Top of the Wave, on Top of the\u0000 Wind, it argues that this film offers a timely reflection upon the reality\u0000 of fighting and the labour of the Vietnamese people in the American\u0000 War. Through the film’s spatial narrative and visuality of cultural and\u0000 physical geography, the filmmaker conflates nation and home, blurring\u0000 the separation of domestic and public spaces and creating a national/\u0000 familial space for both sexes. Yet while this narrative invokes patriotism\u0000 and mobilizes women’s participation in the national struggle, it also limits\u0000 women’s agency and subjectivity after the war.","PeriodicalId":210445,"journal":{"name":"Southeast Asia on Screen","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122246080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction: Popular Pleasures","authors":"Thomas B. Barker","doi":"10.1515/9789048541904-014","DOIUrl":"https://doi.org/10.1515/9789048541904-014","url":null,"abstract":"","PeriodicalId":210445,"journal":{"name":"Southeast Asia on Screen","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115260579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The 1950s Filipino Komiks-to-Film Adaptation during the Studio Era","authors":"Joyce L. Arriola","doi":"10.2307/j.ctv15d805m.6","DOIUrl":"https://doi.org/10.2307/j.ctv15d805m.6","url":null,"abstract":"This chapter explores the relationship between the komiks industry and\u0000 the film industry in the Philippines during the peak of the 1950s studio era.\u0000 The discussion outlines how stories from komiks published in magazines\u0000 and dedicated publications served as source texts for these films. Drawn\u0000 from earlier oral, theatre and folkloric sources, the komiks funnel story\u0000 materials towards the films, thereby recycling the success of the texts\u0000 in previous forms and recreating the genres as means of producing a\u0000 distinctly Filipino vernacular modernism. It argues that the komiks-to-film\u0000 adaptation highlights the ability of hybrid/adaptive forms to shape the\u0000 national-popular imaginary.","PeriodicalId":210445,"journal":{"name":"Southeast Asia on Screen","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124789636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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