Theatre Topics最新文献

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Shaping Life, Shaping Work: Julio Torres’s Queer Comic Labor 塑造生活,塑造工作:胡里奥-托雷斯的同性恋漫画劳动
Theatre Topics Pub Date : 2024-07-01 DOI: 10.1353/tt.2024.a932206
Adin Walker
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引用次数: 0
Inside the Performance Workshop: A Sourcebook for Rasaboxes and Other Exercises ed. by Rachel Bowditch, Paula Murray Cole, and Michele Minnick (review) Inside the Performance Workshop:Rachel Bowditch、Paula Murray Cole 和 Michele Minnick 编著的《Rasaboxes 和其他练习的资料手册》(评论)
Theatre Topics Pub Date : 2024-07-01 DOI: 10.1353/tt.2024.a932214
Matthew Leveille
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引用次数: 0
Love Is Love Is Love: Broadway Musicals and LGBTQ Politics, 2010–2020 by Aaron C. Thomas (review) 爱就是爱,爱就是爱:百老汇音乐剧与 LGBTQ 政治,2010-2020 年》,作者 Aaron C. Thomas(评论)
Theatre Topics Pub Date : 2024-07-01 DOI: 10.1353/tt.2024.a932218
Samuel Yates
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引用次数: 0
What It Is to Perform , Not Tell , Jokes: Toward a Manifesto of Stand-Up Research 什么是表演,而不是讲笑话:走向单口相声研究宣言
Theatre Topics Pub Date : 2024-07-01 DOI: 10.1353/tt.2024.a932205
Izuu Nwankwọ
{"title":"What It Is to Perform , Not Tell , Jokes: Toward a Manifesto of Stand-Up Research","authors":"Izuu Nwankwọ","doi":"10.1353/tt.2024.a932205","DOIUrl":"https://doi.org/10.1353/tt.2024.a932205","url":null,"abstract":"Abstract: This essay makes a case for studying stand-up comedy with theatre analytical tools by highlighting its performative nature and discussing how body interactivities within its enactment produce meaning and humor beyond what comedians say. It provides an alternate reading of stand-up comedy to the prevalence of linguistic evaluations, which often conflate stand-up art with other comedic traditions that are not performed. I argue that such perspectives often downplay the co-participation of the audience and what comedians do with their bodies. Citing joke samples from three African diasporic comedians—Gina Yashere, Urzila Carlson, and Hoodo Hersi performing in the US, New Zealand, and Canada, respectively—I explore the use of the body, audience involvement, and other performed aspects from which hilarity is derived.","PeriodicalId":209215,"journal":{"name":"Theatre Topics","volume":"15 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141712832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Space, Time and Ways of Seeing: The Performance Culture of Kutiyattam by Mundoli Narayanan (review) 空间、时间和观看方式:Mundoli Narayanan 著的《库提亚塔姆的表演文化》(评论)
Theatre Topics Pub Date : 2024-07-01 DOI: 10.1353/tt.2024.a932216
Vimal C Akhila
{"title":"Space, Time and Ways of Seeing: The Performance Culture of Kutiyattam by Mundoli Narayanan (review)","authors":"Vimal C Akhila","doi":"10.1353/tt.2024.a932216","DOIUrl":"https://doi.org/10.1353/tt.2024.a932216","url":null,"abstract":"","PeriodicalId":209215,"journal":{"name":"Theatre Topics","volume":"237 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141692441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Race and the Classics: An Argument for Empathy 种族与经典移情论证
Theatre Topics Pub Date : 2024-07-01 DOI: 10.1353/tt.2024.a932200
Carla Della Gatta, Harvey Young
{"title":"Race and the Classics: An Argument for Empathy","authors":"Carla Della Gatta, Harvey Young","doi":"10.1353/tt.2024.a932200","DOIUrl":"https://doi.org/10.1353/tt.2024.a932200","url":null,"abstract":"Abstract: Centering the corporeal and identitarian distance between racialized and ethnicized actors and adaptations of classics, we contend that these spaces between lived (the actor), performed (the character), and witnessed (the audience member) exist as zones of potential empathetic connection. Recent studies question whether reading literary fiction indeed makes us more empathic, and if empathy can be an effective political tool. We question the efficacy of such adaptations and note how race grounds these plays differently than an updated white setting. However, we are also convinced that the first step toward dialogue requires people being willing to encounter one another and consider another’s point of view.","PeriodicalId":209215,"journal":{"name":"Theatre Topics","volume":"34 24","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141716901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sustainable Theatre: Theory, Context, Practice by Iphigenia Taxopoulou (review) 可持续戏剧:理论、背景、实践》,作者 Iphigenia Taxopoulou(评论)
Theatre Topics Pub Date : 2024-07-01 DOI: 10.1353/tt.2024.a932213
Erika Guay
{"title":"Sustainable Theatre: Theory, Context, Practice by Iphigenia Taxopoulou (review)","authors":"Erika Guay","doi":"10.1353/tt.2024.a932213","DOIUrl":"https://doi.org/10.1353/tt.2024.a932213","url":null,"abstract":"","PeriodicalId":209215,"journal":{"name":"Theatre Topics","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141691475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Embodying Extraness: Leslie Jones’s Black Feminist Comedic Strategy 体现非凡:莱斯利-琼斯的黑人女权主义喜剧策略
Theatre Topics Pub Date : 2024-07-01 DOI: 10.1353/tt.2024.a932203
Amani Starnes
{"title":"Embodying Extraness: Leslie Jones’s Black Feminist Comedic Strategy","authors":"Amani Starnes","doi":"10.1353/tt.2024.a932203","DOIUrl":"https://doi.org/10.1353/tt.2024.a932203","url":null,"abstract":"Abstract: This article takes up Leslie Jones’s 2014 debut performance on Saturday Night Live’s “Weekend Update,” in which she introduced her “#1 Slave Draft Pick” joke. Within the framework of Black Feminist Comedic Performance (BFCP), I analyze Jones’s performance to introduce the concept of “Extraness,” a strategic mode of Black feminist comedic embodiment. I schematize Extraness as performing excessive acts of self-expression, subverting stereotypes, and articulating an affective and phenomenological outsideness. The concept extends beyond mere excess, evolving into a strategic technique for self-actualization and embodied critique as it confounds linear conceptions of time and progress. The article posits Extraness as the reclaiming of the unruliness assigned to Black women’s bodies across time and space. I explore the dynamic relationship between the joke and audience perception, shedding light on the role of Extraness in shaping spectatorship, and highlight the complexity of Extraness, which may agitate some viewers’ sensibilities while fostering a sense of community among others. I contend that Extraness, though challenging for some audiences, remains an essential tool for Black women comedians to confront and reshape narratives about their experiences.","PeriodicalId":209215,"journal":{"name":"Theatre Topics","volume":"35 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141715388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Wellness, Community, and Aging: Refocused and Renewed 健康、社区和老龄化:重新聚焦与更新
Theatre Topics Pub Date : 2024-03-01 DOI: 10.1353/tt.2024.a920476
Andrew Gaines, Erika Hughes, Georgia Grace Bowers
{"title":"Wellness, Community, and Aging: Refocused and Renewed","authors":"Andrew Gaines, Erika Hughes, Georgia Grace Bowers","doi":"10.1353/tt.2024.a920476","DOIUrl":"https://doi.org/10.1353/tt.2024.a920476","url":null,"abstract":"Abstract: The Wellness, Community, and Aging (WCA) Focus Group has flourished over the past five years at the Association for Theatre in Higher Education (ATHE). In this article, we recount the history of this focus group, document its transformation, and look to future directions.","PeriodicalId":209215,"journal":{"name":"Theatre Topics","volume":"55 15","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140085589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Imposed Limits of Embodied Knowledge 嵌入式知识的限制
Theatre Topics Pub Date : 2024-03-01 DOI: 10.1353/tt.2024.a920472
Jeanne Tiehen
{"title":"The Imposed Limits of Embodied Knowledge","authors":"Jeanne Tiehen","doi":"10.1353/tt.2024.a920472","DOIUrl":"https://doi.org/10.1353/tt.2024.a920472","url":null,"abstract":"Abstract: Despite a lifetime of embodied knowledge that has been acquired through theatre, dance, and athletics, I discovered a contrast between the value and trust placed on the body in performance versus the value of embodied knowledge in medical care. In analyzing experiences of Long COVID as a theatre practitioner and scholar, I illustrate how foundational awareness of the body is often dismissed when seeking medical care for this new chronic illness, which is a radically different experience from how we highly prioritize the body and awareness of it in performance technique and training. This essay explains how Long COVID has reshaped how I teach, practice theatre, advocate for Long COVID and COVID-19 mitigations, and live.","PeriodicalId":209215,"journal":{"name":"Theatre Topics","volume":"121 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140088172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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