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Research in African Literatures最新文献

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Chinua Achebe’s Things Fall Apart: Literary Humanism and the Question of Human Dignity 阿切贝的物是人非：文学人道主义与人的尊严问题
IF 0.1 3区 文学
Research in African Literatures Pub Date : 2022-03-01 DOI: 10.2979/reseafrilite.52.2.02
Deepa Jani
{"title":"Chinua Achebe’s Things Fall Apart: Literary Humanism and the Question of Human Dignity","authors":"Deepa Jani","doi":"10.2979/reseafrilite.52.2.02","DOIUrl":"https://doi.org/10.2979/reseafrilite.52.2.02","url":null,"abstract":"ABSTRACT:This essay celebrates the sixtieth anniversary of Chinua Achebe’s Things Fall Apart by returning to a cliché that the novel remakes African humanity. While the presumption of Achebe’s humanism has congealed into academic common sense, he does not belong to some of the brands of literary humanism developed since the ascendancy of High Theory. Examining Achebe’s literary humanism in the wake of anti-humanist French theory, which engendered defenses of literary humanism from aesthetic philosophers and postcolonial scholars, I argue that Achebe ascribes neither to propositional nor non-propositional literary humanism, but to the Saidean text-and-language-bound literary humanism by virtue of which he remakes African humanity after Europe in Things Fall Apart. I contend further that as a postcolonial writer his relationship to humanism remains nevertheless ambivalent. Achebe’s humanism in the novel is of aporetic form, “anti-humanistic humanism,” engendering an impassable paradox; qua Said, he is critical of humanism in the name of humanism. Whereas Achebe refashions the precolonial Okonkwo to humanist measure in Things Fall Apart, the figure of Okonkwo is paradoxically molded in the principle of Cartesian individualism of classical realism.","PeriodicalId":21021,"journal":{"name":"Research in African Literatures","volume":"52 1","pages":"29 - 53"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48534070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Good Day for Seeing Color: Nonracialism in Two White South African Children’s Novels 看颜色的好日子：两部南非白人儿童小说中的非种族主义
IF 0.1 3区 文学
Research in African Literatures Pub Date : 2022-03-01 DOI: 10.2979/reseafrilite.52.2.08
Kristien Potgieter
{"title":"A Good Day for Seeing Color: Nonracialism in Two White South African Children’s Novels","authors":"Kristien Potgieter","doi":"10.2979/reseafrilite.52.2.08","DOIUrl":"https://doi.org/10.2979/reseafrilite.52.2.08","url":null,"abstract":"ABSTRACT:This paper discusses the representation of nonracialism in two white South African children’s novels by Jaco Jacobs, A Good Day for Climbing Trees (2018) and A Good Night for Shooting Zombies (2018). By making use of a critical race lens, I demonstrate how a diminished focus on racial difference in white post-transitional South African children’s literature does not reflect the reality of contemporary South African society, which is still largely racialized, nor does it necessarily indicate a racially progressive or anti-racist outlook. In order to demonstrate how nonracialism fails to address structural racism, white supremacy, and white privilege, three narrative strategies of nonracialism in the chosen texts are identified and analyzed: colorblindness, selective cultural specificity, and apartheid decontextualization. It is suggested that alternatives to nonracialism in post-transitional South African children’s literature, which are more suited to addressing enduring racial inequality, white privilege, and structural racism, need to be found.","PeriodicalId":21021,"journal":{"name":"Research in African Literatures","volume":"52 1","pages":"136 - 152"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49373354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Looking for Diouana Gomis (1927–58): The Story behind African Cinema’s Most Iconic Suicide 寻找迪奥阿纳·戈米斯（1927–58）：非洲电影最具标志性的自杀背后的故事
IF 0.1 3区 文学
Research in African Literatures Pub Date : 2022-03-01 DOI: 10.2979/reseafrilite.52.2.01
Doyle Calhoun
{"title":"Looking for Diouana Gomis (1927–58): The Story behind African Cinema’s Most Iconic Suicide","authors":"Doyle Calhoun","doi":"10.2979/reseafrilite.52.2.01","DOIUrl":"https://doi.org/10.2979/reseafrilite.52.2.01","url":null,"abstract":"ABSTRACT:Nearly all analyses of Ousmane Sembène’s novella La Noire de… (Voltaïque, 1962) and its eponymous film adaptation (1966) mention the fact that Sembène found inspiration for his text and film in a French newspaper report of a real suicide. However, scholars have not tracked down a copy of the original report or excavated the history of Diouana Gomis, the real woman whose suicide in 1958—on the heels of the 1958 Referendum and on the eve of Senegalese independence (1960)—served as the inspiration for one of the most iconic of African films. Indeed, the figure of Diouana has become synonymous with Sembène’s literary and cinematic character, in particular her “screen memory” as Senegalese actress’s Mbissine Thérèse Diop’s powerful performance in the film. Until now, traces of the “real” Diouana have remained buried in French police archives, her story receding from view. My essay makes a significant contribution to the study of Sembène’s art and to the memory of Diouana Gomis by reconstructing the backstory of her suicide through unstudied archival documents. Diouana Gomis (1927–58), a thirty-one-year-old, unmarried woman from Boutoupa in the Ziguinchor region of Senegal arrived in Antibes during the second week of April in 1958 and died by suicide less than three months later. The faint archival traces sewn in the wake of her suicide make it possible, and necessary, to reconstruct some of the details of her life and death so that the ghostly signature of this real woman might shadow the “Diouana” whom we see and hear on screen.","PeriodicalId":21021,"journal":{"name":"Research in African Literatures","volume":"52 1","pages":"1 - 28"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44097213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beyond Storytelling: Conceptualizing Economic Principles in Chimamanda Adichie’s Americanah 故事之外：奇玛曼达·阿迪奇《美国》中的经济原则概念化
IF 0.1 3区 文学
Research in African Literatures Pub Date : 2022-03-01 DOI: 10.2979/reseafrilite.52.2.07
Chike Mgbeadichie
{"title":"Beyond Storytelling: Conceptualizing Economic Principles in Chimamanda Adichie’s Americanah","authors":"Chike Mgbeadichie","doi":"10.2979/reseafrilite.52.2.07","DOIUrl":"https://doi.org/10.2979/reseafrilite.52.2.07","url":null,"abstract":"ABSTRACT:Economic principles about Africa have ignored the contributions of African literature. For scholars in the social sciences, African literature has no business in economic theorizing. The role of African writers, many think, is simply to tell African stories, discuss African cultures, and address social issues within the continent. African literature goes beyond these; it contains fascinating economic projections that can support the development of a better economic model for Africa. This paper argues that African literature is a philosophical text that transcends beyond stories on African cultural heritage. Chimamanda Adichie’s Americanah will serve as my primary text for analysis. In order to understand how African writers function as economic thinkers, I situate Ifemelu’s blogging and Obinze’s enterprising formation within the economic theory of entrepreneurship. In Mariama’s hair braiding salon, I foreground Adichie’s projection for vocation, and with the narrative on Edusco, I conceptualize the idea of the Igbo apprenticeship model, Igba-Odibo.","PeriodicalId":21021,"journal":{"name":"Research in African Literatures","volume":"52 1","pages":"119 - 135"},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46385170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
"Expanding the Present": Utopianism and the Celebration of the Subaltern in Angolan Literature “拓展当下”：乌托邦主义与安哥拉文学对下层阶级的颂扬
IF 0.1 3区 文学
Research in African Literatures Pub Date : 2021-12-09 DOI: 10.2979/reseafrilite.52.1.01
Dorothée Boulanger
{"title":"\"Expanding the Present\": Utopianism and the Celebration of the Subaltern in Angolan Literature","authors":"Dorothée Boulanger","doi":"10.2979/reseafrilite.52.1.01","DOIUrl":"https://doi.org/10.2979/reseafrilite.52.1.01","url":null,"abstract":"ABSTRACT:Through the study of Rioseco (1999), a little-known novel written by the Angolan author Manuel Rui, this article proposes to examine how, during some of the country's darkest hours, Angolan postcolonial literature remained an important site of creative resistance and utopia. Using Boaventura de Sousa Santos's works on the need to widen our understanding of social reality by taking into account the subaltern experiences and cosmologies traditionally discarded as irrelevant and anachronistic by Western rationality, this article examines how fiction literature in Angola participates in the decolonization of knowledge by forming an alternative archive, shedding light on subaltern populations in the country. Focusing more specifically on the subversion of gender stereotypes and the connection between material culture, community, and spirituality in postcolonial Angola, I highlight how the celebration of African cosmologies participates in the reimagining of modes of conviviality and reconciliation in a country plagued by violence and poverty.","PeriodicalId":21021,"journal":{"name":"Research in African Literatures","volume":"52 1","pages":"1 - 18"},"PeriodicalIF":0.1,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47080744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Spaces of Resistance in Assia Djebar's Ombre Sultane [A Sister to Scheherazade] and Femmes d'Alger Dans Leur Appartement [Women of Algiers in Their Apartment] 亚洲-杰巴尔的Ombre Sultane[舍赫拉扎德的姐妹]和Femmes d'Alger Dans Leur Apartment[公寓里的阿尔及尔妇女]中的抵抗空间
IF 0.1 3区 文学
Research in African Literatures Pub Date : 2021-12-09 DOI: 10.2979/reseafrilite.52.1.02
Reshmi Mukherjee
{"title":"Spaces of Resistance in Assia Djebar's Ombre Sultane [A Sister to Scheherazade] and Femmes d'Alger Dans Leur Appartement [Women of Algiers in Their Apartment]","authors":"Reshmi Mukherjee","doi":"10.2979/reseafrilite.52.1.02","DOIUrl":"https://doi.org/10.2979/reseafrilite.52.1.02","url":null,"abstract":"ABSTRACT:This article is a study of the transformation of harems and hammams from marginalized, gender-secluded locations to sites for and of resistance in Assia Djebar's Ombre Sultane [A Sister to Scheherazade] and Femmes d'Alger dans leur appartement [Women of Algiers in Their Apartment]. It argues that domestic and private spaces like the harem and hammam denotes both \"a space and a category of people\" and contends that the female dwellers of Assia Djebar's stories, whose identities are integral to the places they inhabit, actively change these places, break the stereotypical image of the Arab women as docile, and represent themselves as independent female subjects of postcolonial Algeria (Schick, \"Harem\" 69).","PeriodicalId":21021,"journal":{"name":"Research in African Literatures","volume":"52 1","pages":"19 - 35"},"PeriodicalIF":0.1,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44124457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Probably Ghostwritten, L'enfant noir: A Lost African Vision for Global Interdependence with 21st-Century Relevance 可能是Ghostwritten，L‘enfant noir：非洲对21世纪全球相互依赖的失落愿景
IF 0.1 3区 文学
Research in African Literatures Pub Date : 2021-12-09 DOI: 10.2979/reseafrilite.52.1.04
Mads Larsen
{"title":"Probably Ghostwritten, L'enfant noir: A Lost African Vision for Global Interdependence with 21st-Century Relevance","authors":"Mads Larsen","doi":"10.2979/reseafrilite.52.1.04","DOIUrl":"https://doi.org/10.2979/reseafrilite.52.1.04","url":null,"abstract":"ABSTRACT:Christopher Miller recently supported Adele King's exposure of L'enfant noir (1953) as likely having been ghostwritten, thus ingraining the stain of French anti-independence conspiracy on the founding novel of Francophone African literature. A new perspective on decolonialization from Frederick Cooper and Gary Wilder suggests that it is misunderstood to read Camara Laye's biography as political betrayal. The novel embodies a vision for global cooperation that transcends the nation-state, a position that archival research reveals to have been hegemonic in French West African postwar discourse. Pluralistic sovereignty was meant to ensure both cultural integrity and fair, effective governance in an interdependent world. This vision was lost with the balkanization of Africa, but it parallels what Jürgen Habermas, Yuval Harari, and other scholars view as crucial in order to solve twenty-first-century challenges. The structural dilemma that colonies faced in the 1950s now threatens the entire global community.","PeriodicalId":21021,"journal":{"name":"Research in African Literatures","volume":"52 1","pages":"52 - 70"},"PeriodicalIF":0.1,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46891020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Narrating Silence in André Brink's The Other Side of Silence (2002): A Performative Analysis 安德烈•布林克《沉默的另一面》(2002)中的沉默叙事:行为分析
IF 0.1 3区 文学
Research in African Literatures Pub Date : 2021-12-09 DOI: 10.2979/reseafrilite.52.1.05
Maha Mohamed Samy Ibrahim Elhalawany
{"title":"Narrating Silence in André Brink's The Other Side of Silence (2002): A Performative Analysis","authors":"Maha Mohamed Samy Ibrahim Elhalawany","doi":"10.2979/reseafrilite.52.1.05","DOIUrl":"https://doi.org/10.2979/reseafrilite.52.1.05","url":null,"abstract":"ABSTRACT:In the aftermath of colonization with its psychologically devastating impact on the colonized, narratives of trauma face the difficulty of describing the painful experience of the victimized due to the failure of the human language to depict the sweeping, unutterable feeling of pain experienced. Given this rhetorical incompetence, silence has become a legitimate response to trauma. In the postcolonial context, silence is mainly conceptualized from an ideological perspective as a deliberate tactic by the victim to subvert the techniques of hegemonic discourse. The paper presents a context of colonial violence by Andre Brink's On the Other Side of Silence, reconceptualizing silence as an instrument of empowerment, assertion, and recognition. However, the paper departs from presenting silence as a rhetorical device that can only be studied on semiotic premises. The study rather exploits silence as a mode of representation and a performative tool. The paper foregrounds the performative, nonverbal quality of silence as a more powerful strategy of lending voice to the powerless.","PeriodicalId":21021,"journal":{"name":"Research in African Literatures","volume":"52 1","pages":"71 - 83"},"PeriodicalIF":0.1,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41900667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
A Practical Poetics for Orality: Nnabuenyi Ugonna's "Igidi" and Ezenwa-Ohaeto's Poetics and The Voice of the Night Masquerade 一种实用的口头诗学:Nnabuenyi Ugonna的《Igidi》和Ezenwa-Ohaeto的《诗学》和《夜假面舞会之声》
IF 0.1 3区 文学
Research in African Literatures Pub Date : 2021-12-09 DOI: 10.2979/reseafrilite.52.1.08
C. Okoye
{"title":"A Practical Poetics for Orality: Nnabuenyi Ugonna's \"Igidi\" and Ezenwa-Ohaeto's Poetics and The Voice of the Night Masquerade","authors":"C. Okoye","doi":"10.2979/reseafrilite.52.1.08","DOIUrl":"https://doi.org/10.2979/reseafrilite.52.1.08","url":null,"abstract":"ABSTRACT:The \"igidi,\" a culturally relevant tool in literary criticism, is important in Nnabuenyi Ugonna's study of the dramatic aspects of the Igbo ancestral mask in Mmonwu: A Dramatic Tradition of the Igbo. The \"igidi,\" as an equivalent to a prosodic foot, is Ugonna's solution to the problem of suitability in the analyses of Igbo mask chants. The \"igidi\" in this instance is such a culturally relevant tool. Similarly, Ezenwa-Ohaeto, in his text Contemporary Nigerian Poetry and the Poetics of Orality, advocates for a unique poetics for the criticism of contemporary oral texts. He postulates and applies this framework to critiques of poems featured in the text. In this article, a combination of \"igidi,\" the poetics of orality, and context-based pragmatic analyses, which was developed into \"universalist relativism,\" the author's construct is applied to select lines of The Voice of the Night Masquerade. This paper effectively negotiates the literary legacy of orality, its applications, and contemporaneity through a coherent poetics and argues for their application in wider scopes and texts.","PeriodicalId":21021,"journal":{"name":"Research in African Literatures","volume":"52 1","pages":"127 - 138"},"PeriodicalIF":0.1,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45958334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
A Critique of Afropolitanism: Toward the Formation of a New Reading Model—Nigeriopolitanism 非洲政治主义批判:走向一种新的阅读模式——尼日利亚政治主义
IF 0.1 3区 文学
Research in African Literatures Pub Date : 2021-12-09 DOI: 10.2979/reseafrilite.52.1.09
Olanike Lawore
{"title":"A Critique of Afropolitanism: Toward the Formation of a New Reading Model—Nigeriopolitanism","authors":"Olanike Lawore","doi":"10.2979/reseafrilite.52.1.09","DOIUrl":"https://doi.org/10.2979/reseafrilite.52.1.09","url":null,"abstract":"ABSTRACT:This study contextualizes and theorizes Nigeriopolitanism as a tool wielded by many Nigerian authors for the purpose not only of countering essentialized constructions of Nigerian identity in 19th- and early 20th-century British texts but also of contributing to negotiating Nigerian identities in a global space. Drawing on the concept of Afropolitanism, this study, through the agency of Nigeriopolitanism, redresses the central critique leveled against Afropolitanism, namely that the concept does not apply to those living in the African continent but only to its diasporas. Reading across a range of Nigerian authors from first-generation writers to 21st-century writers such as Chinua Achebe, Chukwuemeka Ike, Buchi Emecheta, and Chimamanda Adichie, this study examines the expressions of Nigeriopolitanism. The understanding of Nigeriopolitanism is crucial to understanding the multiple, complex, and ambiguous Nigerian identities and the modern-day realities of globalization and their impacts. This project will provide a model for other countries that have similar demographics to Nigeria.","PeriodicalId":21021,"journal":{"name":"Research in African Literatures","volume":"52 1","pages":"139 - 155"},"PeriodicalIF":0.1,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43684874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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